Joseph Barrett

"Still Life with Green Shade"

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Exhibited at the "4th Annual Exhibition of the National Asso...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 54, plate #062. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 10 #010 Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. M. Elizabeth Price (1877 - 1965) Mary Elizabeth Price was born in West Virginia and raised on a farm in Solebury, Pennsylvania, on the outskirts of New Hope. She studied at the Pennsylvania School of Industrial Arts and the Pennsylvania Academy of the Fine Arts under Hugh Breckenridge. Additionally, she studied in New Hope with William Lathrop. Following her art studies, Price went to New York. While there, she conducted the “Baby Art...

Jim's of Lambertville Fine Art Gallery is proud to offer this work by Cora S. Brooks (1885 - 1930). Cora S. Brooks was born in New Brunswick, New Jersey in 1885. Her father, Edward F. Brooks, was the General Superintendent of the Pennsylvania Railroad. In 1902, her family moved to Lansdowne, PA. She attended the Philadelphia School of Design for Women (now the Moore College of Art & Design). Brooks specialized in flower still lives, but also was known to paint landscapes, and do an occasional portrait. She was one of the founding members of the Philadelphia Ten, a group of women artists who emerged out of the Philadelphia art...

Jim’s of Lambertville is proud to offer this artwork by: Mercedes Matter (1913 - 2001) Best known as a painter of abstract still life and founder of the New York Studio School, M...

Original Oil on Canvas work by Russian-Canadian artist Anna Razumovskaya featuring impressionist style purple flowers and a vase. Razumovskaya's signature soft brushwork is on displa...

Classic Impressionist still-life oil painting by American artist George Oberteuffer. Tabletop Arrangement (c.1925) Oil on canvas 30" x 36" 39 ½" x 45 ¼" x 2 ½" framed Signed "Ober...

Yana Beylinson's (US based) "Echinacea" is an original, handmade oil painting that depicts impressionistic red, and pink flowers melding together with green leaves. Artist Bio: ...

Yellow Glads by Lu Haskew ​Oil on Canvas Floral Still Life 16x24" Image Size, 22x30" Framed ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career. Since 1992, she has studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike, and others at the Scottsdale Art...

Small Bouquets by Lu Haskew Oil 16x16" image size Still Life of spring flowers, pansies, daffodil, in blue vases. This painting is unframed, canvas on gator board, the price reflects that it is unframed. ​Online Order Only, not in gallery display. ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is...

Colors of May by Lu Haskew Floral Still Life Oil painting 24x18" image size 28x22" framed size ABOUT THE ARTIST: Lu considered it a must to work with live models once or twice a ...