Lance Clayton

Float, Lava Hot Springs, Idaho

2001

Listing is for a FRAMED edition print. Edition 7 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019. While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style. In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition. In the invitational image, “Tree Farm...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott...

CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...

Listing is for UNFRAMED print. Inquire within for framing. Edition 3 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019. While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style. In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition. In the invitational image, “Tree Farm, Long Lane, East Hampton, NY”, 1999, a naked woman wearing nothing but a large straw hat is captured from behind, centered between a long line of trees on either side, as she bikes down the lane. In another image, “Bubbles, Piazza Rondanini, Roma”, 1995, friends linger before a vine-covered building, extending their arms up in joyful wonder, catching bubbles descending from above. Receiving her first camera at the age of 11, she has since been an avid fine art photographer. After moving from Philadelphia to New York in 1976, Rice was immediately swept up in the electrifying, fast-paced art world of the city. In 1977, Discoworld Magazine hired her to photograph the opening night of Studio 54. After enjoying 23 years of success as a commercial photographer, she shifted her career to become a gallerist, opening The Robin Rice Gallery in 1990. Curating 175 shows, Robin developed her own “school” of artists, cultivating a keen eye for curating and in doing so enriching the aesthetic of her own fine art photography. Despite devoting much of her energy to the gallery, Rice has never stopped creating her own art, and has exhibited in several galleries nationally and abroad. Influenced by photographer and gallerist Alfred Stieglitz, who curated the art of others and exhibited his own work, Rice is ready to showcase her photography on her own turf. In her spare time, Robin has recently taken up DJing: you can often find DJ Redshoes spinning vinyl at her loft in Beacon. Safari, Kruger Park...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Paul Middleton Westport Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal bl...

Iman at her best shot by world-renowned photographer. 24x20 or 40x30 available. Ltd Editions. Framing options available as well. About the Artist: Markus Klinko is an award...

Bowie and Friend shot by world-renowned photographer. 24x20 or 40x30 available. Ltd Editions. Framing options available as well. About the Artist: Markus Klinko is an award...

Photograph - female centric - b/w. Very evocative. About the Artist: Greg Lotus is an American fashion photographer based between Miami and New York. His work can be found regu...

Fashion photograph. Other sizes available. About the Artist: Greg Lotus is an American fashion photographer based between Miami and New York. His work can be found regularly in the pages of Italian Vogue, Vanity Fair, GQ, L'Uomo Vogue...

Photographer Greg Lotus' work can be found regularly in the pages of Italian Vogue, Vanity Fair, GQ, L'Uomo Vogue, and W magazine.