Erich Waske

Portrait with Pearl Necklace

Deling with the work of Erich Waske today, one encounters first of all a number of reasons why this outstanding artist has fallen into such undeserved oblivion. In addition to the de...

This work by Leo Putz was created during his Expressionist period. The broad stroke, the reductions and the distance from the realistic mode of representation are significant. The li...

Heinz-Otto Laub was born 1944 in Cologne (Germany), studied at the KA Munich under Mac Zimmermann and is actually working in Bonn. He is known in the first place for his surrealistic...

Der begnadete Zeichner Karl Anton Fleck wurde vor kurzem mit einer Personalen in der Albertina geadelt. In dieser Ausstellung fehlte allerdings etwas ganz Entscheidendes: Eines der w...

signed on the lower left The painting can be categorised in the tradition of New Objectivity. The picture shows a real scene, the woman depicted stares into space with a serious and...

The extensive work of Vilma Eckl covers a period of more than seventy years. Her incomparable artistic talent and her essential contribution to the history of art can be seen in her ...

Presenting a rare oil on panel by German artist Otto Tugel. Otto Tugel worked in Germany before settling in New York. This is an early oil on panel, signed in monogram, dated 1925.

Rabbinical Discussion Hand signed lower left. Provenance: bears label verso for Summit Gallery Dimensions: H 14.25" x W 8" Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Rabbi, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...

Oil paint on wood panel Signed on the back "Incanto" or the enchantment of shifting "Nicolas Kennett revisits the organic world through painted and sc...

Latin Lady, Original Contemporary Expressionist Figurative Painting, 2021 30" x 15" x 1.5" (HxWxD) Mixed Media and Acrylic on Paper bonded to a Wood Panel Hand-signed by the artist. ...

The painting is an oil on canvas, measuring 48" x 36". The painting is multilayered to show skin texture, and source of light. The painting shows a young woman fixing her shawl, an a...

The painting is an oil on canvas, measuring 45" x 33". There is a lot of texture on this painting created by cigarette butts and ash mixed with oil paint, smeared on the canvas to highlight the hair. The painting shows a character inspired by Bollywood, in the market, reflecting on all the patterns and designs she sees in a South Asian jewelry...