Albert Watson

Kylie Bax in Mirror, New York City

1999

Brigitte LUSTENBERGER (*1969, Switzerland) Who can say where one ends and the other begins, 2023 From the series 'An Apparition Of Memory' C-print 100 x 100 cm (39 3/8 x 39 3/8 in.) ...

Brigitte LUSTENBERGER (*1969, Switzerland) Kaleidoscopic vision, 2023 From the series 'An Apparition Of Memory' C-print 100 x 132.5 cm (39 3/8 x 52 1/8 in.) Edition of 5, plus 2 AP; ...

Jung LEE (*1972, South Korea) I Love You With All My Heart #2, 2020 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 166,8 x 206,9 x 3,5 cm (65 5/8 x 81 1/2 x 1 3/8 in...

Michael WOLF (1954 – 2019, Germany) Paris Street View #7, 2009 C-Print Sheet 228.6 x 177.8 cm (90 x 70 in.) Edition of 3 plus 1 AP; Ed. no. 1/3 Print only – Michael Wolf Michael Wo...

Stéphane COUTURIER (*1957, France) Usine Toyota n°9 (Valenciennes), 2005 Sheet 182 x 241 cm (71 5/8 x 94 7/8 in.) Frame 189 x 241 cm (74 3/8 x 97 5/8 in.) Edition of 5; Ed. no. 3/5 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction. WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...

MICHAEL WOLF (*1954, Germany) Transparent City #01 2007 C-print Sheet 121,9 x 152,4 cm (48 x 60 in.) Frame 127 x 158 cm (50 x 62 1/4 in.) Edition of 9,...

Reliant Robin in blue – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresque postmode...

Gondolas in Venice during winter

Photograph of the Schagl Abbey Library in Austria by Reinhard Görner. Fine Art Lightjet Print, mounted on aluminum, plexiglass or resin. Two weeks manufacturing time, then shipping ...

Series: Mouths Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 30" 40" x 60" 48" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs Tyler Shields...

Crushing - 2017, 80x80cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2017-792. Not mount...

Blue Dress - part III (Sidewinder) - 2005 Proof b4 Printing / 38x36cm analog C-Print, hand-printed by the artist, based on a Polaroid, signed on front. What exactly is a Proof bef...