Lori Larusso

04 Flower Painting, 2023, acrylic and tinted MSA varnish on panel, pop art

2023

Lori Larusso makes paintings and installations that explore issues of class and gender and how both reflect and shape culture. She has exhibited her work widely in the US and abroad ...

Lori Larusso's pop art still life paintings of cocktails wink at frivolity and celebration. Heightened reflections and shadows emphasize the indulgent, pl...

Lori Larusso, an American visual artist, explores themes of domesticity in her work, including this stunning flower painting series. By using layers of bright acrylic paint, often wi...

Lori Larusso, an American visual artist, explores themes of domesticity in her work, including this stunning flower painting series. By using layers of bright acrylic paint, often wi...

Lori Larusso's pop art still life paintings of cocktails wink at frivolity and celebration. Heightened reflections and shadows emphasize the indu...

Lori Larusso's pop art still life paintings of cocktails wink at frivolity and celebration. Heightened reflections and shadows emphasize the indu...

Taping Knife, 1998 Acrylic and ink on paper 18 x 14 inches

This is a bright, vibrant, colorful Amanda Watt original acrylic painting on paper depicting a patio scene with a floral vase on round table. Signed to lower left. Mounted in a purple and gold stripe painted wooden frame with mat behind acrylic screen. Measures 30 1/4" height x 24 1/4" width (76.8cm x 61.5cm). Measures approx. 44 5/8" height x 36 5/8" width (113.3cm x 93cm) overall including artist painted frame. A self-confessed ‘Fusionist’, Amanda pays homage to the past: the multiple perspectives of cubism; the bright energy of expressionism and the simplicity of primitivism, all allowing her to show the true integrity of painting. Her every-day world and that of fantasy collide to create bright and joyful images based on the clarity and simplicity of abstract forms. Amanda Watt was born in Northern Ireland in 1960. Moving around a lot as a child between towns and countryside, drawing remained the one constant in her life. She graduated with a BA Hons from the Belfast College of Art and Design in 1982, and immediately left for the bustling London art scene. After three years, she was given an opportunity by one of her collectors to move to Los Angeles, where she spent the next twenty years building a successful career as an artist. Amanda’s work was well-known on the California art scene, with annual exhibitions spanning over ten years at Timothy Yarger Fine art in Beverley Hills, as well as Bowles/Sorokko Galleries in San Francisco, New York and Los Angeles. Her bright, vibrant interior scenes and semi-abstract figurative and landscape paintings became a staple of Californian society, with key collectors including casino mogul Steve Wynn...

signed with initials verso and a stamp Kooter Boogers of America. with an intentionally distressed surface. please see photos. Martin Hoffman, a prominent artist whose work in the 1970s was simultaneously identified with high art (gritty realist paintings sold through the O.K. Harris Gallery in New York) and low (illustrations for Playboy magazine). Throughout his career, his style ranged from energetic abstraction and hard-edge pop to photo-based realism and minimalism. In recent years, he created a series of autobiographical paintings in a winsome, cartoon-like style. He also did a series of subtly hued works in which inscrutable words half-disappear into the paint in which they are inscribed. Hoffman’s first job out of college was as art director for the Miami News, a position that he held from 1956 until 1962. Afterward he worked as a graphic designer in Miami while making paintings at home in his spare time. His earliest paintings (which were done, he said, as a “testosterone-driven teenager”) were executed in automotive lacquer on 4 x 8 foot sheets of builder’s hardboard. They combined glossy, visceral surfaces and metallic paints with collaged-on metal shapes and mirrors. In the 1960s, Hoffman’s paintings began to incorporate figures and symbolism with erotic undertones. Through a mutual friend, Sidney Janis saw Hoffman’s paintings and selected one of them for his international “Erotic Art ‘66” exhibition at Sidney Janis Gallery in New York. Others in the show included Pop Art icons Jim Dine, Larry Rivers, James Rosenquist and Tom Wesselman. Hoffman’s painting hung besides an Andy Warhol silkscreen painting of a partially peeled banana. From 1966 to 1992, Hoffman was a freelance Playboy illustrator. He called those years “a wonderful period – it supported my family.” Hoffman painted a series of nudes titled “Woman Eternal” which was featured in Playboy’s December 1972 issue. Through the years, he also created illustrations for books, record albums, movie posters and print ads. Clients included Pfizer, Caesar’s Palace, Harley Davidson Motorcycles and the NASA Art Program, which commissioned a series of works based on activities at the former Kennedy Space Center...

It's a custom order listing for 3 paintings in red, yellow and black colors. The size of each painting is 40x40 cm. Still Life Converse shoes in the colors, 3 pieces. Technique: oi...

Artist: Peter Max, German/American (1937 - ) Title: Flag (Pink) Year: 2009 Medium: Acrylic and Collage on Paper, Signed Size: 11 in. x 8.5 in. (27.94 cm x 21.59 cm) Frame Size: 20 x...

Leo and Leonline by Lucie Sheridan [2021] original Acrylic on Canvas Image size: H:50.8 cm x W:40.8 cm Complete Size of Unframed Work: H:50.8 cm x W:40.8 cm x D:1.8cm Sold Unfram...