Esteban Vera

The main drink, Painting, Acrylic on Canvas

2021

Campbell's Soup inspired, great colors, acrylic and spray on canvas, great art work, exhibitions in the best Art Galleries in France, USA and Mexico. :: Painting :: Pop-Art :: This p...

Donald Duck inspired, great colors, acrylic and spray on canvas, great art work, exhibitions in the best Art Galleries in France, USA and Mexico. :: Painting :: Pop-Art :: This piece...

Mickey Mouse and Wall Street inspired, great colors, acrylic and spray on canvas, great art work, exhibitions in the best Art Galleries in France, USA and Mexico. :: Painting :: Pop-...

Uncle Scrooge McDuck inspired, great colors, acrylic and spray on canvas, great art work, exhibitions in the best Art Galleries in France, USA and Mexico. :: Painting :: Pop-Art :: T...

I've always had a thing for daylilies, and the transience of their beauty; here and gone in only a day. They already have a fiery glow against the greenery in the garden, so here I s...

Painting: Acrylic, Marker on Canvas. My work is about dealing with the real world and above all using the images that surround us in everyday life. I often search for the unexpect...

"Swim is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. The hand-drawn render is reminiscent and inspired by the word art that Ed Ruscha produ...

Taping Knife, 1998 Acrylic and ink on paper 18 x 14 inches

Lori Larusso makes paintings and installations that explore issues of class and gender and how both reflect and shape culture. She has exhibited her work widely in the US and abroad ...

This is a bright, vibrant, colorful Amanda Watt original acrylic painting on paper depicting a patio scene with a floral vase on round table. Signed to lower left. Mounted in a purple and gold stripe painted wooden frame with mat behind acrylic screen. Measures 30 1/4" height x 24 1/4" width (76.8cm x 61.5cm). Measures approx. 44 5/8" height x 36 5/8" width (113.3cm x 93cm) overall including artist painted frame. A self-confessed ‘Fusionist’, Amanda pays homage to the past: the multiple perspectives of cubism; the bright energy of expressionism and the simplicity of primitivism, all allowing her to show the true integrity of painting. Her every-day world and that of fantasy collide to create bright and joyful images based on the clarity and simplicity of abstract forms. Amanda Watt was born in Northern Ireland in 1960. Moving around a lot as a child between towns and countryside, drawing remained the one constant in her life. She graduated with a BA Hons from the Belfast College of Art and Design in 1982, and immediately left for the bustling London art scene. After three years, she was given an opportunity by one of her collectors to move to Los Angeles, where she spent the next twenty years building a successful career as an artist. Amanda’s work was well-known on the California art scene, with annual exhibitions spanning over ten years at Timothy Yarger Fine art in Beverley Hills, as well as Bowles/Sorokko Galleries in San Francisco, New York and Los Angeles. Her bright, vibrant interior scenes and semi-abstract figurative and landscape paintings became a staple of Californian society, with key collectors including casino mogul Steve Wynn...

signed with initials verso and a stamp Kooter Boogers of America. with an intentionally distressed surface. please see photos. Martin Hoffman, a prominent artist whose work in the 1970s was simultaneously identified with high art (gritty realist paintings sold through the O.K. Harris Gallery in New York) and low (illustrations for Playboy magazine). Throughout his career, his style ranged from energetic abstraction and hard-edge pop to photo-based realism and minimalism. In recent years, he created a series of autobiographical paintings in a winsome, cartoon-like style. He also did a series of subtly hued works in which inscrutable words half-disappear into the paint in which they are inscribed. Hoffman’s first job out of college was as art director for the Miami News, a position that he held from 1956 until 1962. Afterward he worked as a graphic designer in Miami while making paintings at home in his spare time. His earliest paintings (which were done, he said, as a “testosterone-driven teenager”) were executed in automotive lacquer on 4 x 8 foot sheets of builder’s hardboard. They combined glossy, visceral surfaces and metallic paints with collaged-on metal shapes and mirrors. In the 1960s, Hoffman’s paintings began to incorporate figures and symbolism with erotic undertones. Through a mutual friend, Sidney Janis saw Hoffman’s paintings and selected one of them for his international “Erotic Art ‘66” exhibition at Sidney Janis Gallery in New York. Others in the show included Pop Art icons Jim Dine, Larry Rivers, James Rosenquist and Tom Wesselman. Hoffman’s painting hung besides an Andy Warhol silkscreen painting of a partially peeled banana. From 1966 to 1992, Hoffman was a freelance Playboy illustrator. He called those years “a wonderful period – it supported my family.” Hoffman painted a series of nudes titled “Woman Eternal” which was featured in Playboy’s December 1972 issue. Through the years, he also created illustrations for books, record albums, movie posters and print ads. Clients included Pfizer, Caesar’s Palace, Harley Davidson Motorcycles and the NASA Art Program, which commissioned a series of works based on activities at the former Kennedy Space Center...

It's a custom order listing for 3 paintings in red, yellow and black colors. The size of each painting is 40x40 cm. Still Life Converse shoes in the colors, 3 pieces. Technique: oi...