Items Similar to André Hallet, Liège, Belgium 1890 – 1959 Kisenyi, Rwanda, 'The Water Carriers'
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 9
André HalletAndré Hallet, Liège, Belgium 1890 – 1959 Kisenyi, Rwanda, 'The Water Carriers'1890 – 1959
1890 – 1959
About the Item
André Hallet
Liège, Belgium 1890 – 1959 Kisenyi, Rwanda
Belgian Painter
'The Water Carriers'
Signature: Signed bottom left, placed and named on reverse
Medium: Oil on canvas
Dimensions: Image size 100 x 80,50 cm, frame size 120,50 x 100,50 cm
Biography: Hallet André was born in the Liege in 1890, emerged as a luminary in the world of Belgian post-impressionist painting. His oeuvre, a testament to his profound talent, has graced the walls of over 60 museums worldwide, including the venerable Louvre in Paris, France.
Hallet’s artistic repertoire was as expansive as it was breathtaking. He wielded his brush with mastery in a multitude of genres, creating enchanting landscapes, bustling cityscapes, serene garden views, captivating marine scenes, evocative genre depictions, and intimate portraits that breathed life onto his canvases.
The journey of André Hallet’s artistry began under the tutelage and guidance of R. Heintz. He honed his craft further at the Academy in Liege.
It was in the South of France that Hallet discovered the transcendent allure of light and the sun, infusing his work with a cheerful and impressionistic burst of color. The vibrant hues of his palette mirrored the radiant landscapes he encountered in Flanders and the Mediterranean, from the sun-kissed shores of Southern France to the picturesque vistas of Italy.
In 1920, Hallet embarked on a new chapter, working in the enchanting city of Bruges before ultimately settling in Leuven. Each location left its mark on his art, contributing to the rich tapestry of his creative journey.
A turning point in Hallet’s life came in 1934 when the Belgian government sent him to Congo. Later, in 1947, he found his home on the shores of Lake Kivu in Kisenyi, present-day Rwanda. It was here that he would spend the remainder of his life, captivated by the mesmerizing beauty of the African landscape. He passed away in 1959, leaving a lasting legacy.
During his time in Africa, Hallet forged a deep connection with Tutsi king Mwambi Matura III of Ruanda-Burundi. This relationship inspired a series of exquisitely detailed portraits, offering a glimpse into the regal splendor of the king’s family and court.
Before his African sojourn, Hallet’s artistic wanderlust led him through the enchanting landscapes of southern France, Naples, Capri, and Sicily during his formative years. This period, known as his “European period,” laid the foundation for his later masterpieces.
Hallet’s most renowned works are those that capture the enchanting essence of Congo and the breathtaking vistas surrounding Lake Kivu in present-day Rwanda. These paintings stand as timeless testaments to his enduring talent.
Today, André Hallet’s artistic legacy lives on in the collections of prominent museums, including the Museum of Brussels, Tournai, Leuven, Liege, Aix-en-Provence, Marseille, Paris, Belgrade, Kaunas, Ottawa, and New York.
- Creator:André Hallet (1890 - 1959, Belgian)
- Creation Year:1890 – 1959
- Dimensions:Height: 47.45 in (120.5 cm)Width: 39.57 in (100.5 cm)Depth: 3.94 in (10 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:The artwork is elegantly displayed within a high-quality original frame, impeccably preserved in its excellent condition. This piece is presented in a state suitable for immediate gallery hanging, having undergone professional review.
