Graham Dean

Steam Room 4, 20th Century Contemporary Acrylic

1980

Graham Dean 1984 Porter Acrylic on canvas Image size: 40 x 29 inches The model in this painting is the same as the one in the painting Camouflage. The artist researched a lot about ...

Jacob Huysmans Flemish 1633 - 1696 Portrait of a Lady Oil on canvas Image size: 49 x 40 ¼ inches Gilt frame Huysmans was born in Antwerp and came to England during the reign of Charles II where he became one of the fashionable painters of the court.. The diarist Samual Pepys noted the artist as capable of a more exact likeness than Lely. Certainly the diarist records that by August 1664 in the circle of Queen Catherine...

Jeremy Andrews Born 1974 Self Portrait Oil on canvas, signed Image size: 10 x 14 inches Framed Jeremy Andrews works in oils and uses traditional techniques such as under painti...

Walter Charles Horsley 1855 – 1921 The Distraction Oil on canvas, signed lower left Image size: 25 x 20 1/2 inches (63.5 x 52 cm) Orientalist ha...

Émile Deckers 1885 - 1968 The Blue Headress Oil on canvas, signed lower left, inscribed and dated "Algers, 1958" Image size: 26 x 33 inches (66 x 84 cm) Hand made Orientalist gilt f...

Charles Philips 1703 - 1747 Portrait of a King's Messenger Oil on canvas Image size: 35 ¾ x 28 inches Original gilt frame King's Messenger The job of a King's Messenger was that of a diplomatic courier, hand-carrying important and secret documents around the world. Some say that the history of the sovereigns' messengers goes back to 1199, but the first known messenger was John Norman, who in 1485 earned 4d (1½ pence) per day for carrying the state papers of Richard III. The silver greyhound on the messenger's badge dates back to Charles II. In 1660, during his exile at Breda, Netherlands, Charles II issued a declaration of amnesty to all those who had opposed him and his father. He used messengers to make his intentions known. In answer to the messenger's question "How will they know me?", Charles reached forward to a silver bowl on the table in front of him. This bowl, with four decorative greyhounds standing proud above the rim, was well known to all courtiers. Charles broke off a greyhound and gave it to the messenger as a guarantee that the message came from him. From that date, the King's Messenger always wore a silver greyhound around his neck. Later, dating from George II or III, a badge with the Royal Arms in enamel, with the greyhound suspended beneath, was worn. A George III example of the King's Messenger Badge, pre 1800, sold for over £30,000 pounds some years ago. The silver greyhounds were minted for each new reign, except the brief one of King Edward VIII. The sovereign's messengers were originally controlled by the Lord Chamberlain, being Messengers of the Great Chamber. When the Foreign Office was created in 1782, the messengers remained common to the three Secretaries of State. Charles Philips was an English artist known for painting a number of portraits and conversation pieces for noble and Royal patrons in the mid-eighteenth century. Philips was baptised in the combined parish of St Mildred, Poultry with St Mary...

"Daydreamer" by Ritchelly Oliveira presents a striking portrayal of introspection and vulnerability against a backdrop of pure white. At the heart of the canvas stands a black man, e...

At the heart of "Love Yourself" lies the man's serene and relaxed posture. Makama John expertly captures the essence of inner peace and contentment through...

The artwork "More Like This" by Sena Tues depicts a stylish young man with his hair platted and sunglasses on. The artwork is a vibrant and striking representation of youth, style, and confidence. The use of bold colors and detailed lines captures the essence of the subject, making it a memorable piece of art. The first thing that catches the eye in "More Like This" is the subject's hair. The plaited hair adds a unique and stylish touch to the young man's appearance. The artist has taken great care in capturing the intricate details of each strand of hair, giving the artwork a sense of realism and depth. The subject's sunglasses add another layer to the artwork. They reflect the surroundings, making it seem like the young man is looking out into the world with a sense of curiosity and confidence. The use of sunglasses also adds an air of mystery to the artwork, making the viewer wonder what the young man might be thinking or feeling. The artist's use of color is also noteworthy in "More Like This". The bright and bold hues of blue, and orange used in the artwork create a sense of energy and vitality. They bring the artwork to life and give it a sense of movement and vibrancy. "More Like This" is not just a portrait of a stylish young man; it is also a representation of youth culture and the desire to stand out and be different. The subject's hair, sunglasses, and overall appearance are all elements that reflect this desire for uniqueness and individuality. In conclusion, "More Like This" by Sena Tues is a striking piece of art that captures the essence of youth...

This spectacular mural size painting was commissioned as a commercial assignment for a Bloomingdale's window backdrop. It's of monumental size and a rare statement piece. It was pu...

America Martin "The Exchange of Flowers (Diptych)" Oil & Acrylic on Canvas 94" x 38.125" Each 94" x 76.25" Overall Exploring the identity of both her na...

Signed (on verso): AF/2021