Unattributed

Ray of light By Shimon Mimoun

2022

Healing I by Paula Jo Lentz

The ‘Golden touch‘ series is made on selfmade paper that was gifted to me. They are all a mix of acrylics, golden flakes and oil pastels. All made the ‘same’ yet all very unique and ...

« Passe-murailles » is a « clin d’œil » to the novel « Passe-muraille » written by Marcel Ayme which is about a man who can travel through walls. Walls or windows are symbols often u...

Feminine strength.

Becoming a Queen.

Golden moons by Joe Fnord

This piece is one of the most recent and belongs to the "Exchange Currency Series" created by Natasha Lelenco in 2024. It originates from the concept of the "face" on coins. It is a ...

"Kiss", Aluminum Wall Sculpture, layered laser cut aluminum panels painted with enamel — 41 x 39 x 12 inches — 2015. Edition of 35. THIS IS A COMMISSION-ONLY PIECE THAT IS MADE UPO...

Antique and exceptionally rare and fine Portrait of 6 Dogs on Enameled Ceramic Maison Pichenot-Loebnitz France, ca. 1870. 25 x 8 (31 x 13 framed) inches This rectangular panel made of enameled ceramic was made by Jules Loebnitz in the second half of the 19th century depicts a suite of 6 very fine canines in a landscape setting. The Pichenot-Loebnitz factory was founded by Mr Pichenot, grandfather of Jules Loebnitz, in 1833. From 1841, Mr Pichenot created a new, innovative method of uncrackable earthenware panels for architectural mantels, winning a medal at the Exhibition of 1844. In 1857, Jules Loebnitz, an artist as much as an industrialist, became director of the factory. For his first major job, Loebnitz passionately collaborated with architect Félix Duban on the restoration of the Blois Castle, recreating the antique tiles of the mantelpieces. He then went to work with the most prominent architects of his times; Eugène Viollet-le-Duc, Laval, Charles Garnier, Just Lisch and Paul Sédille. A friendship was born in 1867 between Paul Sédille, the architect of the Printemps department stores and the Basilica of Bois-Chenu in Domrémy-la-Pucelle, and Jules Loebnitz that would lead to a tight, long-lasting professional, artistic, and intellectual collaboration. This was an important meeting between the theorist of polychrome architecture and the man who had pushed French ceramic art considerably forward, allowing for large, enameled earthenware plates decorated with very bright and long-lasting glass-like colors. Many architectural projects were born from the collaboration of Sédille and Loebnitz: World’s fair pavilions, apartment buildings, villas, hotels, and monuments. During the Great Exhibition of 1878, Paul Sédille created the door of the Palais des Beaux-arts, while Jules Loebnitz was in charge of the ceramic decoration of the facade. A reporter covering the 1878 World’s fair described the monumental door...

Crystal Acrylic, Color Pigments and Aluminium Hand signed and dated by the artist at the back, France 2021

"Astrid", layered laser cut aluminum and enamel on aluminum panels — 35 x 42 x 8 inches. Edition of 18 which are sold out. There are two artist proofs available and then the edition...

Adam S. Umbach Biography American, b. 1986 Adam Umbach was born in Chicago, and currently lives and works in Brooklyn, New York. After being inspired from an early age by the modern...