- Gallery Location:Bruges, BE
- Reference Number:1stDibs: LU2006213741782
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1998
1stDibs seller since 2022
14 sales on 1stDibs
Typical response time: 5 hours
- ShippingRetrieving quote...Ships From: Bruges, Belgium
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Judgment of Paris, Georges Van Zevenberghen, Brussels 1877 – 1968, SignedLocated in Bruges, BEJudgment of Paris Van Zevenberghen Georges Brussels 1877 – 1968, Belgian Painter Signature: Signed bottom left and dated 37 Medium: Oil on canvas Dimensions: Image size 50 x 60 cm,...Category
Early 20th Century Post-Impressionist Nude Paintings
MaterialsCanvas, Oil
- Emile Baes, Brussels 1879 – 1953 Paris, Belgian Painter, Female NudeBy Emile BaesLocated in Bruges, BEBaes Emile Brussels 1879 – 1953 Paris Belgian Painter Female Nude Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 65 x 54 cm Biography: Baes Emile was b...Category
Early 20th Century Impressionist Nude Paintings
MaterialsCanvas, Oil
- Romantic Portraits, Herman Richir, Brussels 1866 – 1942, Belgian PainterLocated in Bruges, BERomantic Portraits Richir Herman Brussels 1866 – 1942 Belgian Painter Signature: Attributed to Richir Herman Medium: Oil on canvas Dimensions: Image size 67,50 x 62,50 cm, frame size 69,50 x 64,50 cm Biography: Richir Herman Jean Joseph was born in Ixelles (Brussels), on November 4, 1866. He was a Belgian painter of portraits, still lifes, genre paintings, nudes and landscapes. He made decorative paintings to fit into private homes. Richir mainly painted portraits. His clients usually belonged to the higher circles. He portrayed amongst others King Albert and Queen Elisabeth, Cardinal Mercier and Countess d’Oultremont. Less known are the landscape paintings he made Limburg and Kempen, where he regularly stayed with befriended artist Emile Van Doren (1865 – 1949). Herman Richir first studied at the Sint-Joost-ten-Node Academy with Gustave Biot and Charles Hermans, continued his education at the Royal Academy of Fine Arts in Brussels (1884-1889) with the master teacher and artist Jean-Francois Portaels (1818 – 1895). In 1886, during his studies, he won second Prize of Rome for Painting. Richir lived in Schaarbeek. In 1900 he became a teacher of drawing and in 1905 first teacher of painting after nature at the Brussels Academy. He was director there several times 1906-1907, 1910, 1911, 1915-1919, 1925-1927. He was retired in 1927. His pupils included Albert Alleman (1892 – 1933), Éliane de Meuse (1899 – 1993), Paul Hagemans (1884 – 1959), Maurice Mareels (1893 – 1976), Guy Onkelinx (1879 – 1935), Georges Rogy (1897 – 1981), José Storie (1899 – 1961), Charles Swyncop (1895 – 1970), Maurice Schelck...Category
20th Century Romantic Portrait Paintings
MaterialsCanvas, Oil
- Hubert Malfait, 1898 – 1971, Belgian Painter, 'Sitting Nude', Signed top leftLocated in Bruges, BEHubert Malfait Astene 1898 – 1971 Sint-Martens-Latem Belgian Painter 'Sitting Nude' Signature: Signed top left Medium: Oil on canvas Dimensions: Image size 90 x 60 cm, frame size 114 x 84 cm Biography: Malfait Hubert was a Belgian painter who belonged to the third Latem School. He was born in 1898 in Astene, Belgium, as the son of the local municipal secretary Jules Malfait. Growing up amidst influential figures like Emile Claus, Valerius De Saedeleer, and Albijn Van den Abeele, who were friends of his father, Malfait developed an early affinity for art. During the war years, he studied at the Gent Academy of Fine Arts alongside Jules De Sutter. A pivotal moment in Malfait's career occurred in 1924 during the exhibition "Laethemsche Kunstenaarskolonie," where he met critics André De Ridder, Paul-Gustave van Hecke, and Georges Marlier. This led him to become an integral part of the avant-garde expressionist group around Gustave De Smet, Frits Van den Berghe, and Constant Permeke. Progressive Brussels galleries strongly supported him, considering him the flagbearer of a new generation of expressionists. Despite economic challenges and the bankruptcy of Le Centaure, Malfait's primary supporter, in 1932, he continued to shape the Brussels art scene. Emmanuel de Bom defended him, asserting the vitality of expressionism. Malfait reemerged in 1934 with an exhibition at Galerie Louis Manteau. In the 1930s, Malfait was a prominent figure in the Gent art scene, showcasing his works at venues like Ars and later at Galerie Vyncke-van Eyck. The economic crisis and Le Centaure's bankruptcy affected Malfait, but he resurged in 1934 with an exhibition at Galerie Louis Manteau. The war years marked a shift in Malfait's exhibitions, with major solo shows occurring in 1944. He exhibited paintings in Galerie Brueghel and drawings in Galerie Apollo. The Museum voor Schone Kunsten in Oostende organized an extensive retrospective just before his death in 1971. Malfait's artistic evolution saw him transition from impressionism to expressionism, influenced by Eugène Laermans and Jakob Smits...Category
Early 20th Century Expressionist Nude Paintings
MaterialsOil, Canvas
