Brian Gormley

Untitled (Self Portrait #3)

Unttled (Portrait #1)

Eric Friedmann Death of Marat, 2018 Acrylic polymer and pigment on canvas 200 x 150 cm

Eric Friedmann Lipstick, 2018 Acrylic polymer and pigment on canvas 80 x 74 cm International Fine Arts Consortium and IFAC Athina present Eric Friedmann in his premier solo exhibiti...

Pia Chavarria Untitled (Green Face)
 2021
 Water color on archival paper 
14.5 x 10 inches / framed 20 x 16 inches Pia Chavarria is a visual artist born an...

Pia Chavarria Untitled (Three Figures)
 2021
 Water color on archival paper 
14.5 x 10 inches / framed 20 x 16 inches Pia Chavarria is a visual artist born and based in Costa Rica. ...

CDI, 2017 Mixed media on canvas 51.18 x 35.43 inches Dafni Athanasopoulou (1993, Athens) is a painter and model on the rise. Devoted to the abstract arts, her paintings are modern a...

From the "Fake News" Series Juri Koll has exhibited at museums such as the Long Beach Museum of Art Annex, Torrance Art Museum and the Museum of Art and History in Lancaster, Califo...

"Simulacrum" is a commentary on the intricate interplay between the real and the digital, the tangible and the virtual. It is an invitation to question the authenticity of the experi...

SET US IN STONE II 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of pink, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the pink ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone I" (as pictured). Price and size are per painting. Evans Deventer...

SET US IN STONE I 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of blue, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the blue ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone II" (as pictured). Price and size are per painting. Evans Deventer...

TEMPT ENSEMBLE 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated...

This contemporary patchwork-style abstract portrait is framed in a vintage gold frame with linen trim. Wired and ready to hang, 16 in. wide x 19 in. high