Mitch Dobrowner

Lightning/Cotton Field, limited edition photograph, archival, signed

2021

Lightning/Cotton Field, signed, limited edition, storm photograph Mitch Dobrowner has been traveling in the company of professional storm chases for...

Lightning/Cotton Field, limited edition photograph, archival, signed The adrenaline of seeing Mother Nature during some of her finest moments will be ingrained in me forever. It is a humbling experience - and I feel fortunate to have witnessed her power and grandeur over the past 12 years. My experiences are hard to describe in words During this last trip (July 2021) we traveled over 6400 miles in 10 days crossing through 10 different states - all in my quest/passion to photograph these storm systems. But this time the events of the last year made me more aware, opened my eyes wider, and had a different effect on me. The effects of Climate Change have become obvious. The current patterns are changing and they are accelerating faster than anyone realized or predicted. Just over the past decade, the characteristics of the Jet Stream and the Gulf Stream have changed. Pandemics, droughts, devastating heatwaves, wildfires, massive floods, and rising oceans are accelerating. As I sit here in my house in Lone Pine, CA in 103-degree heat I can hardly see the outlines of Lone Pine Peak and Mount Whitney...

Lightning/Cotton Field, limited edition photograph, archival, signed The adrenaline of seeing Mother Nature during some of her finest moments will be ingrained in me forever. It is a humbling experience - and I feel fortunate to have witnessed her power and grandeur over the past 12 years. My experiences are hard to describe in words During this last trip (July 2021) we traveled over 6400 miles in 10 days crossing through 10 different states - all in my quest/passion to photograph these storm systems. But this time the events of the last year made me more aware, opened my eyes wider, and had a different effect on me. The effects of Climate Change have become obvious. The current patterns are changing and they are accelerating faster than anyone realized or predicted. Just over the past decade, the characteristics of the Jet Stream and the Gulf Stream...

Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition, especially for his panoramic landscapes of Texas and the Four Corners region. He has also photographed extensively in Ireland, a project for which he received a grant from the Ballinglen Arts Foundation in 1995. He has exhibited widely in both group and solo exhibitions, and his work is a part of several permanent public and corporate collections such as the Amon Carter Museum and the Museum of Fine Arts, Houston. Gibson's luminous black-and-white landscapes demonstrate a remarkable sensitivity to light and mood. Dramatic clouds, imminent storms and an occasional lighting strike...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can ...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

Black and white fine art landscape photography. Single tree with small hut at the beautiful vineyard in the Champagne in France. Archival pigment ink print...

This meditative labyrinth is next to the Ghost Ranch retreat and education center located close to the village of Abiquiú in Rio Arriba County in north central New Mexico, United Sta...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 8. All Gerald Berghammer prints are made to orde...

Archival Black and White Pigment print, from an Analogue Negative, Framed in a white shadow box frame. “Joshua’s Hand” reaches into the sun despite the rays of heat beating down on ...

Sofia Borges cphot-bor.004916 Plato’s Cave, 2012 Pigment print on cotton paper mounted on Sintra Edition 2 of 3 + 1 AP Size 1: 59 x 103 inches (149.9 x 261.6 cm) Size 2: 100 x 175 cm Edition of 5 + 1 AP Sofia Borges makes haunting, large-format photographs of archival objects and illustrations such as museum dioramas, taxidermy animals, Cold War-era ephemera, and archaic medical drawings...

`Shadow Within` Norway/USA 2010-2013 110 cm. x 150 cm. (47 in. x 59 in.) Edition 3 + 1 a.p. 100 cm x 150 cm. Edition 3 + 1 a.p. Archival ink cotton paper (archival pigment prin...