Lependorf and Shire

Shirokuro I

2006

30 x 30 inches 39 x 39 inches framed - custom white wood molding with 8 ply mat, non-reflective glass, $2250 Limited Edition Archival Pigment Prints edition of 25 This image is par...

Abstracted landscape of flowers in a field in pastel tones and details of lush burgundy "Stained Silk (Delusional Flowers)" by Lori Van Houten pigment print on mitsumata paper, edit...

Limited Edition Archival pigment print 25.5 x 31.5 inches Unframed This elegant archival pigment print was created by Shelly Lependorf and Stan Shire as part of their Glyph series. The somewhat abstract nature of the photograph's subject makes it difficult to identify at first, but upon closer inspection, it depicts a highly reflective pond surface with thin, curved branches sticking out of it, is implicit of symbols or handwriting, thus the title. Artists' statement: The foundation for our work is the photographic image with the optimal quality of light. Selecting the interplay of composition, form, rhythm, and line is the focus for our imagery. Integrating these elements in the computer is the next stage in the process of merging our visual and intuitive sensibilities toward a completed vision. Different perceptual effects arise from recording the world in photographs as opposed to interpreting it in paint: Our goal is not to emulate painting. Conceptual work in all mediums has blurred the line between photographers who make art and artists who use photography. The digital medium has established itself in the natural continuum of art history and the ongoing relationship of art with technology. This work forces us to consider a more serene world while reminding us that no contemporary experience is unmediated; technology touches everything. The use of the computer as a tool does not create; it assists creativity resulting in a synthesis of disciplines to be realized as a limited edition. The combination of archival pigment inks on Crane Fine Art paper framed with archival mattes and backboards insures permanence in excess of 175 years. The creative process will always remain in the mind and the soul of the artist. About the artists: Stan Shire is Professor Emeritus and former chair...

25 x 38 inches unframed Limited Edition Archival Pigment Print Edition of 15 $2000 framed $1700 unframed This elegant archival pigment print was created by Shelly Lependorf and Stan Shire as part of their Glyph series. The somewhat abstract nature of the photograph's subject makes it difficult to identify at first, but upon closer inspection, it depicts a highly reflective pond surface with thin, curved branches sticking out of it, implicit of symbols or handwriting, thus the title. About the Artists: Stan Shire is Professor Emeritus and former chair...

limited edition archival pigment prints edition of 10 About the work: The foundation for our work is the photographic image with the optimal quality of light. Selecting the in...

Swept Away 3 (Gestural, Abstract Black and Gray Monoprint on Photographic Paper) Unique chromoskedasic monoprint 20 x 16 inches 28 x 24 inches framed, custom black wood, 8 ply mat, n...

Beautiful aerial view of waters. Soft hues of blues and whites. Shot by award-winning arial photography artist from Barcelona. His latest photographic projects are about sea coa...

Ordine 2023.03.20 Vers. 1 Limited Edition Archival Pigment Print of Collage. 40" x 30" Giclee photographic print with 1” white border. Printed on Hahnemuhle Photo Rag in an Edition ...

Modern Art Etc presents this series of abstract classical forms in balck and white archival pigment prints. The photographer was trained at the Centr...

Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...

Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan. For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing. Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole. W.T.C: Concrete Abstract series was shown in the following venues: 9.11 Memorial Museum New York
 Museum of the City of New York
 The Bronx Museum of the Arts
 The Brooklyn Academy of Music Photolux Festival. Lucca, Italy FMoPa. Tampa, USA Julie M. Gallery, Tel Aviv Julie Saul Gallery, New York Robert Koch Gallery...

Ancient Parlor floor door converted into a contemporary light box. The door opens to the viewer a unique point of view. Images from the series Gentrification were shown at: Brooklyn Historical Society Museum, Brooklyn NY, U.S.A
 during 2017 AT the show: "Shifting Perspectives". A sculpture from the project GENTRIFICATION (Part II) reflects my personal story. I lived in Bushwick through the course of a decade, from poor immigrant art...