Skip to main content
Want more images or videos?
Request additional images or videos from the seller

A Bewigged Gentleman

circa 1720

About the Item

Enoch Seeman Oil on Canvas Canvas Size: 30 x 25" (76 x 64cm) Outside Framed Size: 37 x 32" (94 x 82cm) He was born in Danzig, now Gdansk, Poland, around 1694. His father, also Enoch was born around 1661, and the Seeman family were painters. Having been brought to London from his home of Flanders by his father in 1704, the younger Seeman's painting career as we know it began with a group portrait of the Bisset family in the style of the portraitist Godfrey Kneller, now held at Castle Forbes in Grampion Scotland, and dated by an inscription 1708. As a painter to the British royal court Seeman the Younger completed portraits of George 1, in 1730, in the robes of his coronation and of George II some years later. The first of these pictures is held at the Middle Temple in London, England, and the second is at Windsor Castle in Berkshire, England, part of the royal collection. In this portrait of a gentleman the sitter has been depicted within a feigned oval wearing a scarlet coat and a white cravat. It is a daring exploration of colour. The style and type were fashionable in the 18th century London studios and the bright pigment is distinctive of Enoch Seeman's palette. The pièce de résistance is the face, and is remarkably detailed and every so finely painted. The artist records a sense of the sitter’s character, a sign of an artist very accomplished in the oil technique of painting. English aficionados were quite taken and enchanted with Seeman’s portraits and he was in high demand. Enoch Seeman (born in Danzig c.1694) was a successful and popular artist with members of the British aristocracy. His father, his three brothers, his nephew, and his son were also painters. He was trained by his father who brought him as a boy to London from their previous home in Flanders in 1704 (Seeman is often considered to be an English painter). By 1708 he was creating remarkably good portraits whilst still only a teenager and by 1717 Enoch had established a very successful portrait practice in London. He became the British Royal Court painter and painted portraits of both George I and II amongst many other members of the British aristocracy. In 1723 Vertue remarked that ''Enoch. for portrait Painting is in the greatest vogue… and his aristocratic and royal patronage makes him a rival to Charles Jervas.” He made such an impression on Society that he enjoyed a prolific career into the 1740s. It has been alledged that Seeman charged 20 guineas for a full-length portrait in 1732.
  • Attributed to:
    Enoch Seeman (1694 - 1744, Polish)
  • Creation Year:
    circa 1720
  • Dimensions:
    Height: 37 in (93.98 cm)Width: 32 in (81.28 cm)Depth: 3 in (7.62 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    The reverse shows an antique stamp which is hard to read. The painting is in a gold leaf, carlo marratta frame.
  • Gallery Location:
    St. Albans, GB
  • Reference Number:
    1stDibs: LU2469213343982
More From This SellerView All
  • Portrait of a Lady possibly Frances Thynne, Lady Worsley 1673-1750 Oil on canvas
    By Charles Jervas
    Located in St. Albans, GB
    Charles Jervas Possibly Frances Thynne, Lady Worsley 1673-1750 Oil on Canvas Picture Size: 50 x 40" Outside Frame Size: 58 x 48" 1675 – 1739 Charles Jervas, who was born in Clonli...
    Category

    Early 1700s English School Portrait Paintings

    Materials

    Oil

  • Portrait of a Man possibly Arthur Viscount Irwin, Temple Newsam Oil on canvas
    By Charles Jervas
    Located in St. Albans, GB
    Charles Jervas Possibly Arthur, 6th Viscount Irwin (Temple Newsam) Oil on Canvas Picture Size: 50 x 40" Outside Frame Size: 58 x 48" 1675 – 1739 Charles Jervas, who was born in Cl...
    Category

    Early 1700s English School Portrait Paintings

    Materials

    Oil

  • 'Sir John Wynn, 5th Baronet' three-quarter-length portrait, oil on canvas
    By John Vanderbank
    Located in St. Albans, GB
    Sir John Wynn, 5th Baronet Canvas Size: 50 x 40" (127 x 102cm) Outside Frame Size: 58 x 48" (147 x 122cm) Sir John Wynn, 5th Baronet (1628 – 11 January 1719) was a Welsh landowner a...
    Category

    1710s English School Portrait Paintings

    Materials

    Oil

  • The Beautiful Maiden
    By Jan Van Beers
    Located in St. Albans, GB
    Jean Marie Constantin Joseph (Jan) VAN BEERS Oil on Panel Panel Size: 32 x 24" (81 x 62cm) Outside frame Size: 38 x 33" (97 x 83cm) Van Beers (1852 ...
    Category

