Karl Harald Alfred Broge

Poppy and Anemone Still Life Floral Study in Oil on Linen

1908

Elegant still life with calla lilies and amaryllis by an unknown artist. Completed in a classical style, two calla lilies and two amaryllis flowers sit in a vase with Chinese designs...

Beautiful modern still life done in the baroque style: staged fruit, glass with reflections of light from an unseen source, a cup of tea and a crystal server filled with a variety of...

White and Purple Dahlias - Floral Still Life in Oil on Illustration Board Delicate still life of dahlias in a green vase by Gertrud Stimming ...

Mid Century Still Life with Apples and Pitcher Original Oil on Artist's Board Vibrant still life by C. (Clarence) Leslie Oursler (American, 1913-1987). Classic American impressionis...

Still Life with Cantaloupe and Chianti Bottle in Oil on Canvas Classically styled still life by Ben Dominguez (American, 20th Century). Several pieces of fruit sit on a table, surro...

Starkly simple yet compelling mid century still life by listed artist Jon Blanchette (American, 1908-1987), circa 1965. Signed "Jon Blanchette" lower left and verso. Letter of Authen...

Still Life with Coffee-Beans. 2011. Oil on linen, 45X50 cm

Still Life With Wagtails. 2011. Oil on linen, 40X45 cm

Still life with mouse. 2012. Oil on linen, 36x44 cm

Born in Queens, NY to a family of artists, inventors and actors, Lizbeth Mitty grew up painting and writing. Her work has been exhibited in galleries and museums in both the United States and abroad and is held in public and private collections including the The Metropolitan Museum of Art, The New York State Museum, The Orlando Museum of Art, The Zimmerli Archive, The U.S. State Department, and Trierenberg Holding AG (Austria). My studio is located in Brooklyn, NY. Described by New York Times critic Ken Johnson as a combination of “painterly verve and hellish beauty” — Mitty's work has long been concerned with examining and amplifying the intrinsic abstract beauty of deteriorating or overlooked corners of urban architecture and interiors. In 2015, one object, the chandelier, rose up from detritus to dominate her body of work. Spectacular, illuminated and intricate, the chandelier is evocative of grandeur. In contrast, for much of Mitty's career, scrap yards and other sites of urban devastation, locations of organized chaos, formally beautiful, yet apocalyptic and terrifying. Similarly, the chandeliers speak of decadence, sadness, elegance, death and hope. By 2017, the chandeliers began to open and morph into architecture in the round. Gazebos and scrap dominate a verdant post-apocalyptic landscape...

Early 20th Century oil on canvas still life of oranges, hops and flowers signed E Pritchard and dated 1904 bottom left, presented in period gilt ...

This mid-20th-century oil painting by British artist Harry Keay (1914-1994) depicts a still life with a book, bonnet, teacup and sewing paraphernalia. It wa...