Grigory Gluckmann

Nu de dos

20th Century

Adolphe LA LYRE 1850-1935 French "La danse des Sirènes" Oil on canvas Signed and dated lower left Painted in 1909 Canvas: 59" high x 78 3/4" wide Frame: 64"high x 84 5/8" wide ...

Delphin Enjorlas 1857-1945 French La Lecture Oil on canvas Signed lower left Canvas: 18 1/8" high x 24" wide Frame: 27 1/8" high x 33 1/8" wide Delphin Enjolras was a French g...

Marguerite AROSA (1850-1903), French "Baigneuse" (Bather) Oil on canvas Signed lower left Canvas: 66 1/5" high x 50" wide Frame: 74 1/5" high x 57 1/2" wide This painting was e...

Adolphe La Lyre 1850-1935 French Dans les Rochers de la PLage, a Carteret Oil on canvas Signed lower right Canvas: 42" high x 78" wide Frame: 47 1/4" high x 82 1/2" wide Origi...

Albert LYNCH (1851-1936) French "Rêverie" Oil on canvas Signed lower left Canvas: 43 1/4" high x 24 3/4" wide Frame: 49 5/8" high x 30 3/4" wide Albert LYNCH: Born in Lima in 1851, Albert Lynch studied art at L'Ecole des Beaux-Arts de Paris and in the studios of the figure painters Gabriel Ferrier and Henri Lehmann...

Baron Pierre Narcisse GUERIN (Circle of) 1774-1833 French Venus et Adonis (Venus and Adonis) Oil on canvas Canvas: 53" high x 39 1/2" wide Frame: ...

Signed oil on panel nude circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a nude woman laying a patch of green grass on top of a hill with a view of the valley in the distance. Signature: Signed lower right Dimensions: Framed: 16"x20" Unframed: 9"x13" Provenance: A certificate of authenticity for this work is available from Mr. Jean Dominique Jacquemond upon request Private French collection From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Henri Burkhard, Born in New York in 1892, began his studies at the Art Students league in New York and then pursued international studies at the Académie Julian, Acadêmie Colarissi, and Académie de la Grande Chaumière, Pariss. Once the artist returned to New York, he began to exhibit frequently frequently at the Whitney Museum of American Art in 1926-36; the Corcoran Gallery, Art Institute of Chicago, and the Pennsylvania Academy of Fine Arts in the 1930's. Works by the artist have been handled and sold over the last hundred years at major American auction houses and dealers, such as Heritage...

Signed fauvist figurative oil on panel by French painter Louis Valtat. This stunning piece depicts a nude orchestra with the conductor in the foreground. The musicians are playing ce...

"Fragment" by Rudolf Kosow is a poignant miniature painting on wood, which masterfully captures the essence of contemporary portrait art with a nuanced approach. The painting feature...

"Fragment 7" by Rudolf Kosow is a deeply evocative miniature painting on wood that portrays the subtle details of a human profile with a focus on the neck and shoulder. The artwork's...

"Fragment 8" by Rudolf Kosow is an evocative miniature painting on wood, capturing the elusive nature of human memory and emotion through abstract forms and subtle colors. This artwo...