Silas Shabelewska

Caroline in the Entrance Hall, Villa Victoria, MONTE-CARLO, B&W photography

1980-2011

This is a UNIQUE print in large scale silver gelatin print photography, mounted on disband and framed in a black frame same as in the image featured here. The image showing the showroom is to show the scale of the work "In Situ". The image on the showroom image is of another work no longer available. TITLE: On Top of The World - Villa Prince Rainier, Eze-sur-Mer, France (THE MONTE CARLO SERIES). 1980-2011 Image size: 30 x 45 1/4 in. Framed size: 43 5/8 x 57 7/8 x 2 1/4 inches Unique Print in silver gelatin print mounted on disband and framed THE MONTE-CARLO SERIES (1980), Early works from 1980, Executed in 2011. Shot in abandoned 19th century villas in and around Monaco and Monte-Carlo between 1980 and 1982, the photographs feature young women in the artist's intimate circle of friends playfully posing in eccentric vintage attire...

This large photograph is UNIQUE. Only one was made in that large size. The photograph is a silver gelatin print mounted on disband and framed in a back wooden frame. The image in the living room shows the scale and size of the work (different image on the photo). THE MONTE-CARLO SERIES (1980), Early works from 1980, Executed in 2011. Shot in abandoned 19th century villas in and around Monaco and Monte-Carlo between 1980 and 1982, the photographs feature young women in the artist's intimate circle of friends playfully posing in eccentric vintage attire...

This portrait of Helmut Newton was taken in 1995 during a TV Special on Helmut Newton with Télé Monte-Carlo (in the Principality of Monaco at...

This is a beautiful small painting on wood panel in artist frame. Cole’s work, From Tokyo to Berlin, is the culmination of three years of travel (from 2015 to 2018) both east and we...

TITLE: Meeting Warhol (The Inability of Meeting Someone Famous Objectively); 2013 This painting is part of a series of paintings from the series titled: The Inability of Meeting So...

With "DELPHES TALE", Dumas explores the story of our conscious evolution in contact with the primordial intelligence alive in our oceans, dolphins. Since the dawn of time, myths and ...

Inspired by the geometric paintings by Cuban artist Carmen Herrera and minimalist photography, a rare one of a kind gelatin silver print, toned with sepia/selenium toned and printed by hand in a traditional darkroom using...

Rare one of a kind silver gelatin lith print on foma paper of a Cuban man grinding coffee in a tree stump. Contemporary documentary photograph, taken in Santiago De Cuba. Shot on medium format film and printed by hand in a traditional photo darkroom. Cuban coffee...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

Larry Fink (American, born 1941). "Lovers in Doorway" - late 20th century, silver gelatin photograph print, signed "Larry Fink" to lower right and numbered ...

The history of photography has always included the genre of the nude. In the last decade, there is a new perspective in considering the female form. Women photographers are able to c...