Auguste Herbin

Vases Aux Chrysanthèmes By Auguste Herbin

1904

Paul Gauguin 1848-1903 French Fleurs dans un vase avec partition musicale (Flowers in vase with musical score) Signed “P. Gauguin 74/76” (lower right) Oil on canvas Early works b...

John Atherton 1900-1952 American The Bass Season Saturday Evening Post cover, June 29, 1946 Signed "Atherton" (lower right) Inscribed "The Bass Season opens in the east July 1st /...

Extraordinary in its beauty and rarity, this early 16th-century German painting of an illuminated manuscript showcases a masterful trompe l’oeil effect. Unequivocally among the finest of only 17 known works of its kind, the oil on panel is both rare and captivating. With illusory pages that appear to leap from the panel, this virtuosic painting of a hand-colored book suspended into space is exceptional. Created more than four centuries ago, the composition evokes a strong sense of realism. Executed by a masterful Northern Renaissance artist of the German school, the illuminated manuscript pictured shows the astonishing splendor of the historical books of the period. Sumptuously decorated with scrolling floral motifs in the margins, the manuscript appears before a deep black background, heightening the trompe l’oeil illusion of depth through its strong contrast and the naturalistic shadows falling across the fluttering pages. It has been said that of the 17 known versions of this composition, ours stands alone in its precision in both perspective and the play of light and shadow. The visible folios feature choral arrangements and other texts, indicating the pictured manuscript likely served a role in the celebration of church services. In fact, other examples of manuscript paintings...

This Neo-Impressionist landscape by the French artist Achille Laugé captures an orchard in late spring in his celebrated, highly modern style. The work displays a thick impasto thanks to the artist's distinctive technique of applying his paint in quick dabs, a characteristic of his later works. One of the foremost painters of the Post-Impressionist period, Laugé’s works are beloved for his sensitivity to light, shade and tone, and his mastery of medium is clearly on display in Almond Trees...

French Post-Impressionist painter Georges d’Espagnat captures a charming moment between a mother and her child in this vibrant oil on canvas. Rendered with a studied use of complementary colors and bold brushstrokes, the painting showcases the artist's unique Post-Impressionist style. Remembered as one of the most individualistic artists of the 20th century, his distinctive canvases bring together the loose brushwork of the Impressionists and the bold color palette favored by the Fauves. Together, they achieve a vibrant spontaneity that lends itself well to the carefree subjects of the present work. Masterfully composed, La lecture au jardin moves beyond the Impressionist instinct to capture a fleeting moment on canvas. Rather, d'Espagnat succeeds in creating a deep feeling of harmony in the work. Warm colors are perfectly balanced with cool tones, while vertical and horizontal lines are softened by the curves of the foliage and his subjects' figures. Through his simplification of forms and intentional use of color and line, he creates a scene that is carefully designed and thoroughly modern. A similar view of a mother and her child by d'Espagnat is currently in the collection of the Metropolitan Museum of Art (New York). The Post-Impressionist painter was an individualist since his youth, choosing to forgo traditional schooling in order to independently study the Old Masters in the Louvre. He soon became involved with the most prominent Impressionist and Post-Impressionist painters of the age, including Pierre-Auguste Renoir and Paul Signac, who themselves existed outside the traditional norms of French Academic training. In 1891, he exhibited at the Salon des Refusés, and again the following year at the Salon des Indépendants. By 1895, he held his first one-man show in Paris, and just three years later his success earned him a solo show at the prestigious Durand-Ruel Gallery. Between 1905 and 1910 he made several trips to visit Renoir on the Côte d’Azur. Their close friendship resulted in a group exhibition at Marcel Bernheim...

André Brasilier b. 1929 French Les buisson ardents Signed “André Brasilier” (lower right); signed, dated and inscribed "Pour Alexis. Mai 1982" (en verso) Oil on canvas Swirling w...

A beautiful oil painting by French artist Louis Valtat. Featuring a colorful display of a flower bouquet of dahlias.

Giovanni Müller (Swiss, * 25.4.1890 Krinau, † 11.1.1970 Zürich) Still Life of Fruit in a Bowl • C. 1930 • Oil on canvas, ca. 39 x 51 cm • Frame, ca. ...

Jean Pierre DUBORD (né en 1949) Les vieux Gréements dans le port de Dieppe Oil on canvas Size: 50 x 65 cm Signed lower right. Titled and signed on...

Narcisse HENOCQUE (1879-1952) Nature morte aux prunes Oil on canvas Size : 43 x 58 cm Signed lower right Framed Size with frame : 66 x 79 cm

'Sunflowers' post impressionism is in the Scottish Colourist tradition and art movement influenced by Cezanne in the early to mid 20th century. The artist, John Maclauchlan Milne...

'Still Life with Peaches' is a charming example of the work of Henri Malançon who lived and worked in France between 1876 and 1960. It exempli...