- ‘Golden Gate Bridge, Californian Coast’ by Margaret France Robinson, 1908 – 1985Located in Bruges, BEMargaret France Robinson New Orleans 1908 – 1985 American Painter ‘Golden Gate Bridge, Californian Coast’ Signature: Signed lower right Medium: Oil on canvas Dimensions: Image size ...Category
20th Century Post-Impressionist Landscape Paintings
MaterialsCanvas, Oil
- 'Spring Flowers in a Vase' by Jeanne Bieruma Oosting, 1898 - 1994, DutchLocated in Bruges, BEBieruma Oosting Jeanne Leeuwarden 1898 – 1994 Almen Dutch Painter 'Spring Flowers in a Vase' Signature: Signed lower right and dated 1939 Medium: Oil on canvas Dimensions: Image size 101 x 81 cm, frame size 116 x 97 cm Biography: Adriana Johanna Wilhelmina Bieruma Oosting, better known as Jeanne Bieruma...Category
20th Century Post-Impressionist Still-life Paintings
MaterialsCanvas, Oil
You May Also Like
- Orientala By Reuven RubinBy Reuven RubinLocated in New Orleans, LAReuven Rubin Israeli | 1893-1974 Orientala Signed “Reuven Rubin" Oil on canvas A striking and unique work rendered in a breathtaking jewel-toned palette, Orientala by Rueven Rubin...Category
20th Century Post-Impressionist Nude Paintings
MaterialsOil, Canvas
- The painter and the Model oil on canvas painting fauvism nudeBy Jordi CurosLocated in Barcelona, BarcelonaJordi Curós Ventura (1930-2007) - the painter and the Model - Oil on canvas. Work measurements 61x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...Category
1970s Fauvist Nude Paintings
MaterialsCanvas, Oil
- Deux Baigneuses dans un Paysage by GEORGES MANZANA PISSARRO - BathersBy Georges Henri Manzana PissarroLocated in London, GBDeux Baigneuses dans un Paysage by GEORGES MANZANA PISSARRO (1871-1961) Oil on canvas 38 x 46 cm (15 x 18 1⁄8 inches) Signed and dated lower left, Manzana Pissarro 55 This work is ...Category
1950s Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
- Rebecca Couchée by JULES PASCIN - School of Paris, Nude Painting, Figurative ArtBy Jules PascinLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Rebecca Couchée by JULES PASCIN (1885-1930) Oil over pencil on canvas 73.1 x 91.8 cm (28 ¾ x 36 ⅛ inches) Signed lower right, Pascin Executed in 1927, Boulevard de Clichy, Paris Provenance Collection Marcel Bernheim, Palais des Beaux-Arts de Bruxelles, acquired from the artist, 1928 Pierre Blum, Paris, acquired from the above, 1952 Perls Galleries, New York, no. 13565 Private collection, Osaka Sotheby’s, New York, 14th May 1998 Peter Findlay Gallery Inc., New York Private collection, USA, acquired from the above, June 2011 Literature Luis Seoane...Category
1920s Post-Impressionist Nude Paintings
MaterialsOil, Canvas, Pencil
- Le carnaval du sage by René MagritteBy René MagritteLocated in New Orleans, LARené Magritte 1898-1967 Belgian Le carnaval du sage (The Sage’s Carnival) Signed “Magritte” (lower right); titled and dated "Le carnaval du sage 1947" (en verso) Oil on canvas The enigmatic paintings of René Magritte have become some of the most familiar and celebrated of the Surrealist movement. Among the most influential of the Surrealist painters of the 20th century, Magritte is an artist of international renown, as beloved for his popular appeal as he is for the psychological intensity of his works. The present oil on canvas, entitled Le carnaval du sage, was executed in 1947 at the height of his career, and it is a tour-de-force example of the haunting, mysterious scenes that comprise his oeuvre. Painted in the years following the Second World War, Le carnaval du sage showcases several recurring themes from Magritte’s oeuvre. Chiefly, a juxtaposition between the visible and the hidden is keenly felt. Throughout his career, Magritte explores the psychological obsession with revealing what is hidden, particularly with regard to the human face. In his Le fils de l’homme, he obscures the face of a man in a bowler hat with an apple, while his Les amants (Metropolitan Museum of Art) conceals the faces of two lovers with white sheets. In Le carnaval du sage, Magritte juxtaposes the blatant nudity of his central figure by masking her face, simultaneously revealing and concealing her from the viewer. The work also incorporates two of Magritte’s most common tropes – the glass of water and the baguette. Lending the scene a strange sense of domesticity, they appear infinitely familiar and distinctly out of place, and thus heighten the uncanny effect of Magritte’s composition. In the background hovers a ghost obscured by a sheet, a figure which was of particular fascination to Magritte beginning in 1946. He once wrote to his fellow Surrealist Paul Nougé: "I saw in a dream an answer to the problem of the ghost: the traditional ghost draped...Category
20th Century Post-Impressionist Nude Paintings
MaterialsCanvas, Oil
- Nu Assise by Ludovic-Rodo Pissarro - Nude paintingBy Ludovic-Rodo PissarroLocated in London, GBNu Assise by Ludovic-Rodo Pissarro (1878-1952) Oil on canvas 55 x 47 cm (21 ⅝ x 18 ½ inches) Signed lower left, Ludovic Rodo Executed circa 1910 This work is accompanied by a cer...Category
1910s Fauvist Nude Paintings
MaterialsCanvas, Oil