PINKHAS

No title

Original mixed media on canvas Combining acrylic paint, collages varnish Handsigned Unique piece PINKHAS (né en 1975) EXPOSITIONS SOLOS 2022 Galerie 55 TLV Tel Aviv Israël 2021 Galerie 55 TLV Tel Aviv Israël 2019 Expo Pinkhas / Galerie Kinor, Rue de Rivoli - PARIS, France 2018 Expo Pinkhas / Tiny Tiny Gallery - TEL AVIV, Israël 2018 Expo Pinkhas / Galerie Kinor, Rue de Rivoli - PARIS, France 2017 Expo Pinkhas / Maison d'exposition générale - Safed, Israël 2017 Expo Pinkhas / Centre Communautaire - Perpignan, France 2015 Expo Pinkhas / Galerie Zi Art...

Mixed media on canvas. Signed lower right. Mint condition. Unique piece PINKHAS (Born in 1975) SOLOS EXHIBITIONS 2022 Gallery 55 TLV Tel Aviv Israël...

Spray paint on paper Hand signed Unique piece

Original acrylic paint on canvas Handsigned Unique piece PINKHAS (Born in 1975) SOLOS EXHIBITIONS 2022 Gallery 55 TLV Tel Aviv Israël 2021 Gallery 5...

Mixed media on wood panel Signed at the bottom Hand signed on the reverse as well Unique piece

Original acrylic painting on paper ( the paper has been glued on a book page, very usual practice of the artist) The page is free and the book is not included The painting can be e...

Acrylic on masonite. This is a pivotal work in deep and radiant cobalt blue from 1950. It dipicts calligraphic and hieroglyph structures over a grid and pyramidal base by the first generation abstract expressionist. Provenance: Skinner: November 13, 1992 [Lot 00219}, The entry in the Skinner catalog indicates that the painting came directly from the artist to the family of the consignor to Skinner. Kaminsky Auctions. There is an unbroken paper trail that traces the ownership of the painting from the current owner, through two auction houses to the artist. Perfect unbroken provenance. Pousette-Dart was among the most inventive of the Abstract Expressionist generation, His uncanny talent was to expand the nature of abstraction and still make each mark each element very much his own; a reflection of what he called   "the concealed power of the spirit," he said, “not of the brute physical form."   His was not aiming for a singular, realized aesthetic formula but to expand the possibilities of painting; the transcendental in painting. Typical of such invention and exploration is this  painting  Untitled 1950 when the artist was only 34 years old and represented by one of the champions of the new American painting, Betty Parsons.  
A banner year for Pousette-Dart, the Museum of Modern Art acquired their first painting by the Minnesota born artist.  He worked on easel size works such as this painting an oil on masonite. At the same time Pousette-Dart was also working on larger scale works such as Path of the Hero, running over ten feet in length now in the collection of the Metropolitan Museum of Art.  Both contain fields of color articulated by a highly sophisticated white hieroglyphic vocabulary. Rather than demonstrate an expressionist sensibility, Pousette-Dart harnesses his more cerebral ideas transforming thick areas of paint into a more refined composition of geometric forms akin to the pattern and forms of say a stained glass window. In a way he is looking back at Fugue, 1940 a black and white composition which makes use of a similar format of painting albeit smaller. Color and form are minimal, but what Pousette-Dart has maximized is the rhythmic and syncopated character of painting casting his ideas into purely symbolic terms that one might link to the pictograms of Adolph Gottlieb. Nonetheless, nature is always at the core of Pousette-Dart’s thinking and dreaming. Here he has transformed the local Ramapo Mountains—where he will eventually move with his family to live and work— into a complex series of articulated fragments linked by style, scale and color.  The painting’s imagery built on two large triangles and reduced to just two colors, cobalt blue and white all outlined in black.  Pousette-Dart symbols stacked in horizontal and vertical rows:  blue is ground, white is language, symbolic of light, consciousness and awareness . The painting maintains a mystical character images compounded that formulate a secret code and linked to the series of white paintings Pousette-Dart authored in the first half of the 1950s. Get up close to the picture and you discover images within images a kind of picture puzzle...

Ms. Wen resides in New York City as a full-time artist. She has exhibited nationally and internationally since the early 1980s. She was born in Taipei, Taiwan. She received her BFA f...

Ms. Wen resides in New York City as a full-time artist. She has exhibited nationally and internationally since the early 1980s. She was born in Taipei, Taiwan. She received her BFA from Washington State University, MA, and MFA from the State University of New York at Albany. In 1979, she won the First Prize in Painting in the Ten Outstanding Young Talents Competition in Taiwan. In 1980, she was awarded Outstanding Merit in the Young Artists in Asia Now competition in Hong Kong. In 1995 and 1996, her work was selected in many national and international jury shows, including the ninth and tenth Parkside National Small Print Exhibition. Large Small Work '95' International, Small Works International, First Annual National Juried Small Work Exhibition in New York, NY. These shows are highly competitive and are chosen from thousands of submissions. Leigh won the SUNY Albany Purchase Award in 1995 and the University of Wisconsin Purchase Award in the 1995 Parkside National Small Print Exhibition. She was also awarded an Artist Grant by the National Taiwan Art...

Bruce Adams is best known as a conceptually based figurative painter who references various (often historical) painting styles. In exploring the act of painting, Adams peels back the...

CAROLINA PONTE No Title, 2016 60 x 197 inches Acrylic on Linen Message for videos of the piece with more details. The extended present time and the a...

Darius Yektai's "White Tulips" is a large-scale, layered, oil on resin, on canvas painting. White Tulips is archetypal in all but scale. Yektai’s stateme...