Items Similar to Boy on Beach, Anguilla (framed)
Want more images or videos?
Request additional images or videos from the seller
1 of 5
James HaymanBoy on Beach, Anguilla (framed)2013
2013
About the Item
Photographer, director, and producer James Hayman has photographed all around the world. "No matter where I might be, or who I might be speaking with, the construction of narrative is what ultimately leads to a lasting image: a totality of human experience suspended within a single frame."
- Creator:James Hayman (American)
- Creation Year:2013
- Dimensions:Height: 24 in (60.96 cm)Width: 18 in (45.72 cm)
- More Editions & Sizes:Edition of 10 (unframed)Price: $1,500
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU1757213552872
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1983
1stDibs seller since 2022
- ShippingRetrieving quote...Ships From: New Orleans, LA
- Return PolicyA return for this item may be initiated within 2 days of delivery.
More From This SellerView All
- Man Sleeping, Oaxaca, 1976 (framed)Located in New Orleans, LAPhotographer, director, and producer James Hayman has photographed all around the world. "No matter where I might be, or who I might be speaking with,...Category
2010s Contemporary Black and White Photography
MaterialsDigital
- Girl Running, Haiti, 1980 (framed)Located in New Orleans, LAPhotographer, director, and producer James Hayman has photographed all around the world. "No matter where I might be, or who I might be speaking with,...Category
2010s Contemporary Black and White Photography
MaterialsDigital
- Prayer, Paris, 2021 (framed)Located in New Orleans, LAPhotographer, director, and producer James Hayman has photographed all around the world. "No matter where I might be, or who I might be speaking with,...Category
2010s Contemporary Black and White Photography
MaterialsDigital
- Shadows & Light, Florence (framed)Located in New Orleans, LAPhotographer, director, and producer James Hayman has photographed all around the world. "No matter where I might be, or who I might be speaking with,...Category
2010s Contemporary Black and White Photography
MaterialsDigital
- Sky & Water, Anguilla (framed)Located in New Orleans, LAPhotographer, director, and producer James Hayman has photographed all around the world. "No matter where I might be, or who I might be speaking with,...Category
2010s Contemporary Black and White Photography
MaterialsDigital
- Queen of Jackson Square (1/10)Located in New Orleans, LAFrom the artist: My photography has always tried to find the connection between humanist documentary and social realism. New Orleans has long afforded me a palette where these two as...Category
2010s Black and White Photography
MaterialsDigital
You May Also Like
- Gondola, Canal Grande, Venice, black and white fine art cityscape photographyBy Gerald BerghammerLocated in Vienna, ViennaBlack and white fine art long exposure cityscape - landscape photography. Gondola on the Canal Grande at sunrise Venice, Italy. Archival pigment ink print, edition of 7. Signed, titl...Category
2010s Contemporary Black and White Photography
MaterialsArchival Paper, Giclée, Digital Pigment, Photographic Film, Black and Wh...
- Still Lives n. 3Located in Milano, MIThe “Still Live” photographs” are a manifesto of slowness, of the pleasure of observation, of recovery of reflection. Giangiacomo Rocco di Torrepadula takes an everyday object from his household, one that appears to no longer be useful because it is old, broken or only kept for its sentimental value. He places it in a space and makes use of his monorail camera. Before taking the shot, he studies the object calmly, engaging in an intimate dialogue with it until he finds a view that gives it a new life. It is hard to get it right the first time. All the various attempts are measured, calculated, slow. Speed does not belong to the monorail camera. Each attempt is well thought out, then developed in a darkroom and scanned using a special technique to bring out the image. It can take several days to get the right result. But these are days that have the pleasure of slowly rediscovering a past that you somehow manage to reclaim. Here, we are a long way away from the execution speed typical of digital and even further away from the frenetic exploitation of images on social media. The result is an image that erupts with its wealth of detail, which is especially explosive when printed in large format. The object becomes seductive, often turning into something else entirely, that may not be immediately perceptible. The perspective, the details, the light, all stimulate the observer to actively participate in this new vision. Far from being a nostalgic interpretation, the work leads the viewer to investigate the form, to pause, to observe the details, to get lost in the haziness, and in so doing, to regain possession of their time in a gesture of profound observation. In this hectic, busy, fast-paced world, nothing ever stops making sense...Category
2010s Contemporary Black and White Photography
MaterialsBlack and White, Inkjet
