Items Similar to Portrait of a well-to-do gentleman
Want more images or videos?
Request additional images or videos from the seller
1 of 15
Portrait of a well-to-do gentleman
About the Item
Portrait of a well-to-do gentleman in pastel on parchment.
Signed left: Marteau L. 1760.
French School, possibly by Louis Marteau (1715 – 1804)
In a gilded 19th century frame.
Dimensions without frame: 55 x 43 cm.
With frame: 78.5 x 68,5 cm.
Condition: In fair condition.
Ludwik Marteau, originally Louis-François Marteau (c.1715 - 2 November 1804) was a Polish court painter who served under kings Augustus III and Stanisław August Poniatowski. All of his known works are portraits; both full size and miniatures.
Born in Paris, his father was a carpenter at the royal Palace of Versailles. One of his aunts on his mother's side was married to the Polish court painter, Louis de Silvestre. It is not known exactly when he arrived in Poland, but it appears that his teacher, Maurice Quentin de La Tour made the recommendation to go and Silvestre arranged for his position there.
In 1752, on the way, he spent some time at the court of Jan Klemens Branicki in Białystok, where he painted portraits of the hetman's family. Once in Warsaw, King August III gave him the position of court painter. Initially, he lived at one of Branicki's manors then, from 1768 to 1780, he lived near the Royal Castle.
From 1780-1783, he gave lessons to Anna Rajecka, a favorite of King Stanisław August Poniatowski, who was meant to become a court painter, but spent most of her life in Paris. Later, her husband, Pierre-Marie Gault de Saint-Germain, would give Marteau a prominent place in his history of French painting.
According to the art historian, Edward Rastawiecki, Marteau was a bit of a fop and always dressed in French style, even sporting short pants and white stockings in the middle of winter, and refusing to attend the fanciest affair if there was too much mud or snow on the streets.
From 1765 to 1795, he is shown on Royal Records as "The King's Painter". He received a fixed salary as well as payments for each individual work. An art academy project that would have made him a professor at the annual rate of 300 ducats never materialized. He was given a monopoly on painting portraits of the guests that attended the King's famous Thursday Dinners.[1] After the death of Stanisław August, he came under the protection of Princess Izabela Lubomirska, the King's cousin and a favorite, whose father had forbidden her to marry the King when she was a girl.
In many instances, attribution is difficult to ascertain, as Marteau did not sign his paintings. Even so, his catalogued portraits constitute a who's-who of notable 18th century Poles, including Stanisław Konarski, Adam Naruszewicz, Ignacy Krasicki, Joachim Chreptowicz, Celestyn Czaplic, Michał Jerzy Mniszech, Ignacy Potocki, Andrzej Mokronowski, Stanisław Poniatowski, Stanisław Trembecki, Andrzej Hieronim Zamoyski, Grzegorz Piramowicz, Franciszek Bohomolec and (one of his best-known) Hugo Kołłątaj. In 1831, following the November Uprising, most of his portraits were transported to Saint Petersburg by order of Tsar Nicholas I. Three years later, they were burned in an effort to destroy significant records of Polish culture.
- Attributed to:Louis Marteau (1715 - 1804, French)
- Dimensions:Height: 21.66 in (55 cm)Width: 16.93 in (43 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:DEVENTER, NL
- Reference Number:1stDibs: LU2366212033872
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2015
1stDibs seller since 2023
7 sales on 1stDibs
- ShippingRetrieving quote...Ships From: DEVENTER, Netherlands
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Portrait of Mrs. Stokdijk-Chasler, oil on canvasLocated in DEVENTER, NLJohn Archibald Alexander Berrie (1887-1962) Potrait of Mrs. Stokdijk-Chasler Signed lower right John A. A. Berrie (underneath the frame) Oil on canvas Dimensions: 100 x 76 cm. At t...Category
Mid-20th Century Portrait Paintings
MaterialsOil, Canvas
- Portrait of a Circassian courtisane, in original 19th century frame, orientalistLocated in DEVENTER, NLAnton Ebert (1845-1896) A celebrated painter born in a noble familie in castle kladrau in mies, bavaria. His father was royal treasurer. He studied in Prag...Category
19th Century Portrait Paintings
MaterialsCanvas, Oil
