Jeff Aeling

Eggplant - Still Life with a Single Eggplant on Gray Blue Satin, Framed

circa 2017

A study for a series of larger paintings based on motion capture studios, this painting combines classic technique with modern sensibility. Here the seated model leans against an antiquated iMac. Upon closer examination, the preparatory sketch lines are visible on the model's feet and her forearm. Unfinished works were first seen during the Renaissance with Masters such as Leonardo da Vinci, Michelangelo and Donatello. It became fashionable to leave works incomplete, so much so, that it became an aesthetic term 'non-finito'. Andrew S. Conklin Kelsey Seated, Arm with iMac oil on panel 12h x 17w in 30.48h x 43.18w cm ACK011 Motion Capture Paintings, Chicago My recent painting series describes the reality of motion capture environments by showing the interplay between female athletes and male technicians. These paintings are meant to explore conventions of female representation in Western figurative art and to contrast this past practice with the contemporary imagery of that subject via computer-based image technology. This project was instigated by a number of things: first, by my abiding interest in depicting the human form in paint, as I find its versatility in a design, its invitation to empathy, and its difficulty, to be something worth attempting to depict with success. In addition, my curiosity regarding the new ways to depict the form using electronic technology seem to challenge to the traditional methods I rely upon, and I wanted to comment on the similarities and differences between the studios of the painters and the technicians. In this way, I aim to continue my investigation into what I see as the contrasting quality of human nature, and symbolically represent opposites such as mind and body, analog and digital, realism and idealism, terrestrial and the transcendent. Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...

"True North - Orientation" is a worms-eye view of a jumbled sky bursting with both fireworks and a rainbow. The surreal quality of the imagery makes the viewer question reality. The ellipsed edges confirm the scene as an inner vision rather than a window on the world. The foreground billboards add another dimensional question to the landscape. The painting itself is painted on a handmade wooden panel with beautifully finished edges so no frame is needed. Mark Bowers True North - Orientation oil on panel 9h x 12w in 22.86h x 30.48w cm MJB012 TRUE NORTH PAINTINGS Unconscious systemic biases may guide our actions or direct us---similar to the human construct of “True North”, which holds to coordinate systems. The Earth’s “Magnetic North” moves over time according to polar shifts; flux and correction is enabled by polarity. In these paintings (Privilege, Orientation, Belief, Identity, Equity), I use compositional elements referencing nautical com- passes to suggest that society must navigate not within systems, but naturally through positive relationships and change. I hope that my art represents our present day - but also imparts a dreamful glimpse of hope and faith within. Explanation: A magnetic compass does not point toward the true North Pole of the Earth. Rather, it more closely points toward the North Magnetic Pole of the Earth. The North Magnetic Pole is currently located in northern Canada. It wanders in an elliptical path each day, and moves, on the average, more than forty meters northward each day. Evidence indicates that the North Magnetic Pole has wandered over much of the Earth's surface in the 4.5 billion years since the Earth formed. Mark Bowers- Artist Statement With the depiction of landscape playing such a central role in the history of North American art, it seemed to offer many of the critical possibilities I was looking for, and it felt more and more like something I have always known. Something I could easily apply, stage, and manipulate as a diary. My work consists of small-scale highly detailed landscape paintings. They are inspired by the comfort, trepidation, and beauty found in the mundane Chicago Suburbs. I combine nature, decorative house wares...

"True North - Brief" is a dream-like view of the rising sun turning the deep blue sky into a blaze of orange at the horizon. The surreal quality of the imagery makes the viewer ques...

"True North - Identity" is a worms-eye view of a brilliant blue sky with a maze of distinctive clouds. The surreal quality of the imagery makes the viewer question reality. Are the clouds actual clouds or made by some other means? Are those fluffy clouds behind the bare branches or mountains? The ellipsed edges confirm the scene as an inner vision rather than a window on the world. The painting itself is painted on a handmade wooden panel with beautifully finished edges so no frame is needed. Mark Bowers True North - Identity oil on panel 9h x 12w in 22.86h x 30.48w cm MJB014 TRUE NORTH PAINTINGS Unconscious systemic biases may guide our actions or direct us---similar to the human construct of “True North”, which holds to coordinate systems. The Earth’s “Magnetic North” moves over time according to polar shifts; flux and correction is enabled by polarity. In these paintings (Privilege, Orientation, Belief, Identity, Equity), I use compositional elements referencing nautical com- passes to suggest that society must navigate not within systems, but naturally through positive relationships and change. I hope that my art represents our present day - but also imparts a dreamful glimpse of hope and faith within. Explanation: A magnetic compass does not point toward the true North Pole of the Earth. Rather, it more closely points toward the North Magnetic Pole of the Earth. The North Magnetic Pole is currently located in northern Canada. It wanders in an elliptical path each day, and moves, on the average, more than forty meters northward each day. Evidence indicates that the North Magnetic Pole has wandered over much of the Earth's surface in the 4.5 billion years since the Earth formed. Mark Bowers- Artist Statement With the depiction of landscape playing such a central role in the history of North American art, it seemed to offer many of the critical possibilities I was looking for, and it felt more and more like something I have always known. Something I could easily apply, stage, and manipulate as a diary. My work consists of small-scale highly detailed landscape paintings. They are inspired by the comfort, trepidation, and beauty found in the mundane Chicago Suburbs. I combine nature, decorative house wares...