- Still Lives n. 5Located in Milano, MIThe “Still Live” photographs” are a manifesto of slowness, of the pleasure of observation, of recovery of reflection. Giangiacomo Rocco di Torrepadula takes an everyday object from his household, one that appears to no longer be useful because it is old, broken or only kept for its sentimental value. He places it in a space and makes use of his monorail camera. Before taking the shot, he studies the object calmly, engaging in an intimate dialogue with it until he finds a view that gives it a new life. It is hard to get it right the first time. All the various attempts are measured, calculated, slow. Speed does not belong to the monorail camera. Each attempt is well thought out, then developed in a darkroom and scanned using a special technique to bring out the image. It can take several days to get the right result. But these are days that have the pleasure of slowly rediscovering a past that you somehow manage to reclaim. Here, we are a long way away from the execution speed typical of digital and even further away from the frenetic exploitation of images on social media. The result is an image that erupts with its wealth of detail, which is especially explosive when printed in large format. The object becomes seductive, often turning into something else entirely, that may not be immediately perceptible. The perspective, the details, the light, all stimulate the observer to actively participate in this new vision. Far from being a nostalgic interpretation, the work leads the viewer to investigate the form, to pause, to observe the details, to get lost in the haziness, and in so doing, to regain possession of their time in a gesture of profound observation. In this hectic, busy, fast-paced world, nothing ever stops making sense...Category
2010s Contemporary Black and White Photography
MaterialsBlack and White, Inkjet
- Cages /New YorkLocated in Milano, MIThe iconic buildings of modern architecture are wonderful. No doubt. Every single line is designed to create a result of power, glory, and undisputed beauty. Are you sure? … By quest...Category
2010s Contemporary Black and White Photography
MaterialsBlack and White, Inkjet
- Still Lives n. 2Located in Milano, MIThe “Still Live” photographs” are a manifesto of slowness, of the pleasure of observation, of recovery of reflection. Giangiacomo Rocco di Torrepadula takes an everyday object from his household, one that appears to no longer be useful because it is old, broken or only kept for its sentimental value. He places it in a space and makes use of his monorail camera. Before taking the shot, he studies the object calmly, engaging in an intimate dialogue with it until he finds a view that gives it a new life. It is hard to get it right the first time. All the various attempts are measured, calculated, slow. Speed does not belong to the monorail camera. Each attempt is well thought out, then developed in a darkroom and scanned using a special technique to bring out the image. It can take several days to get the right result. But these are days that have the pleasure of slowly rediscovering a past that you somehow manage to reclaim. Here, we are a long way away from the execution speed typical of digital and even further away from the frenetic exploitation of images on social media. The result is an image that erupts with its wealth of detail, which is especially explosive when printed in large format. The object becomes seductive, often turning into something else entirely, that may not be immediately perceptible. The perspective, the details, the light, all stimulate the observer to actively participate in this new vision. Far from being a nostalgic interpretation, the work leads the viewer to investigate the form, to pause, to observe the details, to get lost in the haziness, and in so doing, to regain possession of their time in a gesture of profound observation. In this hectic, busy, fast-paced world, nothing ever stops making sense...Category
2010s Contemporary Black and White Photography
MaterialsBlack and White, Inkjet
- Still Lives n. 4Located in Milano, MIThe “Still Live” photographs” are a manifesto of slowness, of the pleasure of observation, of recovery of reflection. Giangiacomo Rocco di Torrepadula takes an everyday object from his household, one that appears to no longer be useful because it is old, broken or only kept for its sentimental value. He places it in a space and makes use of his monorail camera. Before taking the shot, he studies the object calmly, engaging in an intimate dialogue with it until he finds a view that gives it a new life. It is hard to get it right the first time. All the various attempts are measured, calculated, slow. Speed does not belong to the monorail camera. Each attempt is well thought out, then developed in a darkroom and scanned using a special technique to bring out the image. It can take several days to get the right result. But these are days that have the pleasure of slowly rediscovering a past that you somehow manage to reclaim. Here, we are a long way away from the execution speed typical of digital and even further away from the frenetic exploitation of images on social media. The result is an image that erupts with its wealth of detail, which is especially explosive when printed in large format. The object becomes seductive, often turning into something else entirely, that may not be immediately perceptible. The perspective, the details, the light, all stimulate the observer to actively participate in this new vision. Far from being a nostalgic interpretation, the work leads the viewer to investigate the form, to pause, to observe the details, to get lost in the haziness, and in so doing, to regain possession of their time in a gesture of profound observation. In this hectic, busy, fast-paced world, nothing ever stops making sense...Category
2010s Contemporary Black and White Photography
MaterialsBlack and White, Inkjet