Henri Bouché-Leclercq

Portrait of the painter Louis Degallaix (1877-1951), 1910

1910

After an initial training at the Toulouse School of Fine Arts, Jules-Arsène Garnier joined the Paris School of Fine Arts in 1867 in Jean-Léon Gérôme's studio. As an academic artist, ...

Julien-Auguste HERVÉ (1854-1932) Toothache, circa 1900 Oil on canvas Signed "JULIEN HERVE" and dated lower right 61.5 x 50 cm Born in 1854 in Basse-Indre, Loire-Atlantique, Julien-A...

Jean BOUCHAUD (1891-1977) Portrait of a woman Oil on panel Signed “J Bouchaud” lower right Dimensions of the work without frame: 23.5 x 18.5 cm A native of the Loire-Atlantique reg...

Emilio Trad (né en 1953) Paris, Saint-Martin canal, c. 1989 Oil on canvas Signed lower right 25,5 x 31,5 inch Emilio Trad, an artist of Lebanese origin bo...

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

Marcel BOUQUETON (1921-2006) Red and Yellow, 1955 Oil on canvas Signed and dated “55” lower right ; dated “55” on the reverse 27 x 35 cm Born in Constantine in 1921, Marcel Bouqueto...

Early 20th century French folk art oil on canvas, advertising M. Joquelet the dentist and Mme Irma the snake charmer. A wonderful piece of social history. At the turn of the century...

The painting is signed on the right side "AVILLA". Aleardo Villa was a pupil of Giuseppe Bertini and Bartolomeo Giuliano and he graduated at the Fine Arts Academy of Brera, becoming ...

Mystery European Artist Untitled, c. 20th Century Oil on canvas board 31 x 22 3/4 in. Framed: 36 1/4 x 28 x 1 1/2 in. Signed lower right

Frederick Dielman (Hanover 1847 – Washington 1935) - Portrait of a woman. 57x45cm. Oil on canvas, unframed. Work signed: "Frederick Dielman". Condition report: Painting subjected...

keywords; surrealism, portrait, oil painting, earth tones, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary figurative painting, dreams, symbolic composition, dream, men , romantic, flesh tones, portrait, earth tones, tonalist, nostalgia, early 20th century, naturalist, illustration, woman, flora, grey art, yellow shoes...

keywords; surrealism, portrait, oil painting, earth tones, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary figurative painting, dreams, symbolic...