Francois Gianolla

Original Rare Mid Century Cubist Pencil Portrait of A Miner by Francois Gianolla

circa 1940

ARTIST: Janet Patterson (1941-) Scottish TITLE: “Portrait OF A Seated Lady” SIGNED: lower right MEDIUM: oil on board SIZE: 30cm x 25cm inc frame CONDITION: excellent DETAIL: Painter and teacher, born in Edinburgh. She trained at Slade School of Fine Art. A French Government Scholarship enabled her to extend her studies, and a Churchill Fellowship in 1987 provided six months travelling and painting in Australia. Lectured at Liverpool and Wallasey Colleges of Art and then at Edinburgh College of Art, later moving to London. She said that her painting was “about the passage of life, how I react to situations and atmosphere”. Group exhibitions included Sheffield Open, Liverpool Academy, LG, National Trust and Fine Art Society, Edinburgh. Solo shows included Petter Potter, Haddington; Scottish Gallery, Edinburgh; and Camden Arts Centre, 1982. Was included in Scottish Art in the 20th Century at RWA, 1991. Won second prize, Hunting Art...

ARTIST: Beatrice Huntington (1889-1988) Scottish TITLE: "Portrait Of A Red Haired Lady" SIGNED: lower left and with provenance from The Scottish Gallery Edinburgh and James Bourlet exhibition label also MEDIUM: oil on canvas SIZE: 68cm x 60cm inc frame CONDITION: very good DETAIL: The Scottish artist Beatrice M. L. Huntington (1889–1988) enjoyed a long and varied career as a painter and is best known for her insightful portraits, characterised by a strong sense of design and an intuitive use of colour. Her approach to painting was ever-evolving: throughout her long and fascinating life, which spanned a century and bore witness to the advent of the modern era, she remained indefatigably committed to her development as an artist and to 'containing and realising the big-ness of it all', as she herself described it in a letter to a friend in 1977, when at the age of 88 she was still refining her approach to form and colour. The daughter of an eminent St Andrews doctor, Beatrice grew up in affluent surroundings – an imposing townhouse on St Andrews South Street both her father's surgery and the family home. A precocious talent for both music and art led her, perhaps unusually for a girl at that time, to pursue her studies abroad. In 1906, the year she turned 17, she went to Paris to study drawing and painting and in 1911, after an evidently successful formative period in Paris, she continued her studies in Munich, attending a private art school where she apparently flourished. By the 1920s, Beatrice's own identity and path as an artist were clearly defined. Her marriage to the painter William Macdonald in 1925 created a unique artistic partnership and cemented her place within the Scottish art scene of the 1920s and 1930s, particularly in Edinburgh where Macdonald was already well established and a close friend of Scottish Colourists F. C. B. Cadell and Samuel Peploe. This is illustrated by surviving correspondence and in particular by a characterful portrait of a debonair William Macdonald by Cadell, dating from the mid-1920s. Macdonald's particular affinity for the arid landscapes of southern Spain had earned him the nickname William 'Spanish' Macdonald. Beatrice shared his love of travel and together they explored the Continent, returning frequently to the French Riviera and to southern Spain, taking as their base, for a time at least, the picturesque Mediterranean fishing village of Cassis in the South of France, a favoured haunt of the Colourists. The couple moved in artistic milieux both at home and abroad, also spending time in Kirkcudbright in Galloway. Their time painting together in Spain culminated with a joint exhibition in 1928 at Messrs Watt and Sons, Dundee, entitled 'Pictures of Spain...

ARTIST: Hugo Von Ritter Bouvard (1879-1959) Austrian TITLE: “Portrait Of A Lady In A Silk Dress” SIGNED: upper left and dated 1936 MEDIUM: oil on canvas SIZE: 70cm x 60cm unframe...

ARTIST: Paul Richards (1949-) British TITLE: "Female Portrait" SIGNED: unsigned - from the artists French studio and painted on a French origin canvas ...

ARTIST: Robin Hambro (1934-2022) American TITLE: "Expressionist Portrait" SIGNED: lower right MEDIUM: oil on canvas SIZE: 120cm x 95cm inc frame CONDITION: excellent DETAIL: Born ...

ARTIST: Early / Mid 20th Century English School TITLE: "Portrait Of A Lady" SIGNED: appears unsigned MEDIUM: oil on canvas SIZE: 77cm x 67cm inc frame CONDITION: very good - ne...

This interesting seated woman pencil study is by French artist Wouyart (20th Century). This unique representation captures the model's expression through trace lines and shadows that...

This original cubist artwork by Borja Guijarro presents an attractive portrait of a woman, implied in a romantic interior setting. The artist employs a stylish palette of muted green...

