Items Similar to Untitled, MT Inv. No 10-1-167 – Miroslav Tichy, Woman, Czech, Photography
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Miroslav TichyUntitled, MT Inv. No 10-1-167 – Miroslav Tichy, Woman, Czech, PhotographyUnknown, ca. 1970-1990
Unknown, ca. 1970-1990
About the Item
Miroslav Tichý (*1926, Czech Republic)
Untitled, MT Inv. No 10-1-167
Unknown, ca. 1970-1990
Silver Gelatin Print
Sheet 17,7 x 17,8 cm (7 x 7 in.)
Unique
Print only
Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing.
Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period.
– Art, Black and White Photography, Woman, Human Figure, Voyeurism, Miroslav Tichý
- Creator:Miroslav Tichy (1896-1961, Czech)
- Creation Year:Unknown, ca. 1970-1990
- Dimensions:Height: 6.97 in (17.7 cm)Width: 7.01 in (17.8 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Zurich, CH
- Reference Number:1stDibs: LU1280110004392
Miroslav Tichy
Tichý is truly one of the great ‘finds’ of an unknown artist who worked on the outside edges of the art world. Born in 1926, he attended the Academy of Fine Arts in Prague in the late ‘40s and produced figurative paintings that were, apparently, of a vaguely modernist character. Alienated from the prevailing Communist regime, he turned his back on the official art world and withdrew to a life in isolation to live quietly and poorly in the small Moravian town near Brno where he was born. His generally nonconformist way of life led to run-ins with the authorities; following the communist takeover Tichý spent some eight years in prison camps and jails for no particular reason other than he was ‘different’ and was considered subversive. Upon his release in the early 70’s, Tichý wandered his small town in rags, pursuing his obsession as an artist with the female form by photographing in the streets, shops and parks with cameras he made from tin cans, and other junk he found on the street - even his lenses were cut from Plexiglas or children’s spectacle lenses and polished with a mixture of toothpaste and ashes.. He would return home each day to make prints on equally primitive equipment, making only one print from the negatives he selected. For a long time, Tichý was something between a charming oddity and a local bogeyman. He was frequently arrested for hanging around the local pool and snapping pictures of unsuspecting women. The fact that this was all occurring under an oppressive Communist regime added a certain air of rebellion to the proceedings, whether or not he intended it. With time, the locals grew accustomed to his presence and would often welcome having their photos taken. Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 2006
1stDibs seller since 2019
25 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Zurich, Switzerland
- Return PolicyA return for this item may be initiated within 1 day of delivery.
More From This SellerView All
- Untitled, MT Inv. No 7-3-74 – Miroslav Tichy, Woman, Czech, PhotographyBy Miroslav TichyLocated in Zurich, CHMiroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 7-3-74 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 29,7 x 22,5 cm (11 3/4 x 8 7/8 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...Category
Late 20th Century Conceptual Black and White Photography
MaterialsSilver Gelatin
- Untitled, MT Inv. No 3-8-431 – Miroslav Tichy, Woman, Czech, PhotographyBy Miroslav TichyLocated in Zurich, CHMiroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 3-8-431 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 15 x 9,8 cm (5 7/8 x 3 7/8 in.) Unique Print only Tichý, pra...Category
Late 20th Century Conceptual Black and White Photography
MaterialsSilver Gelatin
- Untitled, MT Inv. No 7-11-31 – Miroslav Tichy, Woman, Czech, PhotographyBy Miroslav TichyLocated in Zurich, CHMiroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 7-11-31 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 18 x 13 cm (7 1/8 x 5 1/8 in.) Unique Print only Tichý, prac...Category
Late 20th Century Conceptual Black and White Photography
MaterialsSilver Gelatin
- Untitled, MT Inv. No 7-8-73 – Miroslav Tichy, Woman, Czech, PhotographyBy Miroslav TichyLocated in Zurich, CHMiroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 7-8-73 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 29,3 x 19,7 cm (11 1/2 x 7 3/4 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...Category
Late 20th Century Conceptual Black and White Photography
MaterialsSilver Gelatin
- Untitled, MT Inv. No 3-8-185 – Miroslav Tichy, Woman, Czech, PhotographyBy Miroslav TichyLocated in Zurich, CHMiroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 3-8-185 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 14,9 x 10,4 cm (5 7/8 x 4 1/8 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...Category
Late 20th Century Conceptual Black and White Photography
MaterialsSilver Gelatin
- Untitled, MT Inv. No 9-1-56 – Miroslav Tichy, Woman, Czech, PhotographyBy Miroslav TichyLocated in Zurich, CHMiroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 9-1-56 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 28,4 x 19,5 cm (11 1/8 x 7 5/8 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...Category
Late 20th Century Conceptual Black and White Photography
MaterialsSilver Gelatin
You May Also Like
- Film Strip, Classic Silver Gelatin Black & White Nude PhotographyBy Savannah SpiritLocated in Los Angeles, CAIn this rich self portrait, Savannah Spirit takes the tradition of black and white female nude photography, and turns the gaze back on itself. In this series, the muse is the artist,...Category
2010s Conceptual Nude Photography
MaterialsSilver Gelatin, Black and White
- Terry O'Neill - Roger Moore as James Bond, Photography 1970, Printed AfterBy Terry O'NeillLocated in Greenwich, CTBritish actor Roger Moore poses with a gun as James Bond. Publicity shot from 1973, for his first Bond movie: Live and Let Die. It's the only time Bond used ...Category
21st Century and Contemporary Conceptual Black and White Photography
MaterialsSilver Gelatin
- Totem of Unmeasurable Memory, 1995 Assemblage of 7 silver gelatin printsBy Lewis KochLocated in Surfside, FLTotem of Unmeasurable Memory, 1995 Assemblage of 7 vintage silver gelatin prints Lewis Koch lives in Madison, Wisconsin, USA. After completing undergradu...Category
1990s Conceptual Black and White Photography
MaterialsSilver Gelatin
- Vintage Silver Gelatin Photograph Surrealist Fake Limb Prosthetic Factory PhotoBy Shimon AttieLocated in Surfside, FLThese are vintage prints from the 1980's. The last photo shows a gallery or museum label from an accompanying piece (there were three sequence shots in this series) but is not on thi...Category
1980s Conceptual Black and White Photography
MaterialsSilver Gelatin
- Vintage Silver Gelatin Photograph Surrealist Fake Limb Prosthetic Factory PhotoBy Shimon AttieLocated in Surfside, FLThese are vintage prints from the 1980's. The last photo shows of a label from an accompanying piece (there were three sequence shots in this series) but is not on this piece. They l...Category
1980s Conceptual Black and White Photography
MaterialsSilver Gelatin
- Tacita Dean, Aerial View of Teignmouth Electron - Contemporary PhotographyBy Tacita DeanLocated in Hamburg, DETacita Dean (British, born 1965) Aerial View of Teignmouth Electron, Cayman Brac 16th of September 1998, 2000 Medium: Gelatin silver print on paper Dimensions: 21 x 26 cm (8 1/4 x 10...Category
21st Century and Contemporary Conceptual Black and White Photography
MaterialsSilver Gelatin
Recently Viewed
View AllMore Ways To Browse
Black Woman Photography
Black White Photography Woman
Black And White Photography Woman
Vintage Figure Photography
Woman Vintage Black And White Photography
White Vintage Draws
Silver Gelatin Czech
Tichy Miroslav
1960 Photographs
Museum Stone
Black And White Framed Photographs
Vintage Portrait
Black And White Series Photographs
Series Of Black And White Photographs
White Books
White Photo Frame
Archive Vintage
Large Black And White Artist