Unknown

Oedipus and Antigone, study of heads

Jean Jules Antoine LECOMTE DU NOÜY Paris, 1842 - Paris, 1923 Portrait of a woman, Tasie Painting, oil on wood Signed, titled and dated 1876: "Tasie / Lecomte du Nouy / 76" Painting: ...

Edmond PETITEAU 19th century, French The triumph of the goldsmith Claude Ballin (1615-1678), allegorical composition Painting, oil on fine canvas glued to a wooden panel (mahogany), gold background Signed Painting: 51 x 81 cm Beautiful original oak frame: 69 x 99 cm (be careful, large size) Very good condition Circa 1840-50 Edmond Petiteau is an orientalist painter...

Jean Joseph WEERTS Roubaix, 1846 - Paris, 1927 Portrait of a young woman - dream on ephemeral beauty Painting, oil on wood Signed Painting: 24 x 33 cm Beautiful original frame: 41 x ...

Francis Humphrey Woolrych 1868-1941, American Portrait of a spanish woman in a church Painting, oil on paper glued on hardboard Signed Painting: 25.5 x 32.5 cm (10 x 12.8 inches) Fra...

Suzanne Rey de Jaegher Paris, 1907 - Juvisy-sur-Orge, 1994 Portrait of the sculptor Henri-Paul Rey (1904-1981) Painting, oil on hardboard panel Signed Painting: 90.5 x 108 cm Modern ...

Edmond Marie Félix de Boislecomte Arras, 1849 - Paris, 1922 Portrait of a man in his interior Painting, oil on canvas Signed Painting: 38 x 46 cm (15 x 18.1 inches) Beautiful 19th ce...

The son of the legendary Napoléon Bonaparte, Napoléon François Charles Joseph, takes a spirited stance in this remarkable oil painting attributed to the Austrian portraitist Johann Peter Krafft. Believed to have been exhibited at the Exposition Universelle of 1900 in Paris, this work stands as a testament to both Austrian artistry and the legacy of one of the most powerful men in history. After Napoléon's exile to the island of Elba in 1814, his son was seen by many of his supporters as the last hope of France. The child was named the ruler of half of Europe, holding the titles of Napoléon II...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...

The Young Shepherdess by Charles Amable Lenoir (1860-1926) Oil on canvas 48 x 32 inches unframed (121.92 x 81.28 cm.) 58 ½ x 42 ¾ inches framed (148.59 x 10...

If Vogue magazine existed in the late 19th century, this sitter could be on the cover. The depth of her feminine beauty and sweetness is mesmerizing. She looks at you. You look ...

John Falter arranges figures and faces in a way that rival the old masters in their compositional perfection. And he makes it look easy. The expressions are captured so the emotion...

Giuseppe Gandolfo (Catania 1792 - 1855), Portrait of a lawman in his study Oil painting on canvas 87 x 68 cm signed and dated 1831 (or 1851) lower left, always in the lower left co...