"Ray of Hope" presents a compelling visual narrative that captures the viewer's attention with its elegant simplicity and emotive composition. The central focus is a lady, her eyes fixed on an unseen point, her hands gently supporting her face, and her flowing braided hair cascading down her shoulders. The artist skillfully employs light and shadow to accentuate the contours of her face, creating an ethereal glow that emanates from her serene expression. The painting's colors, a delicate blend of cool and warm tones, add a sense of depth and richness, further enhancing the artwork's emotional impact. The lady's introspective pose and piercing gaze offer a profound glimpse into the human experience. With her hands gently cradling her face, she exudes a sense of vulnerability and introspection, as if lost in her own thoughts and dreams. The flowing braided hair adds an element of timelessness and femininity, while also symbolizing the fluidity and interconnectedness of one's hopes and aspirations. "Ray of Hope" serves as a reminder that within the depths of contemplation, a spark of optimism and resilience can emerge, guiding individuals toward a brighter future. "Ray of Hope" finds its place within John Alogi's wider body of work, the "Dreams and Reality" series. This series explores the intersection between the subconscious and conscious mind, delving into the depths of human emotions, dreams, and aspirations. Each artwork within this collection invites viewers to question the boundaries between reality and imagination, offering glimpses into alternate worlds and unseen narratives. Alogi's unique ability to blend symbolism with evocative imagery gives birth to visual masterpieces that resonate with viewers on both intellectual and emotional levels. Alogi's artistic style is characterized by a delicate balance between realism and poetic abstraction. His meticulous attention to detail, particularly in capturing facial expressions and the intricacies of hair, results in a stunning portrayal of human emotion. The artist's use of light and shadow creates a sense of depth and luminosity that brings his subjects to life. Alogi's choice of colors, often muted and harmonious, adds to the dreamlike quality of his artwork, enveloping viewers in a world of contemplation and introspection. John Alogi's artwork, "Ray of Hope," captivates viewers with its mesmerizing portrayal of a lady lost in thought. As a part of his "Dreams and Reality" series, this masterpiece reflects the artist's profound understanding of the human condition, evoking a sense of introspection and emotional resonance. Through Alogi's skillful technique and symbolic imagery, the artwork transcends the boundaries of the canvas, inspiring contemplation and igniting a ray of hope within those who encounter it. "Ray of Hope" stands as a testament to the enduring power of art to touch the depths of our souls and remind us of the beauty and resilience within us all. Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Adeyemi John Damilare better known as Alogi John...

The original cubism painting by Borja Guijarro is painted on canvas. The many colours, shapes and patterns used in this painting make it an interesting and busy piece of modern art. ...

The original cubism painting by Borja Guijarro is painted on canvas. The artist's cubist style makes for an unusual and captivating piece of abstract art. It is a unique take on the ...

Dick Beer (b. London 1893 - d. Stockholm 1938) Portrait of Gabriele Varese (in Italian uniform), 1919 oil on canvas mounted on panel 116 x 90 cm stamp signature Exhibited: Solo exhibition, Stockholm, Nov-Dec 1917; The Royal Academy Stockholm 1973; Åmells Konsthandel – En internationell kubist, Stockholm & London 2008 Hälsinglands Museum 2011 Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer was born in 1893 in London as Richard Beer, the youngest of five brothers. His father, John Beer (1853-1906), was a watercolourist who was born in Stockholm and had left Sweden at the age of 17. John Beer instructed his sons in drawing and painting, among other things. A number of sketchbooks bear testimony to the boys’ talent. Dick Beer’s parents died in 1906 and 1907. Barely 15 years old, Beer arrived in Sweden as an orphan. First he lived with relatives and finally he ended up at Reverend Laurell in Västergötland. Dick Beer began his artistic studies at the Althin School of Painting in Stockholm in 1908 and continued at the Royal Academy of Arts in the autumn of 1910, but in September 1912 he broke off his studies and travelled to Paris. He rented a studio and enrolled at the Colarossi and Grande Chaumière academies. In the summer of 1913, Dick Beer travelled to Pont-Aven in Bretagne in order to paint. In September the same year, he held his first solo exhibition in Stockholm which he gave the French title Exposition des tableaux de Bretagne et autour de Paris. The exhibition proved a success. Many of the paintings were executed in a light palette in a style inspired by the impressionists. In 1914, Dick Beer undertook an extensive study trip to Italy, Tunis, Morocco and Spain, which resulted in canvases overflowing with colours and light. When the French army mobilised, he volunteered and was enlisted in the French Foreign Legion. In 1915 Dick Beer sustained severe head injuries in a grenade attack, which resulted in deafness and a nervous condition that would plague him for the rest of his life. Two of his brothers died the following year, fighting for the English army. Dick Beer was hospitalised and convalesced at Château de Rochefort. Here he started painting again, in an impressionist style, a painting dominated by blue and green hues. In 1918, Dick Beer married Ruth Öhrling, a dentist, and their son John was born later in the year. During this time, Beer began experimenting with cubist painting and created several large compositions, including the painting “The Arab Café”. In the years that followed, Dick Beer was based in Paris, where he often moved house. He was instructed by André Lhote, who encouraged his students to work freely in the studio and provided them with individual critique. Beer often travelled to Bretagne or Provence. His artist friends came from all over Europe and included Amedeo Modigliani. Dick Beer exhibited fairly regularly in Paris between 1919 and 1934 and made a name for himself in French artist circles. In the summers, Ruth regularly rented a house in the countryside, often at Lake Mälaren. She kept a large house with many models and friends and there was a lot of painting and discussions. In 1933, the couple divorced but Ruth still loved Dick and continued to support him financially for the rest of his life. Dick Beer also exhibited in Sweden, albeit irregularly due to his failing health. In the 1920s and 1930s, Beer continued to pursue an expressionist painting with intense colours and unexpected perspectives, but eventually he veered towards more naturalistic forms, including a large number of nudes. He also painted several portraits of artists, politicians and writers. In 1938, Dick Beer sojourned in Arles. The budding photographer Christer Strömholm...