Stefaan Eyckmans

Bread and French Goat Cheese

2018

Oil on canvas, signed and dated 2018. French handmade Delf wooden frame, dark bronze patina with gold leaf. Unframed size: 19.7 inches high x 24.02 inches wide. Framed size: 28 inches high x 32.3 inches wide x 1.25 inches deep. Sold framed. Stefaan was gifted this skull by a friend, whose carpenter father found many years ago in a false ceiling. The skull sat in his workshop and was eventually named “Gilda”. The composition is unusual in its stark simplicity that speaks to the inevitable death we all face. Fascinating without being morbid, the arrangement is simple yet bold. Note the extraordinary brushwork detailed in the shroud, as well as the intricacies of the skull. The slash of cobalt blue in the background provides an ethereal quality. The title is adapted from Shakespeare’s Hamlet and is the artist’s inside joke on the character “Guildenstern” vs “Gilda”. Part of the title can be seen in the lower right quadrant of the painting. Compared to “Vanitas”, painted in 2000, the artist’s evolution in form and execution is most evident in this 2018 work. This painting is available for viewing at The Elemental Garden...

Oil on panel, signed and dated 2008. French handmade wooden Delf frame, black raised panel with gold leaf. Unframed size: 18.25 inches high x 15.25 inches wide. Framed size: 25.63 in...

Oil on canvas, signed and dated 2010. French handmade wooden Delf frame, pale cream patina with silver leaf inset and medallions. Unframed size: 27.5 inches high x 25.75 inches wide....

Oil on panel, signed and dated 2006. French handmade wooden Delf frame, black raised panel with gold leaf. Unframed size: 23.5 inches high x 30.75 inches wide. Framed size: 31.375 inches high x 38.375 inches wide x 2.0 inches deep. Sold framed. One of the artist’s earlier works, this compelling still life features conventional objects: antique pewter, a coffee mill...

Oil on panel, signed and dated 2013. French handmade wooden Delf frame, black raised panel with silver leaf. Unframed size: 35.4 inches high x 40.6 inches wide. Framed size: 44.1 inches high x 49.2 inches wide x 1.5 inches deep. Sold framed. Quinces are a symbol of fertility, and for the artist, they’re adored for their voluptuous, irregular shape. To him, imperfect fruits are more realistic, more truthful, and most beautiful. In this large composition, the bright, primary coloring of the quinces is heightened by their placement in front of the vintage oil can...

Oil on panel, signed and dated 2012. French handmade wooden Delf frame, raised panel with dark gold/bronze patina and gold leaf. Unframed size: 19.09 inches high x 15.75 inches wide. Framed size: 29.5 inches high x 25.125 inches wide x 1.63 inches deep. Sold framed. Stefaan’s tribute to the great French neoclassical painter stems from first seeing Gericault’s horses...

Chani Cohen Zada Afterbirth , 2018 oil on canvas 100 x 100 cm 39 x 39 in Exhibited: 'Between Holy and Mundane', Lewinski College, Tel Aviv. Israel 11.1-...

a beautiful still life painting of an apple on a white table cloth by the artist Eric Forstmann

oil on panel

LaValley is an American artist born in New York in 1858. His style is realism and most of his paintings were either landscapes or still lifes. This perticular painting is an exclent ...

Artist: Jean Grimal (1942-1998) Period: 20th century Condition: Excellent condition Material: Oil painting Length: 69 cm Height: 58 cm Signed Under Right

Jean Grimal is a true 20th century discovery. This breathtaking piece is a gorgeous example of his mastery as an artist. He beautifully creates chiaroscuro in this painting. The way the light touches the edges of the Chinese bowl and the grapes is an example of his skill in representing light. Jean Grimal (1942-1998) was born in the town of Tulle, France in 1942. Jean’s family moved to Paris when he was 8 years of age. After receiving a classical French education with studies in Latin and Greek, Jean Grimal entered the University to receive his Baccalaureate. He then attended Claude Barnard School for three years, when he received his Art Degree.  Upon completion Grimal taught art for seven years.  As Grimal’s own interest in formal painting and art began to possess him, the artist’s destiny changed.  In 1967 Jean Grimal stepped aside from teaching and pursued a career in professional painting and working as an illustrator in advertising.  As an advertising illustrator, Grimal worked with Lise Goldfard for more than 25 years at Studio 44 where they collaborated with major and important accounts, such as: Air France, Christofle, Peugeot, Lacoste, to name a few. At the same time he began presenting his formal paintings to galleries in Paris and Cannes, France and in London and Windsor, England.  Much to his surprise, Grimal found that his paintings were sought after by major art galleries and collectors throughout Europe.  After a number of years of being an important and successful art illustrator for these major accounts, he found himself having to choose between the two.  Fortunately for collectors, he chose to dedicate his life to the classical style of painting.  Jean looked at the simplest things in life through a microscope, where he could take the simplest object and depict the age of the fruit or the leaf. Jean Grimal received great pleasure from his work and painted for over thirty years.  As his style matured and became ever more perfect Jean Grimal truly reached the pinnacle of his career.  The artist’s methods were particularly distinguished when measured against his peers.  Grimal’s painting skill was distinctive and exceptional. Jean Grimal was known for his realistic trompe l’oeil and still life paintings.  The artist would carefully arrange the objects to form a satisfying composition.  By painting every shadow, highlight, and reflection within each composition Grimal brought mundane subjects to life.  His tight rendering combined with his attention to light and detail allowed him to blur the lines between illusion and reality, truly making his works one of a kind.  Grimal’s trompe l’oeil paintings consist of intricate compositions of cards, envelopes, photographs, paper of different materials and weights, backs of canvases, images of other artists’ works, kitchen utensils, pistols, and more.  Grimal had a talent for mastering these illusions that deceive the eye in his trompe l’oeil paintings.    No matter what genre Grimal was painting, tight, unperceivable brushwork characterizes his work.  The artist painted every crease and crinkle, every shadow and highlight, every detail.  By doing so, he was able to capture each individual surface texture of the objects in his paintings.  Grimal was also fabulous at depicting light in his paintings- often contrasting strong lights with strong darks, creating chiaroscuro modeling.  His still life paintings are reminiscent of Dutch seventeenth century...