Catharina Bond

Rooms of Requirement (Light Blue) - 21st Century Color Contemporary Photography

2014

Rooms of Requirements (Light Blue) - 21st Century Color Portrait Contemporary Photography Edition 1/4+1 AP Print is unframed and comes with a label signed by the artist Catharina Bond‘s work deals with culturally constructed patterns of perception, especially socially determined norms and hierarchies as well as subversive mechanisms of communication which emerge from those structures. Those familiar and historically evolved frameworks are being questioned and reflected by introducing subtle modifications within their content or characteristics. Born in 1980 in Vienna, Austria. Lives and works in Vienna. Studies at the Royal College of Art London, the Academy of Fine Arts in Vienna, University College London...

Rooms of Requirements (Light Blue) - 21st Century Color Portrait Contemporary Photography Edition 3/4+1 AP Print is unframed and comes with a label signed by the artist Catharina Bond‘s work deals with culturally constructed patterns of perception, especially socially determined norms and hierarchies as well as subversive mechanisms of communication which emerge from those structures. Those familiar and historically evolved frameworks are being questioned and reflected by introducing subtle modifications within their content or characteristics. Born in 1980 in Vienna, Austria. Lives and works in Vienna. Studies at the Royal College of Art London, the Academy of Fine Arts in Vienna, University College London...

„At the point where I make contact with the world, I am always already dead.“ - 21st Century Color Portrait Contemporary Photography Edition 3/4+1 AP Print is unframed and comes with...

„At the point where I make contact with the world, I am always already dead.“ - 21st Century Color Portrait Contemporary Photography Edition 2/4+1 AP Print is unframed and comes with...

Michael Huey Disturbance (no. 7) 2022 44 x 38 cm ed. 5+2 based on a photography from approx. 1910 archival Ink Jet Print on watercolour paper, framed with glass Michael Huey Born...

Michael Huey Disturbance (no. 8) 2022 43,5 x 36 cm ed. 5+2 based on a photography from approx. 1910 archival Ink Jet Print on watercolour paper, framed with glass Michael Huey Bo...

MISS ERIS #28 [From the series Les Foxy Femmes de Carmen De Vos] Art print based on an expired Polaroid photograph mounted on Dilette 2mm - 30x30cm - gloss UV Protection Hand signe...

Edition of 3 More sizes on request. A naked model with a cat mask is lies on a bed and is holding a cigarette. Tyler Shields is an American Photographer, screenwriter, director and...

Price for UNFRAMED item The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will be held on Wednesday, June 27th from 6 – 8 PM, and the show will be on view until September 23rd, 2018 Rice has brought together the works of 55 gallery artists and nearly a hundred photographs for this salon-style exhibition. From floor to ceiling, the walls of the gallery are a mosaic of various size photographs in sepia, color and black & white, expertly hung to fit together like pieces of a puzzle. “This is my favorite exhibition even though it takes months to curate and a week to install,” says Rice. “I love the moment when a viewer is first drawn to an image. Sometimes in’s indefinable; a moment when the viewer not only shares but reconnects to an experience remembered.” Each year, the Summertime Salon matures and Rice’s annual masterpiece is revealed to showcase an exhibition stronger than the year before. Rice has a close relationship with the works of her photographers, and strategically curates the show to best exemplify the artists’ strengths, remaining cohesively linked by Rice’s aesthetic. This year’s invitational image, Hoop and Ball by Nenad Samuilo Amodaj is from a series of one hundred photographs. Rice chose three photographs from Amodaj’s series to create a triptych on the back wall of her gallery for this exhibition. The invitational image is of a standing semi-nude woman in profile wearing a hoop skirt. Her entire head rests inside of a large white plaster ball that she holds above her. He explained: “I wanted to explore the abstract architectural properties of the hoop skirt, a clothing item with curious geometric form that appears both in nature and in the world of artifice.” Before photographing the model he created numerous figure drawings that helped solidify his vision for the series. Male nude...

Richard Heeps became well-known for his Burlesque Photography after he spent 2003 capturing performances in Britain & America. He spent a lot on time with his subjects on a number of...

Richard Heeps became well-known for his Burlesque Photography after he spent 2003 capturing performances in Britain & America. He spent a lot on time with his subjects on a number of...

Richard Heeps became well-known for his Burlesque Photography after he spent 2003 capturing performances in Britain & America. He spent a lot on time with his subjects on a number of...