Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

Charles Zacharie Landelle
Portrait of a child with blue eyes

184...

About the Item

Charles Zacharie LANDELLE (Laval, 1821 – Chennevières/Marne, 1908) Portrait of a child with blue eyes Oil on canvas Monogrammed and dated lower left 40 x 33 cm 184… Son of employee of the prefecture of Laval, Charles Zacharie LANDELLE accompanied his father transferred to Paris in 1827. He will not then return to Laval until the end of his life in 1895 for the inauguration of a museum of painting. Admitted in 1837 to the Ecole des Beaux-Arts, he followed the teachings of Paul DELAROCHE and Ary SCHEFFER. His career began with the production of portraits and large religious compositions - notably for the Saint-Nicolas-des-Champs, Saint-Sulpice and Saint-Roch churches in Paris - which were an immediate success and enabled him to gain recognition from the high society of the nineteenth century. He began at the Paris Salon of 1841 with a self-portrait noticed by Louis-Philippe, obtained a third class medal the following year and a first class in 1848. LANDELLE was also awarded at the Exposition Universelle of 1855 in Paris, and in Philadelphia. From then on he was able to follow a career as an official painter, between state commissions and portraits of the great people of his time (Portrait of Alfred de MUSSET, kept at the Palace of Versailles). Napoleon III bought him two paintings of the Beatitudes at the Salon of 1852 to donate to Laval, birthplace of the artist and hired him to participate in the decoration of the Salon des Aides de Camp at the Palais de l'Elysée. As early as the 1850s, LANDELLE discovered the Orient by his travels; especially Morocco, where he will have the opportunity to return on an official mission in 1866. He then realized on his return his famous Femme fellah, a work bought by the Emperor on his personal cassette, and unfortunately destroyed in 1870 in France. fire of the Château de Saint-Cloud. He then participated in a trip to Egypt in 1875, and went down the Nile with the Egyptologist Auguste MARIETTE. In 1880, LANDELLE discovered Algeria accompanied by his son Georges, also a painter. Conquered by the place, he decided each year between 1881 and 1892 to spend his winters in Algeria and to bring back some paintings or studies. LANDELLE was made knight of the Legion of Honor. Museums: Amsterdam (Mus. mun.), Londres (Wallace Coll.), Paris, (Mus. du Louvre, Mus. d’Art Mod.), Sydney, Angers, Caen, Compiègne, Laval, Nantes, Pau, Perpignan, Reims, Rouen, Strasbourg, Stuttgart, Versailles…
More From This SellerView All
  • Mignon regretting his homeland - Mignon aspiring to heaven
    Located in PARIS, FR
    Ary SCHEFFER (1795-1858), workshop of Mignon regretting his homeland Mignon aspiring to heaven Two oils on canvas in the same frame 44 x 22 cm each Mig...
    Category

    Mid-19th Century French School Figurative Paintings

    Materials

    Oil

  • Portrait of Jean Claude Pellegrini (1787-1854)
    Located in PARIS, FR
    François Jean SABLET (Morges, 1745 – Nantes, 1819) Portrait of Jean Claude Pellegrini (1787-1854) Honorary Divisional Inspector of Bridges and Roads. Oil on canvas Monogrammed and dated lower right 30x25cm 1819 Painter of portraits, Jean François Sablet, originally from Morges, born November 23, 1745, is the eldest son of Jacob Sablet (1720–1798), bourgeois of this city, house painter, gilder, art dealer, and Suzanne Dupuis (1722–1775), settled in Lausanne from 1754. In 1767, on June 8, he prepared to leave to “improve in the art of painting” with a viaticum from the Council of Morges and a scholarship from Bern. In Paris, he was a pupil of Joseph-Marie Vien at the Royal Academy (1768–73). In 1772, he was joined by his younger brother Jacques, who in 1776 left for Rome to pursue a brilliant career there. François, he remains in Paris, goes almost unnoticed there having neither competed, nor received a prize, nor even exhibited. In 1774, he signed and dated the Portrait of the Count of Artois, as Colonel-General of the Swiss and Graubünden. In 1777, he married Marie Madeleine Borel, daughter of a wood merchant, and settled near the Quinze-Vingt at the Bastille, as a portrait painter. He entered the Masonic lodge of Celestial Friendship and therefore enjoyed a certain notoriety. He executed the portrait of Charles-Henri, Comte d'Estaing, engraved by Charles-Etienne Gaucher (1779). In 1781, L. Perrot reproduced two of his works from the cabinet of Madame de Saint-Maurice, Childhood in the Countryside and Visit to the Nurse, for the philanthropic society founded in particular by Louis d'Affry, captain of the Swiss Guards. . In addition to the fact that these subjects denote an ideal of benevolence under the aegis of Jean-Jacques Rousseau, they testify to relations with the Swiss milieu. Finally, the format and quality of two large full-length portraits Vestal pouring incense (1781) and the Offering to Hymen (1783) reflect her favor in society on the eve of the Revolution and, although in shadow, he is able to build life annuities. From this first stage are dated two sketchbooks in black chalk and red chalk of characters, interior scenes, theatrical evocations, including the Vestal Virgin pouring incense. He also signed a series of wash illustrations relating to mythology and other subjects taken from Ovid. In 1789, the political climate suddenly darkened, the amateurs left, dragging the artists with them. François Sablet took the road to Switzerland and, in January 1792, joined his brother in Rome, a genre painter in Italian costumes and portraits in nature called "conversation pieces", models from which François was to draw inspiration. François spent the summer in Genzano in the Roman countryside, where he also devoted himself to landscape and popular costumes. Beat d'Hennezel, their compatriot, evokes the evenings at the Sablets' with their artist friends, busy drawing portraits while exchanging heated remarks on the political situation. However, the events in Paris had repercussions in Rome. In January 1793 the French representative was assassinated, the French and other French speakers...
    Category

