Kurt Markus

Dunes, Namibia, Africa

2002

ROBERT STIVERS. Untitled, 2019 (Circus Tent), gelatin silver print, unique variant, edition 1 of 1.

Michael Massaia, Central Park, Half Moon, 2009, Central Park, New York City. Available in three sizes total.

Paul Caponigro. Reflecting Stream, 1968. Gelatin silver print. Edition 41 of 100 (special edition created in the 1970's). Mounted and matted 23.5 x 29". Signed and editioned on print...

Michael Massaia,Bow Bridge, Looking North, predawn, Central Park, New York City, 2019. Available in three sizes total.

Paul Caponigro. Running White Deer, Wicklow, Ireland, 1967. Gelatin silver print. Signed on print mount recto.

Ansel Adams, Autumn Storm, Las Trampas, Near Penasco, New Mexico, 1958. Printed 1981. Gelatin silver print. Southwest landscape photography. Signed on mount recto by the artist.

Henry Diltz and Neil Young were walking around his ranch one morning and stopped in one of his little barns to look at some guitars. Neil's little dog, Harte followed. "It looked so ...

Palm trees slowly moving in the breeze. Abstract black and white landscape photograph of palm trees, printed by hand in a traditional darkroom on fiber based gelatin silver paper. Si...

A magical and mysterious black and white landscape photograph taken in the Armenian highlands. In the distance, where the mist and mountains are you see rainfall. Photographed with a medium format Hasselblad camera and a red filter to darken the sky. A limited edition of five prints sized at 25x25 inches, printed by hand in a traditional darkroom on gelatin silver paper. There are only two left in the edition at this size. Framed with wide, antique black stained...

Ormond Gigli Gelatin Silver Print Printed by artist 17.75" x 20.5" Unique: $4725 Provenance: Printed by the artist, from the artist's studio Signature: Signed en verso ORMOND GIGLI Born New York City, 1925 Ormond Gigli became famous early on during the 1950s for his photographs of theatre, celebrities, dance, exotic persons & places. His work appeared prominently on covers & editorial pages of LIFE, TIME, PARIS MATCH, SATURDAY EVENING POST, COLLIERS, and other major international publications. Gigli's groundbreaking portraits include Sophia Loren (at age 21), Anita Ekberg, Marcel Duchamp, John F. Kennedy, Halston, Gina Lollobrigida, Diana Vreeland, Giancarlo Giannini...

THE LANDSCAPE AROUND THE MARCEL MINE, RADLIN, 1978 Vintage Gelatin Silver Print 47.5 x 32.5 cm Series: Silesia Signed, titled and dated on verso; Artist's stamp Using a basic 35mm Exa 500 camera, Cała managed to produce images of lyrical beauty, emphasised by a dark graphic printing style that gave the landscape an apocalyptic, otherworldly look. More print information: A little tape marks in the back corners of the print. Nr 61 noted in the middle on the back of the print. The front of the photograph in a very good condition. Hand printed by the photographer on gloss paper. A rare vintage gelatin silver print from the Silesia series. Michal Cala was born in Toruń, Poland in 1948 and studied aircraft construction in Warsaw at the University of Technology in the early 1970's. From 1974 to 1983 he worked as an engineer in various companies in Silesia, and began photographing in the area. In 1977, he moved to Tychy in Upper Silesia, where he co-founded the photographers' association KRON and become a member of the ZPAF - the Union of Polish Art Photographers. Publications on his work include The Anthology of Polish Photography 1839 - 1989, The Masters of Polish Landscape...

SLAGHEAPS I, CZERWIONKA, 1978 Unframed Silver Gelatin Print, framing options available 44 x 29 cm/ 17.3 x 11.5 inches approx. From an Edition of 15 + 2 APs, Printed 2005, Hand printed in the traditional darkroom by the Artist (Michał Cała). Series: Silesia Signed and dated 2005 in pencil on verso Shipping: The print would be shipped flat in the print box. ‘I've been photographing workers’ housing, mines and ironworks but the giant slagheaps and the surrounding landscape were always the most surreal subjects for me. The geometric forms of the slagheaps and the contours of the drying sediments created an amazing array of abstract forms. This particular image - Slagheaps I, Czerwionka - won the grand prix at the Polish Landscape...