Arthur Steel

Rolls Royces Baby Bugatti Bug 26 By Arthur Steel

1970 (Printed later)

'Manhattan Island' by Stuart Möller Portrait photograph of the island of Manhattan and the New York Skyline. New York City, New York, 2014. A bea...

'Tania Mallet In Mme Paulette Hat' V&A Portfolio Limited Edition print A model wearing a Nina Ricci dress, John French (1907-66), London, 1963 © Victor...

' Self ' by Justin Creedy Smith 1997 Creedy Smith, Justin; English Photographer. – Self portrait (silhouette with skull of an ox outside Ulan-Bator, Mongolia). Photo, August 1997...

The Carlton Hotel by Slim Aarons A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. Another gorgeous and typically 'Slim' photograph, it e...

Louis Armstrong On Stage - 1956 by Haywood Magee huge Giant Oversize Limited Edition Silver Gelatin Print Exquisite 60x40" inches / 152 x 101 cm paper size - silver gelatin pri...

Kings Of Hollywood 1957 Slim Aarons Limited Estate Edition Clark Gable (1901 – 1960), Van Heflin (1910 – 1971), Gary Cooper (1901 – 1961) and James Stewart (1908 – 1997) enjoying...

Mary Illen Ft. Worth, TX by John Stryker is a 10 x 8 inch silver gelatin print. This photograph is signed in ink on print recto and titled in pencil on print verso. This photograph features a cowgirl riding a light colored horse, resting at a river. The horse reaches down to the water for a drink, while the woman looks down lovingly at the horse. John Stryker was born in Rockford, Illinois, September 1, 1883. He is most remembered for his body of photographs he took of the "Olympic of Western sport"*- the Rodeo. During his lifetime he crossed America, working rodeos as an announcer, a producer, promoter and sometimes a rider. He invented the chute that the animals come out of and he developed new ways of photographing action during an event. Dramatic shots were taken from the ground, propping his camera on the toe of his right boot right next to a bucking bronco. Some historians believe that John Stryker was directly responsible for the growth and sophistication of the sport. His negatives are in the collection of the University of Texas at Permian Basin, Odessa. His photographs have been exhibited during his lifetime at the Buffalo Bill Museum in Cody, Wyoming, and the Amon Carter Museum in Ft. Worth, Texas. His photographs have been published widely including Life, Look, The Cattleman, The Western Horseman, and The Quarter Horse Journal. In 1977, The Rodeo of John Addison Stryker...

Ed. of 77 Signed, titled, dated, print date and numbered.

Artist stamp in blue ink and misc. notation in pencil on print verso Vintage gelatin silver print Karl Struss was an American photographer and cinematographer born 1886, in New York...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7.5 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7.5 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

Vintage gelatin silver print Signed in black ink, recto Credit stamped and numbered, verso of mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...