Lina ScheyniusUntitled (Diary) – Lina Scheynius, Woman, Nude, Black and White, Photography2012
2012
About the Item
- Creator:Lina Scheynius (1981)
- Creation Year:2012
- Dimensions:Height: 40.95 in (104 cm)Width: 59.26 in (150.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Zurich, CH
- Reference Number:1stDibs: LU1280111704402
Lina Scheynius
Lina Scheynius lives in London. Born in 1981, she left Sweden at 19 to become a model. In 2002, she began the intimate and delicate photographic work that she pursues today. She works for magazines, regularly publishes photo books and has already had several major monographic exhibitions. In 2012, she was guest of honor at Die ZEIT, for a carte blanche every week for one year. In 2019, Jean Boîte Éditions publishes the complete box set, which brings together all her photographic self published books from 2008 to today. She produces stunning shots of nudes, still life, and intimate self-portraits. Raw sexuality and naked bodies punctuate her work, often depicting her close friends, lovers, and herself.
- ShippingRetrieving quote...Ships From: Zurich, Switzerland
- Return PolicyA return for this item may be initiated within 1 day of delivery.
- "How to Create a Beautiful Picture 6: Tights in Shimotakaido" – Daido MoriyamaBy Daido MoriyamaLocated in Zurich, CHDAIDO MORIYAMA (*1938, Japan) "How to Create a Beautiful Picture 6: Tights in Shimotakaido" 1987/2021 Silver gelatin print, later print Sheet 34 x 26.5 cm (13 3/8 x 10 3/8 in.) not p...Category
1980s Contemporary Black and White Photography
MaterialsSilver Gelatin
- "How to Create a Beautiful Picture 6: Tights in Shimotakaido" – Daido MoriyamaBy Daido MoriyamaLocated in Zurich, CHDAIDO MORIYAMA (*1938, Japan) "How to Create a Beautiful Picture 6: Tights in Shimotakaido" 1987(2021 Silver gelatin print, printed later Sheet 60 x 50.8 cm (23 5/8 x 20 in.) not par...Category
1980s Contemporary Black and White Photography
MaterialsSilver Gelatin
- "How to Create a Beautiful Picture 6: Tights in Shimotakaido" – Daido MoriyamaBy Daido MoriyamaLocated in Zurich, CHDAIDO MORIYAMA (*1938, Japan) "How to Create a Beautiful Picture 6: Tights in Shimotakaido" 1987/2020 Silver gelatin print, later print Sheet 50.8 x 60 cm (20 x 23 5/8 in.) not part ...Category
1980s Contemporary Black and White Photography
MaterialsSilver Gelatin
- "How to Create a Beautiful Picture 6: Tights in Shimotakaido" – Daido MoriyamaBy Daido MoriyamaLocated in Zurich, CHDAIDO MORIYAMA (*1938, Japan) "How to Create a Beautiful Picture 6: Tights in Shimotakaido" 1987/2020 Silver gelatin print, later print Sheet 50.8 x 60 cm (20 x 23 5/8 in.) not part ...Category
1980s Contemporary Black and White Photography
MaterialsSilver Gelatin
- "How to Create a Beautiful Picture 6: Tights in Shimotakaido" – Daido MoriyamaBy Daido MoriyamaLocated in Zurich, CHDAIDO MORIYAMA (*1938, Japan) "How to Create a Beautiful Picture 6: Tights in Shimotakaido" 1987 Silver gelatin print Sheet 25.4 x 30.5 cm (12 x 12 in.) Frame 44 x 50.5 x 3 cm (17 3/...Category
1980s Contemporary Black and White Photography
MaterialsSilver Gelatin
- "How to Create a Beautiful Picture 6: Tights in Shimotakaido"By Daido MoriyamaLocated in Zurich, CHDAIDO MORIYAMA (*1938, Japan) "How to Create a Beautiful Picture 6: Tights in Shimotakaido" 1987 Silver gelatin print, printed later Sheet 60 x 50.8 cm (23 5/8 x 20 in.) Print only ...Category
1980s Contemporary Black and White Photography
MaterialsSilver Gelatin
- HitchcockBy Ted AdamsLocated in Hudson, NYListing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsSilver Gelatin
- Fuzzy DiceBy Ted AdamsLocated in Hudson, NYListing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsSilver Gelatin
- No SalesBy Ted AdamsLocated in Hudson, NYListing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsSilver Gelatin
- SquigglesBy Ted AdamsLocated in Hudson, NYListing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsSilver Gelatin
- SurfBy Ted AdamsLocated in Hudson, NYListing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...Category
1980s Contemporary Black and White Photography
MaterialsSilver Gelatin
- Alex CollarBy Ted AdamsLocated in Hudson, NYListing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsSilver Gelatin