French School

1950's Very Large French Post Impressionist Signed Oil Bright & Colorful Flowers

1959

Still Life of Flowers French School, mid 20th century signed oil on canvas, framed in original frame. framed: 17.5 x 29 inches canvas : 12 x 24 inches provenance: private collection,...

Floral Still Life French Impressionist, circa 1930's by Lucien Martial, signed oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France condition: very ...

Sunflowers in the Window by Y Blanchon, French circa 1930's period signed oil on canvas, framed framed: 47 x 30 inches canvas: 45.5 x 29 inches provenance: private collection, Norman...

Vintage French Oil Painting signed by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back/ titled verso oil painting on board, framed framed: 17 high by 13...

by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 18 high by 13 inches wide condition: overall very good an...

Vase de Fleurs by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on canvas stuck on board, unframed measures: 18 high by 15 inches wide c...

Katharine spent a long time mixing paint to reach the right level of smokiness and avoid any saccharine pink in these peonies. They seem to be quite solid but at the same time quite delicate, they are a joy to paint. Katharine Rowe is an English painter she graduated in Fine Art and History of Art at the University of Edinburgh in 1999 and spent a year studying at Université de la Sorbonne, Paris. Having spent a decade working in advertising Katharine felt the increasing need to be out of the office and with her paintbrush. The past 9 years have been dedicated to just that. Katharine is strongly motivated by colour and she often spends up to an hour mixing and preparing paints before turning to the canvas. Katharine is always inspired by her surroundings from the varied landscapes of London...

Jonquil Williamson is known for her vibrant still lifes and rich tonal landscapes. Although her work is mostly representational, she allows the mark-making and textures created as she layers the paint, to inform the image. Of her work she shares, “like many still life painters, I find inspiration from taking everyday things and elevating to something beautiful and positive. I strive to create an atmosphere with my works; from the calmness and serenity of Morandi-inspired clusters of pots and vessels...

Belgium, 1866-1942 Herman Richir initially studied at the Art Academy of Sint-Joost-ten-Noode in Brussels, where he studied with Gustave Biot and Charles Hermans. He then went on to...

This undated, whimsical floral dares the viewer to find patterns, and its two-dimensional presentation evokes native and indigenous art and the printmaking that flourished among New ...

Chuta KIMURA (also "Tchuta" or "Tshuta") is an allusive landscape painter and pastellist. His name - composed of the words Ki (tree) and Mura (village) - literally means "village tree". The artist was born into a middle-class family with an ancestral Samurai background. From the age of 13, he took drawing lessons at the Takamatsu School of Decorative Arts. In 1936, he went on to study at Tokyo's Nika Art Academy, where the academic teaching did not suit him. In 1937, he exhibited for the 1st time at the Dokuritsu Salon, but was immediately drafted by the army to serve in China - where, despite the war, he developed a passion for ancient calligraphy. In 1940, he eventually returned to Japan due to illness. Shortly afterwards, in 1941, he discovered a painting by Pierre Bonnard at the Ohara Art Museum in Kurashiki, the light of which overwhelmed him. He was mobilized again in China in 1945, then, once the war was over, he resumed his exhibitions in Tokyo and discovered Bonnard once again. In 1947, he married Satchiko Yunoki, with whom he decided to move to Paris. Thanks to a patron, the young couple settled in Montparnasse in March 1953 (taking over the former studio of his illustrious compatriot, Foujita). In 1954, he exhibited at the Salon des Artistes Français and met Jacques Zeitoun, artistic director of the "Art Vivant" gallery (Paris and Lyon), who immediately signed him up. From 1955 onwards, Kimura enjoyed a steady stream of solo exhibitions - in Paris (e.g. Galerie St Placide, Kriegel, or Art Yomiuri - the latter exhibiting his work 4 times at FIAC in the 1980s); Lyon (e.g. Galerie St Georges); Antibes (e.g. Galerie St Georges); and Paris. galerie St Georges); Antibes (ex. galerie René Raporte); Brussels (ex. galerie de France et du Benelux); Geneva (ex. galerie Krugier); Tokyo (ex. galleries Nichido, or Takarashi); and New York (ex. galleries David Findlay, or Ruth Sigel). The artist also participated in fairs and group exhibitions (e.g. Biennale de Paris in 1957, Centre Pompidou in 1979, The Phillips Collection in 1985). In 1962, he moved to Châtenay-Malabry and met Jean Grenier - professor of philosophy and holder of the chair of aesthetics and art science at the Sorbonne - who became his principal biographer: "When Kimura rightly prides himself on uniting East and West, which, he writes, are as different from each other as day and night are from each other, he might add that it is by remaining himself and drawing on the dual traditions of his country that he has succeeded in creating a work that is at once so violent and so gentle. In 1963, the French State bought a painting from him - "Jardin à Châtenay". In 1965, Galerie Kriegel (recently opened by his 1st dealer...

Maybe it's just the chair with straw seat, or the vivid orange-brown tone, but this painting brings Van Gogh to mind, though technically it is fa...