Unknown

Wicket basket with Anemones a humble festive gift 19th century floral still life

1884

A remarkable work by Charles Nicolas Etienne Mayre, an academic painter born in Choisy le Roi near Paris in 1819. He studied with the masters Michel-Martin Drolling and Leon Cogniet...

An exuberant impressionist floral still life by Marie Lucie Nessi-Valtat (1910-1992). Marie Lucie studied with André Lhote, at the Ecole des Beaux art and at the Académie de la Grande Chaumière from the age of 18. She was part of the circle of Montparnasse artists Léonard Foujita, Jean Hélion, Moïse Kisling. In 1932 Marie Lucie Nessi married Jean Valtat, the son of Post Impressionist master Louis Valtat, whose work influenced on his daughter-in-law's art. After acclaimed one man shows in renowned European galleries galleries such as the Parisian Galerie Bernheim-Jeune, Marie Lucie Nessi-Valtat signed a contract of exclusivity with Wally Findlay Galleries...

Here is a painting that will lift you - one feels happy every time one looks at it. It is such a lovely, unusual twist to the theme of the floral still life: here we have flowers, not in a vase, but attached to a wooden front door. I wonder if the artist did this with actual flowers, perhaps for a sweetheart, and then decided to paint the scene? At any rate: who wouldn't want to come home to find a large bunch of glorious lilac as they come home? The artist is Emile Baudoux (1850 -1929), who studied with Humbert and Cabanel. Paris-born, he liked to work in Normandy, where he had his studio. He exhibited his work at the "Salon des Artistes Français" until 1927, where he obtained a gold medal in 1910. The important oil on canvas presented here, dating from 1901, may have been shown at the Salon, as it bears an exhibition number "30" at the upper right of the canvas. Measuring 81 x 60 cm, the overall size including its original large oak frame...

A large and elegant still life with grapes and pears on a table which also features a pristine white bowl and a candle stick. Painted with simplicity, clarity of structure, and restrained emotion, this is a superb modernist work by Jean Chauffrey (1911-) dating from circa 1950. At the time, Chauffrey had a contract with mythical Paris art dealers...

A stunning and atmospheric painting by Marius Petit (1882-1960). It dates from the 1920s, the height of the art deco period. Glorious, scintillating and beautifully coloured; it is a...

This luminous landscape is perfectly capturing the light of early spring. A boy is climbing over wooden farm gates, with a backdrop of rolling hills. The painting has a gloriously fr...

Pierre Coquet - Still life with peppers Reference number F48 Framed with a natural oak floated frame 43 x 61 cm frame included (38 x 56 cm without frame) This wor...

Pierre Coquet (1926-2021) Still life with a red book Reference number F285 46 x 55 cm (not framed) This work is painted with oil on a canvas. There is a stamp of the signature in the...

Pierre Coquet - Still life with a pewter pitcher Reference number F445 Framed with a natural oak floated frame 50 x 73 x 2 cm (55 x 78 x 3,5 cm frame included) This work is painted w...

Pierre Coquet - Still life with cherries Reference number F373 The painting is not framed but it could be with a painted black oak floater fra...

Oil on canvas by Pierre TROFIMOFF (1925-1996), France, 1992. "STILL LIFE WITH BASKET". Another version of this still life, very close to this one and entitled "Still life with the blue wall", is found in the book "Trofimoff" by Jacqueline de Grandmaison, Editions Vision sur les Arts, Béziers, 1978, page 29, full-page color illustration. This last work will have been used as cover page for the invitation 4 pages-card to the exhibition which took place from October 18 to November 10, 1978 at La Cadrerie - Galerie Edouard Chaix-Bryan, 23 rue du Docteur Fiolle in Marseille. With frame: 82x71 cm - 32.3x28 inches ; without frame: 65x54cm - 25.6x21.3 inches. 5F format. Signed "Trofimoff" and dated "92". Titled on the back (see photos). Pierre Trofimoff was born October 20, 1925 in Marseille in a very traditional bourgeois family, distant Polish origin. Very early, he declares a desire to become a painter. At 10, he entered the Melizan Institute in Marseille. His teenage vacation, he spent them in the house of his grandmother in Revest-les-Eaux near Toulon. In the countryside, he observes many artists drawing or painting on the motif, like the painter Eugène Baboulène and the sculptor Dionisi. Later, he will meet on the same place the engraver Decaris. Little encouraged by his family in his vocation, he was denied entry to the Ecole des Beaux-Arts in Marseille. However, he will go there as a free listener every Thursday It's the war. He is an inveterate museum-goer and deprives himself of cinema to buy books of Art. He likes Puget, Loubon, Delacroix, Courbet. Later Van Gogh, Soutine, Modigliani, Leprin, Pascin, Marquet, Dufu, Braque and Verdilhan by which he will be influenced. At the end of the war, Trofimoff works as a leather and hides broker. But simultaneously, he works his painting. He paints a lot in the company of Pierre Gontard and often goes to Meiffren's studio, cours Estienne d'Orves. There, the poet Boissin, the painters Jammes, Helene Martin and the actors of the troupe of the Galion d'Or meet. Trofimoff also meets Louis Pons, Raffaelli, Pierre Ambrogiani and Antoine Ferrari...

Édouard GELHAY (Braine, 1856 - Paris, 1939) Game lost Oil on panel enlarged by two centimeters on the right side Signed lower left. Dedicated top right to Princess Maria JABLONOWSK...