Bill Armstrong

After Charles Ray, Plank Piece

2019

Archival inkjet print Signed, titled, dated, and numbered, verso 18 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 40 x 54 inches (Edition of 5) This artwork is offere...

Archival pigment print Signed, titled, dated, and numbered, verso 11 x 14 inches (Edition of 15) 20 x 24 inches (Edition of 10) This photograph is offered by ClampArt, located in N...

Archival pigment print Signed and numbered, verso 14 x 11 inches (Edition of 15) 24 x 20 inches (Edition of 10) This photograph is offered by ClampArt, located in New York City. Pl...

Archival pigment print Signed and numbered on label, verso 20 x 34.9 inches (Edition of 4) 41 x 71.5 inches (Edition of 5) 58 x 101 inches (Edition of 3) This photograph is offere...

Archival pigment print Signed and numbered on label, verso 28.8 x 20 inches (Edition of 4) 50.4 x 41 inches (Edition of 5) 71.3 x 58 inches (Edition of 3) This photograph is offer...

Archival pigment print Signed and numbered on label, verso 26.7 x 20 inches (Edition of 5) 54.7 x 41 inches (Edition of 6) This photograph is offered by ClampArt, located in New York City. In a subtle turn away from the more direct portraiture of her monkey and bear portraits, Jill Greenberg presents here a selection of photographs of horses...

The frequencies I am made of, Set Individual Image size: 68.8 in. H x 43.3 in. W Overall Image size: 68.8 in. H x 216.5 Gicleé print on cotton rag 68.8" H x 43.3" W Ed 4/5 + 1AP 201...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

Godley & creme - Signed limited edition archival pigment print - Edition of 5 London, 1983 Tinted Black & White Art print This is an Archival Pigment print on fiber based paper...

Swim - Signed limited edition archival pigment print, Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lign...

Color Photography, Landscape, Sunset, Woman, Beach, Water, sunset, woman, ocean, outdoors, Dalton Portella, nature, dream, photography, color photograph, Color Edition 1 of 10 Col...

24"x30" will photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern...