Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 20

Ca. 1820 Portrait of a Woman with Kashmir shawl.

About the Item

Ca. 1820 Portrait of a Woman. Léon Cogniet (1794-1880, Paris), attributed. French school of 19th century. Tecnicque: oils on canvas. Dimensions: 70cm x 61cm 20th century wooden frame. Old attribution to Léon Cogniet (1794-1880, Paris) is inscribed on the wooden frame. Portrait of the restoration period, post Napoleonic wars. Stylistically the painting is found in the transition period from the late Empire period to the beginning of Romanticism. The new artistic trends can be seen in the increased naturalism, representation of the landscape/nature, in the contrasts, and in a greater emotionality of the person represented. Detailed but loose is the way to describe the winter dress: high-waisted dress, lace collar, Kashmir shawl, a gold chain with a cross, rings. The painting is an excellent example of 1820s portraiture. Leon Cogniet is a romantic and neoclassical painter, studying in Paris alongside Gericault and Delacroix. He is remembered both as a portraitist and as a painter of historical subjects, but also for his splendid lithographs. A curiosity: he is the author of the portrait of Madame Clicquot. (Madame Clicquot born Barbe-Nicole Ponsardin, Widow Clicquot or Veuve Clicquot (December 16, 1777 - July 29, 1866), known as the "Grande Dame of Champagne," was a French Champagne producer. The brand and company of Veuve Clicquot Ponsardin still bears her name)
  • Attributed to:
    Léon Cogniet (1794 - 1880, French)
  • Dimensions:
    Height: 27.56 in (70 cm)Width: 24.02 in (61 cm)Depth: 1.97 in (5 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Firenze, IT
  • Reference Number:
    1stDibs: LU2464213591642
More From This SellerView All
  • John Hervey Portrait on occasion of receiving the Title 1st Earl of Bristol
    By (Circle of) Godfrey Kneller
    Located in Firenze, IT
    Portrait of John Hervey, 1st Earl of Bristol (1665-1751). Early 18th-century near-life-size portrait of a noble man richly dressed in a long wig. Circle of the German-British cour...
    Category

    Early 18th Century Old Masters Portrait Paintings

    Materials

    Oil, Canvas

  • Portrait of Young English aristocrat with Straw Hat. English School circa 1720
    Located in Firenze, IT
    Portrait of a young aristocratic girl - 18th century English style Oil on canvas. Silvered wood frame. Size with frame cm 85 x 72.5 Size without frame cm 74.5 x 62.5 At the hear...
    Category

    1720s English School Portrait Paintings

    Materials

    Oil, Canvas, Wood

  • Adriana Pincherle (1905- 1996). A lady with a turban and green shadows.
    By Adriana Pincherle
    Located in Firenze, IT
    Adriana Pincherle, (1905, Rome - 1996, Florence). A lady with a turban and green shadows in a landscape. Italian female painter, active in Rome and from 1943 in Florence. Painting signed and dated lower right: Adriana Pincherle. 1973. Oil painting on canvas. The simple composition, which represents a woman from behind, bears the influence of Matisse's avant-garde style, with bold and refined color combinations. The shape is created with color, creating an almost surreal and highly expressive effect. The painter once said: "My painting has always been figurative, not realistic. In this sense I felt very similar to the Informal movement, which, fundamentally, pushed my passion for color to the extreme." FREE SHIPPING in Italy and Europe Artist Biography: Pincherle Adriana Rome 25 December 1905 - Florence 8 January 1996 Adriana was born in Rome on 25 December 1905, into a family in which two cultures were intertwined: the Jewish one of her father, the engineer Carlo Pincherle, of Venetian origins and in love with painting, and the Catholic one of her mother, Isa di she. De Marsanich, a noble but decayed Hungarian. Adriana is the eldest child and two years older than her brother Alberto, known to the literary world under the pseudonym Alberto Moravia As Pincherle herself says about her, as a child she spent hours admiring her father who painted watercolours, and it was perhaps then that her interest in drawing and above all her particular sensitivity towards color was born. Thus, having completed her classical studies, she began to attend the "ladies" atelier of the engraver Alfredo Petrucci and the free nude courses at the Academy, where she met Mimmo Spadini and Scipione, and came into contact with Roman art. In 1931 she made her debut at the collective "First Roman exhibition of female art" at the "Galleria di Roma", while the following year, at the same gallery, she exhibited a solo show together with Corrado Cagli, already attracting the attention of critics, famous comment by Longhi, cited several times by Pincherle herself, who prefers the "sissy" between the two artists. As evidence of the results achieved by Adriana since her first works, we remember that among her works presented in 1932 there was also the famous "Standing Self-Portrait", now in the Uffizi Pincherle's growth passes through places and periods common to both the Roman School and the school of painters of the via Cavour group (Mafai, Raphaël, Scipione), with tangents and deviations, but his pictorial research arrives at original solutions independent of any label . Fundamental to the maturation of her art was her stay in Paris in 1933, in which Pincherle admired and studied closely the Fauves, Renoir and in particular Matisse. In the same year she exhibited for the first time in Florence at the Sala d'arte delle Nazioni with Milena Barilli...
    Category

    1970s Fauvist Figurative Paintings

    Materials

    Canvas, Oil

  • The Holy Family with saints Anne and Joseph. Tuscan school. Circa 1610.
    Located in Firenze, IT
    The Holy family with St. Joseph and St. Anna. Tuscan school. Late mannerist period, Circa 1610. Oil on canvas. Size 102cm x 77cm Painting by an unknown Tuscan painter from the lat...
    Category

    18th Century and Earlier Renaissance Figurative Paintings

    Materials

    Canvas, Oil

  • Portrait Of A Noblewoman. Attributed To Carlo Ceresa. About 1640.
    By Carlo Ceresa
    Located in Firenze, IT
    Portrait of a noblewoman. Attributed to Carlo Ceresa. (1609 - 1679, Bergamo) Oil on canvas. Size cm 110x86,5cm with frame Around 1640. This portrait depicts a middle-aged woman w...
    Category

    Mid-17th Century Baroque Portrait Paintings

    Materials

    Oil, Canvas

  • Art Nouveau Portrait of an Elegant man with Diamond Tie Pin with Clover. SIgned.
    Located in Firenze, IT
    Male portrait from the Art Nouveau era. An enigmatic and magnetic image of the man, on whose face there is just a hint of a smile. Technique: oil on canvas. Relined. In good conditio...
    Category

    Early 20th Century Art Nouveau Portrait Paintings

    Materials

    Canvas, Oil

You May Also Like

Recently Viewed

View All