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Ernst HaasVintage Magnum Silver gelatin photograph "George Balanchine" for LOOK Magazine1962
1962
About the Item
Framed Dimensions (inches): 14.5" x 16.5"
Ernst Haas (1921–1986) is acclaimed as one of the most celebrated and influential photographers of the 20th century and considered one of the pioneers of color photography. Haas was born in Vienna in 1921, and took up photography after the war. At the invitation of Robert Capa, Haas joined Magnum in 1949, developing close associations with Capa, Henri Cartier-Bresson, and Werner Bischof. His images were disseminated by magazines like Life and Vogue and, in 1962, were the subject of the first single-artist exhibition of color photography at New York's Museum of Modern Art. He served as president of the cooperative Magnum Photos, and his book The Creation (1971) was one of the most successful photography books ever, selling 350,000 copies.
A Poet’s Camera (1949), which combined poetry with metaphoric imagery by artists like Edward Weston, was particularly important to Haas's early development. Unsure of his career path, Haas realized that photography could provide both a means of support and a vehicle for communicating his ideas. He obtained his first camera in 1946, at the age of 25, trading a 20-pound block of margarine for a Rolleiflex on the Vienna black market.
In 1954 Robert Capa, Magnum's first president, was killed while on assignment covering the First Indochina War. That same year, Werner Bischof died in a car accident in the Andes. Following their deaths, Haas was elected to Magnum's board of directors and traveled to Indochina himself to cover the war. After the death of David “Chim” Seymour in Suez in 1959, Haas was named the fourth president of Magnum.
In 1962 the Museum of Modern Art in New York presented a ten-year survey of Haas's color photography. Haas had been included in Edward Steichen's exhibition The Family of Man, which premiered in 1955 and traveled to 38 countries.
In addition to editorial journalism and unit stills work, Haas was also highly regarded for advertising photography, contributing groundbreaking campaigns for Volkswagen automobiles and Marlboro cigarettes, among other clients.
Haas also taught frequently at photography workshops, including the Maine Photographic Workshops, the Ansel Adams Workshop in Yosemite National Park, and the Anderson Ranch Arts Center near Aspen, Colorado.
In 1958, Haas was listed as one of the 10 greatest photographers in the world by Popular Photography magazine, along with Ansel Adams, Richard Avedon, Henri Cartier-Bresson, Alfred Eisenstadt, Philippe Halsman, Yousuf Karsh, Gjon Mili, Irving Penn, and W. Eugene Smith. He won the Hasselblad Award just before his death.
Selected awards
Hasselblad Photographer of the Year, 1986
Leica Medal of Excellence: Master of Photography, 1986
Selected Collections
Royal Society of Photography, Bath, UK
Museum of Fine Arts, Boston, Massachusetts, US
Museum Ludwig, Cologne, Germany
Erna and Victor Hasselblad Foundation, Goteborg, Sweden
The National Museum of Art, Kyoto, Japan
International Center of Photography, New York, US
The Metropolitan Museum of Art, New York, US
The Museum of Modern Art, New York, US
International Museum of Photography at the George Eastman House, Rochester, New York, US
National Museum of Art, Tokyo, Japan
Museum Modern Kunst, Vienna, Austria
Corcoran Gallery of Art, Washington, D.C., US
National Portrait Gallery, Washington D.C., US
- Creator:Ernst Haas (1921-1986, American)
- Creation Year:1962
- Dimensions:Height: 14.5 in (36.83 cm)Width: 16.5 in (41.91 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38211611842
Ernst Haas
Ernst Haas (1921–1986) is an acclaimed photographer of the 20th century and considered one of the pioneers of color photography. Haas moved to the United States in 1951 and began experimenting with Kodachrome color film. He soon became the premier color photographer of the 1950s. In 1953 LIFE magazine published his groundbreaking 24-page color photo essay on New York City. In 1962 a retrospective of his work was the first color photography exhibition held at New York’s Museum of Modern Art. Haas was the author of four books: The Creation (1971), In America (1975), In Germany (1976), and Himalayan Pilgrimage (1978). Ernst Haas received the Hasselblad award in 1986, the year of his death. His work continues to be the subject of museum exhibitions and publications such as Ernst Haas, Color Photography (1989), Ernst Haas in Black and White (1992), Color Correction (2011), and Ernst Haas: New York in Color, 1952-1962 (2020).
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He was named Knight of the Légion d'honneur in 2003 and elected member of the Academy of Fine Arts of the Institute of France on 31 May 2006, at the same time as a new section dedicated to photography was created. Clergue was the first photographer to enter the Academy to a position devoted specifically to photography. He was Chairman of the Academy of Fine Arts for 2013. Lucien Clergue was married to the art curator Yolande Clergue, founder of The Fondation Vincent van Gogh Arles. He was the father of two daughters: Anne Clergue, a curator of contemporary art who has worked at Leo Castelli Gallery, and Olivia Clergue, a handbag fashion designer whose godfather was Pablo Picasso. Pablo Picasso (1881 –1973) was a Spanish painter, sculptor, printmaker, ceramic artist and theatre designer who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art. In 1897, his realism began to show a Symbolist influence, for example, in a series of landscape paintings...Category
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