A sunset of explosive proportions is the subject of this surreal landscape entitled "True North - Equity". The brilliant light at the end of the end of the road illuminates the high...

Mark Bowers- Artist Statement With the depiction of landscape playing such a central role in the history of North American art, it seemed to offer many of the critical possibilities I was looking for, and it felt more and more like something I have always known. Something I could easily apply, stage, and manipulate as a diary. My work consists of small-scale highly detailed landscape paintings. They are inspired by the comfort, trepidation, and beauty found in the mundane Chicago Suburbs. I combine nature, decorative house wares, municipal structures, and personal artifacts to hint at current life and future implications in the orchestration of these elements. Each work in the series is a portrait of a search for markers on a journey, an attempt to learn from what is palpable and to appreciate the intangible. The paintings are meant to suggest the truth in the un-idealized moment--the actual truth only exists off the edges of my canvas, off stage, and in the experience of the viewer. Painting the objects in these compositions is like positioning characters on stage in a play, each adding to the dramatization Mark Bowers Little Blue Houses oil on panel 15h x 30w in 38.10h x 76.20w cm MJB008 Mark Bowers b. 1977 St. Joseph, MI Exhibitions 2013 American Painting Today: Physical and Visceral, Krasl Art Center, St. Joseph, MI 2012 Fort Wayne Art Museum, Contemporary Realism Biennial, Fort Wayne, IN Rockford Art Museum Midwestern Biennial, Rockford, IL Ann Brierly Gallery, Winnetka, IL 2009 Art Chicago, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL Ann Brierly Gallery, Winnetka, IL 2007 Beverly Arts Center Biennial, Chicago, IL Ann Brierly Gallery, Winnetka, IL 2005 Ann Brierly Gallery, Winnetka, IL 2003 Ann Brierly Gallery, Winnetka, IL Rhode Island School of Design, Providence, RI 2001 The Box Factory Gallery, St. Joseph, MI 2000 John G. Blank Center for the Arts, Michigan City, IN Michigan State...

Oil Painting on coated Wood panel - Contemporary Interior, Oil Painting, Vase, Interior, sofa, Jean Arp Work Title : Un après midi avec Arp (EN : An afternoon with Arp) Artist : Gabriel Riesnert...

John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer Ma...

Pale Cat Orchid on Red floral still life explores the many subtleties of hue found on pale, nearly white, Catasetum Orchid flowers. Descriptive brushstrokes shape cheerful petals, di...

Rein Pol Cello 93 x 120 cm ( Frame is included 107 x 134 cm) Oil on wood panel, 1987 Looking at Rein Pol's work, it is first and foremost striking that the artist's subjects are very diverse. However, he was mainly known for his paintings 'with trains'. If you look further, you will see that Rein Pol has many sources of inspiration about which he can tell 'stories in paint'. On the website of the Classical Academy in Groningen there is a beautiful teacher portrait of Rein Pol, the first part of this text comes from that site: The fact that Rein Pol made paintings with trains in them gave him the stigma of being a train painter. The 'Blue Angel' is just one of many, often autobiographical, subjects in his paintings. This also applies to nature, landscape, persons and objects from his immediate environment, in which transience is an underlying theme. “As a child I was always drawing. The profession of art teacher appealed to me. It never occurred to me that I could become a painter.' At the Minerva Academy, teachers such as Ger Siks and Matthijs Röling impressed him. Their influence is still noticeable in his paintings: the atmospheric of Röling and the alienating of Siks. After the academy Rein briefly taught at a secondary school. "Not an unqualified success! So when I was asked to come and teach at Minerva, I seized the opportunity with both hands. I have learned a lot myself from teaching academy students.' A violin on fire, a train soaring to heaven, Romance at its best! The passion is in the details, the feathers of a dead bird, the drops on a misty mirror. And that passion is what Romanticism is all about. Rein Pol has been working professionally as a painter since 1976. He always has a keen eye for the expressiveness of the apparently insignificant detail. Every theme that Pol paints is depicted in a clear, harmonious composition with great attention to light, texture, spatial and color effects. The paintings are not intended as an exact copy of the reality around us, but as a representation of our own reality! Hans van Seventer previously wrote: “The subjects of Rein Pol's paintings move between the ordinary and the absurd. He paints musical instruments as well as a bottle containing the fetus of a pig. Sometimes the smell of manure rises from his landscapes, then again a Groningen bum toils along the steep banks of a Norwegian fjord. His self-portraits form a collection in themselves: in the mirror of the bathroom, in a glass display case surrounded by 'gohst of the past', or simply with a jar of pickles as a sign of his dignity”. With his work Pol is counted among the Northern Figuratives. Rein Pol exhibits a lot in the Netherlands. Abroad he exhibited in Germany, Norway, Poland, Switzerland and Indonesia. With the so-called Zwiggelte Group in France, the United States, Canada and Australia. Much of the painter's work is included in private collections. His paintings are also in the possession of, among others, the Drents Museum in Assen, the Smallingerland Museum in Drachten, the Free University of Amsterdam, the ING Collection and the Philips Collection...

Keimpe van der Kooi Summer 100 x 122 cm framed: 110-132 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint ...

Keimpe van der Kooi Autumn 122 x 100 cm framed: 132x 110 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint...