Rick Chapman

Water Tower, Mexico

1995

Sunrise, YP Ranch by Adam Jahiel is a 13 x 13 inch silver gelatin print, available in an edition of 50. This photograph is dry mounted onto a 24 x 20 inch mat board. This photograp...

Edition of 35 Signed, titled, dated and numbered in pencil on print verso. Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the...

Edition of 50 Signed, titled, dated and numbered in pencil on print verso. Gelatin silver print From Uncertain to Blue series Paper size: 16 x 20 in., Images: 15 x 15 in. Keith Cart...

Edition of 50 Signed, titled, dated, and numbered. Paper size: 20 x 16 in., Image size: 15 x 15 in. Keith Carter is an American photographer who is known for his dreamlike black and...

Signed by Elliott Erwitt. Gelatin silver print, 11 x 14 in. Born to Russian parents in Paris in 1928, Elliott Erwitt spent his childhood in Milan, Italy, before emigrating to the Un...

Edition of 25 Signed, titled, dated, print date and numbered in pencil on print verso.

Gelatin silver print (Edition of 50) Signed, titled, dated, and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City.

ALBERT WATSON (*1942, Scotland) Monkey with Gun, New York City 1992 Vintage Silver Gelatin Print, Unique Image 36 x 28 cm (14 1/8 x 11 in.) Sheet 61 x 50.8 cm (24 x 20 in.) Frame 62 ...

Robert Stivers. Hands, 2001. Unique gelatin silver print.

Robert Stivers. Dancer, 2006. unique one-of-a-kind gelatin silver print.

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

Mikael Siirilä Helsinki, Finland, 2023 Handmade silver gelatin print. The fibre-based photograph is tea-toned, stamped, signed and numbered in pencil o...