Chris Fan

Neon Chicago, Chicago, IL, 2015

2015

Animal, Horse, Print, Sepia, Mixed Media, Texture

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In this dream-based series, water becomes a metaphor for sky. The invitational image, Bourrée, depicts a woman suspended in soft hues of blue, floating upward as if ascending into the heavens. In Arabesque, the model seems to tumble gracefully through clouds, arms outstretched. Olson’s color images are surreal and mysterious. In most of the images there are refractions of light and bits of clouds that blend together, leaving us feeling as if we are looking at watercolor paintings. Olson describes Rapture as, “a biography of my dreams.” This series represents, for her, the world that lies just beyond consciousness—where “time shifts, gravity loosens and we slip into another realm.” Through the images she conveys the dreams she’s had since childhood of floating weightless in the sky. In reality, Olson photographed them from above in swimming pools in Seattle, Washington combining images with clouds photographed mostly in North Dakota, where she grew up and visits each summer. The effect is ethereal. Her models could be construed as angels. Olson’s entrancement with the medium spans over 30 years, starting in 1980 when she did a series of swimmer images while in graduate school at the University of Oregon. In the Rapture series, despite each image’s balanced composition, Olson claims the process of photographing women...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

Contemporary still life photograph of white flower with light pink, orange center Untitled- Number 74 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte pa...

Contemporary still life photograph of white flower with light pink, orange center Untitled- Number 74 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte pa...

Contemporary still life photograph of dandelion flowers on a white background Untitled- Flower 147 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte pape...

Untitled - Number 149 (White), by Chad Kleitsch, 2010 Contemporary still life photograph of white tulip flower on white background Archival pigment print on Hahnemuhle photo rag matt...

Contemporary still life photograph of white tulip flower on white background Untitled - Number 149 (White), by Chad Kleitsch, 2010 Archival pigment print on Hahnemuhle photo rag matt...

Contemporary still life photograph of white flower with light pink, orange center Untitled- Number 74 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte pa...