Ricky Cohete

Untitled 2. Limited Edition Black and White Photograph

2017-2018

Shanghai #6 by David Jay 40 in. H x 60 in. W Archival Pigment Print Edition of 5 2012 UNFRAMED Shanghai is a series by photographer David Jay exclusive to Art Design Project. Jay’s p...

BOTTLE and CRY ME A RIVER, BELÉM DO PARÁ by Guilherme Licurgo Archival Pigment Print Overall size: 35 in. H x 46 in. W Individual size: 35 in. H x 23 in. W Both works are limited Edition of 10 + 1AP Other sizes are available. All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. ____________ Guilherme Licurgo was born in Rio de Janeiro in 1983 and is currently residing and working in São Paulo, Brazil. Invited to model for Terry Richardson for his book, "Terry Richardson Rio Cidade Maravilhosa" in 2008, Guilherme went on to study Photography at the Panamericana School of Art. He discovered his real passion behind the lens, creating images. He has been working as a photographer ever since. He has worked for many Brazilian and International brands/ magazines, including Lancaster Paris, Architecture Beauty Culture Design, Roberto Cavalli, Wonderland, Martha Graham Dance Company, EMI Records, Greenpeace, PIRELLI, at PIRELLI CALENDAR...

Don't Tell Mamma #10, 1994-2010 by Koray Erkaya From the series of Don't Tell Mamma Hahnemühle Photo Matt Fibre Duo 210 Paper Deckled Edge Image size: 24 in. H x 16 in. W (60 cm H x...

Don't Tell Mamma #13, 1994-2010 by Koray Erkaya From the series of Don't Tell Mamma Hahnemühle Photo Matt Fibre Duo 210 Paper Deckled Edge Image size: 24 in. H x 16 in. W (60 cm H x...

Don't Tell Mamma #8, 1994-2010 by Koray Erkaya From the series of Don't Tell Mamma Hahnemühle Photo Matt Fibre Duo 210 Paper Deckled Edge Image size: 34 in. H x 34 in. W (85 cm H x ...

Don't Tell Mamma #6, 1994-2010 by Koray Erkaya From the series of Don't Tell Mamma Hahnemühle Photo Matt Fibre Duo 210 Paper Deckled Edge Image size: 24 in. H x 16 in. W (60 cm H x ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...