- Antique oil paining, A laughing man with an upturned glass, Dutch golden ageLocated in DEVENTER, NLAnonymous, 18th century Inspired by a painting by Petrus Staverenus (1610/1612 – 1654-07-28/1664-07-28) from a series of Five Senses 'Taste: A laughing man...Category
18th Century Old Masters Portrait Paintings
MaterialsOil, Canvas
- Madonna and child, Italian school, 18th centuryLocated in DEVENTER, NLItalian School, 18th century Depicted are the Madonna and Child Jesus, the virgin Mary is holding the Child Jesus lovingly in her arms. The child, lying on a bundle of cloth and with...Category
18th Century Figurative Paintings
MaterialsCanvas, Oil
- Machiel Hopman (1928–2001), Portrait of an African woman, oil on paperLocated in DEVENTER, NLMachiel Hopman (1928–2001) Portrait of an African woman Signed bottom right Nzama (pseudonym) Oil on paper Dimensions: approx. 39 x 32 cm. (excl. pa...Category
20th Century Figurative Paintings
MaterialsOil, Paper
- Dutch landscape with grazing cows near the forest, watercolor, impressionistBy Arnold Marc GorterLocated in DEVENTER, NLWatercolor on paper depicting a Dutch landscape (East of The Netherlands) with grazing cows at the edge of a forest, by A. M. Gorter (1866 - 1933). Dimensions incl. frame: 60 x 72 cm...Category
Late 19th Century Impressionist Landscape Drawings and Watercolors
MaterialsPaper, Watercolor
You May Also Like
- Attributed J S Copley Two Nobles Portrait Paintings 18 century pastel parchmentLocated in Florence, ITOn the cardboard applied on the frame there is an annotation, belonging to some of the old owners, reporting the names of the portrayed in Kurrent handwriting: "Urgroßvater Ludwig Fr(ei)h(e)r(r) von Keller" "Urgroßmutter Fr(ei)h(e)r(rin) von Keller geb(oren) von Niebecker". So we can deduce that the models were Ludwig Friedrich Heinrich Ferdinand Baron of Keller (1760-1835), a German politician who was the director of the district of Prussia, and his wife Auguste Johanne Henriette Baroness of Niebecker (1760-1832). Their high class provenience is highlighted by the not contained expressive liveliness, by the proud pose imitating movement and by the elegance of the clothes which fabric seems palpable (especially sincere is the evanescent depiction of the pleated veil of the gorget and the adorned with arabesques decoration of the sleeves and the vest). The two pieces can be attributed to John Singleton Copley...Category
Late 18th Century Other Art Style Portrait Paintings
MaterialsPastel, Parchment Paper, Cardboard
- Portrait of a WomanBy Emily Elizabeth Guthrie SmithLocated in Austin, TXPortrait of a Woman by Emily Elizabeth Guthrie Smith Signed upper right 30 x 24 Framed Pastel on paperCategory
1940s Portrait Paintings
MaterialsPastel, Parchment Paper
- Torre VelascaLocated in Milano, MIUrbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. An artist of international caliber who has decided to entrust her return to her homeland to Almach Art Gallery in Milan, while maintaining connections with important galleries, such as Marlborough Fine Art in London and Galerie Koch in Hanover. The artwork represents the famous Velasca Tower in Milan. This artwork was exhibited during the Daniela Gullotta...Category
2010s Contemporary Portrait Paintings
MaterialsSandstone
- PantheonLocated in Milano, MIUrbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. An artist of international caliber who has decided to entrust her return to her homeland to Almach Art Gallery in Milan, while maintaining connections with important galleries, such as Marlborough Fine Art in London and Galerie Koch in Hanover. The artwork represents the famous Velasca Tower in Milan. This artwork was exhibited during the Daniela Gullotta...Category
2010s Contemporary Portrait Paintings
MaterialsSandstone
- Louis Adolphe Tessier (1858-1915) Women portrait under vinesBy Louis Adolphe TessierLocated in BELEYMAS, FRLouis Adolphe TESSIER (Angers 1858 – Angers 1915) Portrait de femme sous une treille et au panier de pêches Pastel H. 115 cm ; L. 75 cm Signé en bas à droite et daté 1890 Peintre a...Category
1890s French School Figurative Paintings
MaterialsPaper, Pastel
- Italian Contemporary Art by Andrea Vandoni - Paesaggi Improbabili 3By Andrea VandoniLocated in Paris, IDFSigned on reverse Andrea Vandoni is an Italian artist born in 1972 who lives and works in Novara, Italy. The artist studied and trained at the School of the Archaeologists and the S...Category
2010s Contemporary Figurative Paintings
MaterialsPaper, Pastel
