Bill Costa

Untitled

1993

Gary Seegar c. 1959-1981 Signature stamp in black ink, verso Vintage silver print 7 x 5 inches $800 This work is offered by CLAMP in New York City.

Untitled c. 1983 Signed and inscribed “A/P” in blue ink, verso Gelatin silver print 20 x 16 inches (50.8 x 40.6 cm) This work is offered by CLAMP in New York City.

Untitled 1983 Signed, titled, dated, and inscribed “A/P” in blue ink, verso Gelatin silver print 16 x 20 inches (40.6 x 50.8 cm) This work is offered by CLAMP in New York City.

Blue Collar Fantasy 1979 Signed, titled, dated, and numbered in ink, recto Gelatin silver print (Edition of 25) 10.25 x 10.25 inches (26 x 26 cm), image...

Male figure holding book c. 1990s Signed and numbered in ink, recto Gelatin silver print (Edition of 20) 14 x 11 inches (35.56 x 27.94 cm), sheet 8.875 x 6 inches (22.5 x 15.2 cm)...

Paul Wadina, Point Conception Beach 1987 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print 10 x 8 inches (25.4 x 20.3 cm) Contact gallery for price. This...

Artist: Merry Alpern, American (1955 - ) Title: #29 from the Dirty Windows Series Year: 1994 Medium: Gelatin Silver Print Edition: 5/30 Image Size: 18 x 12 inches Size: 20 in. ...

From the limited edition portfolio, The Last Days of Summer. This photograph is made from the original 8x10” negatives by master printers Laura Totten and Natalie Obermaier under the...

"Nisa Triptych," an original Silver Gelatin Print by photographer Greg Gorman, is a piece for the true collector. Gorman's exceptional ability at capturing the essence of his subjects is confirmed in this fantastically executed piece. Both Gorman's technical talent as a photographer and his choreography pair perfectly. This piece of art would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for black and white photography, nudes, or figurative works. This work is #2 of the small edition size of 15. Greg Gorman is one of the most well-known and sought-after celebrity photographers, having photographed countless stars, such as Al Pacino, Mark...

When Lawrence Schiller got the assignment from the French magazine Paris Match to photograph Marilyn Monroe on the 20th century Fox set of Something’s Got To Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

Sighed and titled in pencil on print verso.

Edition of 35 Signed, titled, dated and numbered by Vojtech V. Sláma