    1870s French School Figurative Paintings

    Materials

    Oil

  • The Flower Girl
    By Louise Abbema
    Located in St. Albans, GB
    Louise Abbéma 1853–1927 Louise Abbéma (30 October 1853[1] – 10 July 1927) was a French painter, sculptor, and designer of the Belle Époque. Abbéma was born in Étampes, Essonne Born into a wealthy aristocratic Parisian family with close ties to the city’s artistic community, She began painting in her early teens, and studied under such notables of the period as Charles Joshua Chaplin, Jean-Jacques Henner and Carolus-Duran. Portraits of actors and actresses at the Comédie Française dominated her early works until she made a name for herself at the Salon of 1876 with her portrayal of the “Divine Sarah.” Abbéma ultimately executed multiple portraits and received recognition for her work at age 23 a bronze medallion of Sarah Bernhardt, with whom she was a close friend and possibly lover. Like most women artists of the time, Abbéma focused mainly on portraiture and genre scenes (images of everyday life). Her high-society portraits executed with a light touch and rapid brushstrokes reveal the academic and Impressionist influences that shaped her style. Her sitters included French diplomats and other notable members of society. Abbéma developed a variety of techniques using oil paints, pastel, and watercolor, and worked on various supports, including fans. Abbéma received commissions for panels and murals which adorned the Paris Town Hall, the Paris Opera House, numerous theatres including the Theatre Sarah Bernhardt, and the "Palace of the Colonial Governor" at Dakar, Senegal. Abbéma solidified her international reputation after exhibiting works, including two wall murals (on canvas), at the Women’s Building at the 1893 World’s Columbian Exposition in Chicago. A bust of Sarah Bernhardt sculpted by Abbéma was also exhibited at the exposition. Abbéma specialized in oil portraits and watercolors, and many of her works showed the influence from Chinese and Japanese painters, as well as contemporary masters such as Édouard Manet. She frequently depicted flowers in her works. Among her best-known works are The Seasons, April Morning, Place de la Concorde, Among the Flowers, Winter, and portraits of actress Jeanne Samary, Emperor Dom Pedro...
    Category

    1890s Impressionist Figurative Paintings

    Materials

    Oil

  • Before the ball
    By Charles Baxter
    Located in St. Albans, GB
    A perfect example of Charles Baxter's work. Two beautiful ladies , one holding a flower, dressed in their best finery. Despite being unsigned, the paint...
    Category

    Late 19th Century Victorian Figurative Paintings

    Materials

    Oil

You May Also Like
  • Studio Of Sir Peter Lely - Portrait Of Lady Francklin Of Bedfordshire
    By Sir Peter Lely
    Located in Blackwater, GB
    Portrait Of Lady Francklin of Bedfordshire, 17th Century Studio of Sir Peter Lely (1618-1680) Fine 17th Century English portrait of Lady Fr...
    Category

    17th Century English School Portrait Paintings

    Materials

    Canvas, Oil

  • Portrait of Thomas Cooper Gotch, 19th Century Oil Painting
    Located in London, GB
    Oil on canvas on board Image size: 7 x 5¼ inches (18 x 13.5 cm) Framed This portrait of Thomas Gotch is by his lifelong friend and confidante, Jane Ross, whom he met at Heatherley’s...
    Category

    1880s English School Portrait Paintings

    Materials

    Canvas, Oil

  • Self Portrait, 20th Century Female Artist Oil Painting
    Located in London, GB
    Oil on canvas Image size: 13 x 9 1/2 inches (33 x 24 cm) Hand made contemporary frame Provenance From the collection of Mrs Brigid Alexander
    Category

    20th Century English School Portrait Paintings

    Materials

    Canvas, Oil

  • 20th Century British Signed Oil Painting Portrait of a Country Man, framed
    Located in Cirencester, Gloucestershire
    British School, signed and dated 1980's oil on canvas, framed framed: 27.5 x 23.5 inches canvas: 20 x 16 inches provenance: private collection, UK condition: very good and sound cond...
    Category

    20th Century English School Portrait Paintings

    Materials

    Oil

  • A portrait of a black and white spaniel dog in a sumptuous interior
    Located in Bath, Somerset
    A black and white spaniel standing on a yellow silk damask covered day-bed in a sumptuous interior. Provenance: With Arthur Ackermann & Son Ltd., London. Anonymous sale; Christie's, South Kensington, 15 May 2007, lot 284 Private collection, London Samuel John Carter...
    Category

    1870s English School Animal Paintings

    Materials

    Canvas, Oil

  • 19th century portrait of a spaniel dog in a landscape, a country house beyond
    By Charles Bilger Spalding
    Located in Bath, Somerset
    A 19th century black and white spaniel standing in a landscape, with a country house in the distance. Signed C B Spalding, lower right. Oil on canvas in a giltwood frame. Charles B...
    Category

    19th Century English School Animal Paintings

    Materials

    Canvas, Oil

Recently Viewed

View All