Philip Wilson Steer

Portrait of a Woman - Blue - British Edwardian Impressionist art oil painting

Circa 1900

This stunning British American Impressionist portrait oil on canvas painting is by Sir James Jebusa Shannon circa 1905. The painting is of the artist and his wife Florence and daught...

This lovely Scottish Colourist portrait oil painting is by noted Scottish female artist Helen Ainslie Wingate. She was the daughter of Sir Charles Lawton Wingate who was president of...

This charming British portrait oil painting is by female artist Dod Procter. It was painted in 1949 and exhibited at the Royal Academy London the same year. The painting is of a litt...

A fine large oil painting by Scottish listed artist William Strang. This is a super evocative oil on canvas which depicts a family at "The Foot of the Statue". It was exhibited in 1904 in Bradford exhibition of fine arts lent by L W Hodson of Wolverhampton who was a patron of his work. This is a fine example of an early 20th century Scottish oil with good subject. It is a good size and signed. This wouldn't be out of place in Kelvingrove Gallery in Glasgow. Signed lower left. Provenance. Bradford Art Gallery 1904. Sotheby 19th June 2002 Guide price £20000-30000GBP. Condition. Oil on canvas. Image size 30 inches by 25 inches and in excellent condition. Housed in a fine period frame, 39 by 34 inches framed and in good condition. William Strang (1859-1921) was born at Dumbarton, the son of Peter Strang, builder, and educated at the Dumbarton Academy. He worked for fifteen months in the counting-house of a firm of shipbuilders before going to London in 1875 when he was sixteen. There he studied art under Alphonse Legros at the Slade School for six years. Strang became assistant master in the etching class, and had great success as an etcher. He was one of the original members of the Royal Society of Painter-Etchers, and his work was a part of their first exhibition in 1881. Some of his early plates were published in The Portfolio and other art magazines. He worked in many manners, etching, dry point, mezzotint, sand-ground mezzotint, and burin engraving. Lithography and wood-cutting were also used by him to create pictures. He cut a large wood engraving of a man ploughing, later published by the Art for Schools Association. A privately produced catalogue of his engraved work contained more than three hundred items. Amongst his earlier works were Tinkers, St. Jerome, A Woman Washing Her Feet, An Old Book-stall with a Man Lighting His Pipe from a Flare, and The Head of a Peasant Woman on sand-ground mezzotint. Later plates such as Hunger, The Bachelor's End and The Salvation Army were also important. Some of his best etchings were done as series—one of the earliest, illustrating poet William Nicholson's Ballad of Aken Drum, is remarkable for clear, delicate workmanship in the shadow tones, showing great skill and power over his materials, and for strong drawing. Another praised series was The Pilgrim's Progress, revealing austere sympathy with John Bunyan's teaching. Samuel Taylor Coleridge's Ancient Mariner and Strang's own Allegory of Death and The Plowman's Wife, have served him with suitable imaginative subjects. Some of Rudyard Kipling's stories were also illustrated by him, and his likeness of Kipling was one of his most successful portrait plates. Other etched portraits included those of Ernest Sichel and of J.B. Clark, with whom Strang collaborated in illustrating Baron Munchausen...

Painted by the noted British Impressionist artist Bernard Fleetwood Walker, this fine oil on panel portrait depicts Pauline and was painted circa 1950. It was exhibited at The Royal Academy the same year. Housed in its original Bourlet exhibition frame, it is a fine example of his work. Signed lower left. Provenance. Exhibited Royal Academy 1950, Memorial Exhibition. Bourlet frame and transportation label verso. Condition. Oil painting on panel, 20 inches by 16 inches and in excellent condition. Housed in its original exhibition Bourlet frame, 27 inches by 23 inches. In very good condition. Bernard Fleetwood-Walker , PPRBSA, (1893-965) was an English artist and teacher of painting. Invariably known as B. Fleetwood-Walker, he was born in Birmingham, United Kingdom, a twin and one of five children. His father William Walker was an electrical engineer and co-inventor of the Walker-Wilkins battery, while his mother Electra Amelia (née Varley) was granddaughter of the 19th century watercolourist Cornelius Varley...

An original oil on canvas by the British listed artist Darsie Japp. It was painted circa 1930 and depicts two woman at a table having a drink. A very evocative inter war oil painting. Provenance. James Bourlet Framers. Sotheby 12.11.86. Condition. Oil on canvas, 28 inches by 22 inches unframed and in excellent condition. Housed in a gallery frame, 36 inches by 30 inches framed in good condition. Darsie Japp (1888-1973) was born in Liverpool and attended St John's College of the University of Oxford. After he graduated he worked in the offices of his father's shipping company in the City of London between 1904 and 1907. Whilst working in the City Japp studied at the night school of the Lambeth School of Art under Philip Connard. Japp studied at the Slade School of Art between 1908 and 1909, where he became friends with his fellow student Stanley Spencer and would often visit him in his home at Cookham in Berkshire. Japp specialised in landscape and figure paintings and exhibited with the New English Art Club of which he became a member in 1919. At the start of the First World War Japp joined the British Army and, eventually, became a Major in the Royal Field Artillery commanding an artillery battery in Macedonia, for which he was awarded the Military Cross...

Renowned portraitist Frank West Benson paints a young woman by the fireplace reclining in a chair in his artwork entitled, “Firelight.”

Bert Lahr shined in the role of The Cowardly Lion in the Wizard of OZ. Here he is depicted in his comedian's costume which he wears while staring in Jea...

‘Jeune Fille en Blanc’ by Jacques-Émile Blanche (1861-1942). The painting – which depicts one of the artist’s favourite models Wanda Zielinska – is signed and dated 1896. It is lis...

the most important American Impressionists of his age. While many of his contemporaries focused on the landscape, Frieseke gained his inspiration from the figural, and in particular the theme of femininity. His works capture female figures engaging in traditionally feminine roles — strolling in the garden or posed in a domestic interior. At the Mirror...

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Rae Sloan Bredin (1881 - 1933). Rae Sloan Bredin, short lived at only fifty-two years of age, was unquestionab...

The Gray Kimono, 1901, by William Merritt Chase (1849-1916) Oil on canvas 20 x 16 inches unframed (50.8 x 40.64 cm) 28 x 24 1/16 inches framed (71.12 x 61.11875 cm) Paper (Alice Wil...