    Early 19th Century French School Portrait Paintings

    Materials

    Oil

  • Portrait of a young woman in a crimson dress
    Located in PARIS, FR
    Louis-Léopold BOILLY (La Bassée 1761 - Paris 1845) Portrait of a young woman in a crimson dress Oil on canvas H. 22 cm; L. 17 cm Louis-Léopold Boilly,...
    Category

    Early 19th Century French School Portrait Paintings

    Materials

    Oil

  • Study of a Breton shepherdess
    By Theodore Valerio
    Located in PARIS, FR
    Théodore VALERIO (Herserange, 1819 – Vichy, 1879) Study of a Breton shepherdess Oil on canvas mounted on cardboard Bears the sale stamp at the bottom 31 x 22 cm Provenance: Sale o...
    Category

    Late 19th Century French School Figurative Paintings

    Materials

    Oil

  • Study for "The coronation of Tasso"
    Located in PARIS, FR
    Alexandre Toussaint MENJAUD (Paris, 1768 – Paris, 1832) Study for The coronation of Tasso Oil on paper mounted on canvas 37.5 x 29.5 cm Around 1819 Related work: Painting exhibite...
    Category

    Early 19th Century French School Figurative Paintings

    Materials

    Oil

  • Full length portrait of a child with his dog
    Located in PARIS, FR
    Benjamin Théophile CHARON-LÉMERILLON (Paris, 1807 – Bouzareah (Algiers), 1873) Full length portrait of a child with his dog Oil on canvas Signed and dated lower right 36 x 28 cm 18...
    Category

    Mid-19th Century French School Portrait Paintings

    Materials

    Oil

You May Also Like
  • Judith and Holoferne
    Located in BELEYMAS, FR
    Jacques STELLA (Lyon, 1596 – Paris, 1657) Judith and Holofernes Oil on slate H. 23.5 cm; L. 24 cm Son of François Stellaert, a painter of Flemish origin who settled in Rome in 1576, then in Lyon, Jacques Stella was born in this city in 1596. Around 1619, he left for Florence where he worked for Cosimo II de Medici. He probably already met Nicolas Poussin and Jacques Callot there. Stella left Florence for Rome in 1622 or 1623, where he befriended Poussin, who arrived in 1624. Stella became famous in the world of Italian amateurs for his small paintings painted on precious supports: marble, agate, lapis, slate, as well as by his engravings and drawings. In 1634, having received offers from the King of Spain, he left Rome in the suite of Marshal de Créqui, French ambassador. He passed through Venice, stopped in Lyon in 1635, then in Paris. Retained by Richelieu who took him into his service, he settled in the capital of the kingdom. Covered with favors, he benefited from accommodation in the Louvre and a considerable pension. He later received the Collar of the Order of Saint-Michel, a rare honor for an artist...
    Category

    1620s French School Figurative Paintings

    Materials

    Slate

  • Presumed portrait of Princess de Conti, Marie-Anne de Bourbon
    By Nicolas de Largillière
    Located in BELEYMAS, FR
    Nicolas de LARGILLIERRE (Paris 1656 – 1746) Portrait of a woman, presumed to be Marie-Anne de Bourbon, Princess of Conti (1666-1739) Oil on oval canvas H. 80 cm; L. 61 cm (107 x 91 c...
    Category

    1730s French School Figurative Paintings

    Materials

    Canvas, Oil

  • The Annunciation
    Located in BELEYMAS, FR
    Jacques STELLA (Lyon, 1596 - Paris, 1657) The Annunciation Oil on alabaster (single old break perfectly restored) H. 25 cm; W. 30 cm Son of François Stellaert, a painter of Flemish ...
    Category

    1620s French School Figurative Paintings

    Materials

    Alabaster

  • Sketch of a dandy portrait
    Located in BELEYMAS, FR
    French school circa 1840 Sketch of a dandy portrait Oil on canvas mounted on cardboard H. 21 cm; L. 20.5 cm
    Category

    1830s French School Figurative Paintings

    Materials

    Canvas, Oil

  • Portrait of a man in armor
    Located in BELEYMAS, FR
    Attributed to Jacques DUMONT aka DUMONT LE ROMAIN (Paris 1701 - 1781) Presumed portrait of Louis-Joseph de Formanoir (?-1732) Oil on canvas H. 91.5 cm; ...
    Category

    1750s French School Figurative Paintings

    Materials

    Canvas, Oil

  • Charles Fréchou - Child portrait with a cat
    Located in BELEYMAS, FR
    Charles FRÉCHOU (Paris 1820 – Paris 1900) Portrait of a child with a cat Oil on canvas H. 41 cm; L. 33 cm Signed lower left and dated 1849 Apart from participation in the Salon betw...
    Category

    1810s French School Figurative Paintings

    Materials

    Canvas, Oil

Recently Viewed

View All