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Anja HitzenbergerChinese Fast Food 13 (aka Twist Potato) - Contemporary Street Photography2011
2011
About the Item
Chinese Fast Food 13 (aka Twist Potato) - Contemporary Street Photography
2011
C-print
68 x 101 cm (ed. 3/5+1 AP)
also available in 87 x 130 cm (ed. 3+1 AP)
Print is unframed and comes with a sticker signed by the artist
The series "Chinese Fast Food", shot in a temporary food court set up inside Beijing's Olympic Park, reveals a visually and viscerally overloaded fast-food culture that may make some mouths water and other bellies ache. Anja Hitzenberger concentrates on the saturated visual displays of the food stalls and the way the environment contrasts with the boredom of the workers, offering an insight into some of the contradictions in contemporary Chinese culture. The series was elected Portfolio of the Year 2012 by the Parisian „Le Journal de la Photographie“ and has been published on numerous blogs and in magazines around the world.
- Creator:Anja Hitzenberger (1970, Austrian)
- Creation Year:2011
- Dimensions:Height: 26.78 in (68 cm)Width: 39.77 in (101 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Vienna, AT
- Reference Number:1stDibs: LU1498213203542
Anja Hitzenberger
Anja Hitzenberger was born in Salzburg, Austria, she lives and works in New York and Vienna. Studies at the International Center of Photography in New York. Solo and group exhibitions in Europe, the United States, South America and Asia. Numerous participations at film festivals, performances and video installations. Numerous artist in residencies and project grants. Media artist Anja Hitzenberger does not rely on genre-specific classifications. She is a photographer and filmmaker, she works with intervention and installation, she immerses herself in a world of terpsichorean movement, in spaces of architecture and urban structure and population; she investigates the world around her and portrays it as it is - or as it is not. The discrepancy between general condition and specific desideration is the border area in which she finds her themes and motifs. She sees people, situations, places, and thinks beyond these: what is it that we see, that is presented - and what actually lurks behind it?
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