Monica Flores Martinez

"Y Un Dia, Mi Muerte (And One Day, My Death), " Acrylic & Oil on Canvas signed

1988

"Untitled" is an original acrylic painting on canvas panel by Reginald K. Gee. The artist signed the piece on the back. This artwork features an abstract portrait of a man in blue, b...

"Surrealist Self-Portrait" is an original acrylic painting on canvas by David Barnett. This nearly completely abstract painting features bright oranges, reds, and yellows alongside d...

"Te Quiero (Marilyn)" is an original mixed media acrylic and oil pastel on canvas by Dara Piken. Marilyn Monroe and her signature gaze look out at the viewer, with tequila bottles...

"Bow-Blano" is an original mixed media acrylic painting on canvas by Dana Piken. A poblano pepper replaces the iconic lightning bolt on the face of David Bowie. The artist signed her...

The present work is an excellent example of the paintings of Milwaukee artist Reginald K. Gee. Each of the four canvases that make up the work bear one of Gee's humorous, poetic titl...

The present pair of portraits would make an exceptional addition to any collection of early American art not only because they were painted by the notable William Jennys, but also because the sitters are members of notable and influential New England families. In addition, these pendants have impeccable provenance: they have never left ownership of the decedents of the Kimball family and this is the first time they have been available for purchase. David Kimball (1766-1848) and Nancy Stacy Kimball (1774-1844) were members of historic Massachusetts families. David Kimball is a sixth-generation decedent of Richard Kimball (d. 1675) and Ursula Scott (d. 1659), who emigrated from Rattlasden, Suffolk County, England to Watertown MA around 1634. The family then relocated in 1637 to Ipswich, the city with which the family is now most strongly identified, when Richard was appointed to be a wheelwright.[1] Nancy likewise had early New England ancestry, descended from Simon Stacy and Elizabeth Clark, who were married in London in 1620.[2] Nancy Stacy was the second wife of David Kimball, and the two were married in 1799. Given this, the present pendant portraits were likely completed shortly after the marriage. David had two children by his first wife Mary Morse, who died in September of 1798. David and Nancy would have nine additional children between 1801 and 1815.[3] Most notably, the couple were parents of the Boston politician and showman Moses Kimball (1809-1895).[2][3] Moses would found the Boston Museum, an early for-profit museum and theater opened in 1841 that resembled European curiosity cabinets: the museum displayed paintings of Thomas Scully and Charles Peale alongside Chinese artwork, stuffed animals, dwarves and mermaids. Alongside these exhibits, visitors could attend the theater which held performances by gymnasts and contortionists, followed by performances of Shakespeare and Dickens.[4] This museum set the model for the Museum of Fine Arts, Boston, which when founded in 1870 held a similarly diverse collection and appealed to the interests of a diverse set of visitors.[5] Moreover, some Greek antiquities from Moses Kimball's museum were eventually given to the MFA and Moses donated approximately $5,000 to the MFA's endowment upon his death.[6][7] William Jennys (1774–1859), also known as J. William Jennys, is an important American primitive portrait...

Oil on canvas + frame Fu Zenan always known as Da Han is a Chinese artist born in 1953 who lives & works in Songzhuang, Beijing, China. He is graduated from the Suzhou University. I...

In "Shattered Atlas: The Modern Burden," the artist Masri presents a 40" x 30" mixed media canvas that epitomizes 'Shattered Cubism,' a style that fragments reality into geometric fo...

"In 'Love Wild,' Natasha Lelenco engages in a playful and stylistic exploration with clear references to the recurring portraits of the early Renaissance, such as those by Giorgione, from a contemporary perspective and with the technical precision that characterizes her work. In this piece, she presents a character with a certain sexual ambiguity, lost in thought, snuggled up with a small creature, a little monster, and sporting tattoos on the fingers that read 'Love' and 'Wild,' a nod to Charles Laughton's famous film 'The Night of the Hunter...

At the heart of "Love Yourself" lies the man's serene and relaxed posture. Makama John expertly captures the essence of inner peace and contentment through...

"Not A Space For One" by Chinedu Chidebe: A Thought-Provoking Exploration of Connection and Isolation Chinedu Chidebe's artwork "Not A Space For One" ...

Art has the ability to evoke emotions and convey powerful messages that can leave a lasting impact on its viewers. The artwork titled "Heart Desire" is one such piece that captures the essence of following your dreams, no matter what. The artwork features a woman in a contemplative pose, staring into the distance. The woman's facial expression exudes determination and passion, creating a sense of urgency and purpose in the viewer's mind. The use of vibrant colors adds to the artwork's overall vibrancy and appeal. The title of the artwork, "Heart Desire," is an ode to the woman's dreams and aspirations. It highlights the importance of pursuing one's passions, no matter how challenging or difficult the journey may seem. The artwork encourages us to listen to our hearts and follow our dreams, regardless of the obstacles that may come our way. In today's world, where societal norms and expectations often dictate our career choices and life paths, the artwork is a powerful reminder that our dreams and desires are unique to us and must be pursued wholeheartedly. It encourages us to take the leap of faith and pursue our passions, even if it means stepping out of our comfort zones and facing rejection or failure. The artwork's message is particularly relevant to women, who often face societal pressures and expectations that may limit their career choices and life paths. The artwork challenges the traditional narrative of women as homemakers or caregivers and highlights the importance of pursuing one's passions and dreams, regardless of one's gender or societal expectations. In conclusion, the artwork titled "Heart Desire" is a powerful reminder of the importance of following our dreams, no matter what. It encourages us to listen to our hearts and pursue our passions, even if it means stepping out of our comfort zones and facing challenges along the way. The artwork is a testament to the human spirit and serves as a source of inspiration and motivation for all those who dare to dream. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Roseleen Labazacchy, a true Nigerian born in the year 2000 and based in Ibadan, Oyo state Nigeria. Roseleen holds a National Certificate of Education in Fine Art from Emmanuel Alayande College of Education, Oyo State. She is a mixed-media painter. Roseleen was exposed to art from a very young age; Her father being an artist himself enrolled her in the popular Nike Art Gallery at a very young age to learn traditional Adire making, a skill she still practices to date. This was how she started art professionally and she has been getting better at what she does since then. In the just-concluded international art exhibition and competition organized by Talentia Foundation, Roseleen Labazacchy who participated in the competition amidst other international artists came first in the Mix Media category and was presented with a certificate of achievement in recognition of her artistic endeavor. Roseleen uses oil and acrylic with fabrics on canvas to consciously project African women's dignity and true African beauty. As an African painter, Roseleen hopes to bring about the emancipation of the true African Women image...