Jonathan Taylor

'Still Life with Wine', California Modernist, Santa Cruz, University of Maine

Circa 2000

Painted circa 1965 by Virginia Sevier Rogers (American, 1916-2015), a listed artist. Stamped verso with certification of authenticity. A vibrant oil still-life of daffodils and an ...

Signed lower left, 'Vera' and painted circa 1975. A bold and vivid Post-Impressionist still-life painted with a bright palette and bravura brushwork. Vera Indenbaum painted and exh...

Signed lower right, 'Haefner' for Janice Haefner (American, 1919-2002) and painted circa 1960; additionally signed, verso, and with artist address. This life-time member of the Pacific Art League lived in Los Altos...

Signed verso, on stretcher bar, 'Janice Haefner' (American, 1919-2002) and painted circa 1960. A substantial mid-century, Expressionist figural abstraction showing two women seated ...

Signed lower right, 'J. Gaulke' for Judith Gaulke (American, born 1946) and painted circa 1995; additionally titled, verso, 'Biot, France' and signed. Since her first solo show in ...

Signed lower center, 'Widman' for Harry Widman, Jr (American, 1929-2014) and painted circa 1956. Exhibited: Artists of Oregon, Painting and Sculpture Sho...

Oil on paper Paper size: 9 x 6 inches Framed Size: 24.75 x 21.5 inches Monogrammed lower left

Mid century modern art with inscription in french verso. It was traded with another artist.

Coquillage et réveil en rouge by Henri Hayden (1883-1970) Oil on paper laid down on isorel 33.5 x 46 cm (13 ¹/₄ x 18 ¹/₈ inches) Signed and dated lower le...

Costa Rica! Still Life with Guitar, Fruit, Wine, and Newsprint in Oil on Canvas Still life in a semi-cubist style by Irene Pattinson (American, 1909-1999). On a reddish-purple table, there is a plate with two apples, a bottle of wine, and an acoustic guitar. The guitar's headstock is shown extending from where the neck meets the body, implying a cubist interpretation of the scene. At the back of the still life arrangement, there is a (collage) newspaper with "Costa Rica!" in the headline. At the left of the composition, there is a curtain or cloth draped across part of the scene. Signed "Irene Pattinson" on verso. No frame. Canvas size: 32"H x 24"W Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56. Provenance:The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works) Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963; Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection Exhibitions: 1963 The Art Bank of the San Francisco Art Association, San Francisco, CA 1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA 1962 The Art Bank of the San Francisco Art Association, San Francisco, CA 1961 San Francisco Museum of Art, San Francisco, CA 1960 California...

Still Life is an artwork realized by Valentino Ghiglia in the Mid-20th Century. Oil on Cardboard, cm 46x57. Hand signed on top left. Very good condition.

"Sliced Bread" is an oil painting, and mixed media collage on canvas. It is a still life on a table top of a piece of bread with a knife in it sitting on a napkin, an old metal pitcher with a spoon resting on it and a spoon on the table between the pitcher and the bread. Behind these objects in the foreground is a mysterious object. It is complied of many colorful rectangles, and the top of it is a dark neutral grey. It could be a piece of cake that has just been cut, bursting with flavor, or it could be a tiled or woven box with a peaked lid, possibly a bread box? Behind the table against an off white wall are 20 rectangles. Some of these are solid blocks of color, others are drawings on paper of landscapes and people that bring to mind postcards pinned up on a wall. Overlapping some the these is a larger charcoal drawing...