George McLeod

#2, Tree Huggers from the Future, 'Funky eco-tourist levitating in the forest'

"An image taken in Pushkar during what was to be a memorable trip and the last link with normality before the pandemic took hold. We travelled around India, the days becoming more and more precious as we got the sense of Covid's restrictive net closing in around the world. The image was finished some months later, while fully in the grasp of a second lockdown. The addition of gold leaf symbolised for me a sense of hope and the spiritual energy with which I will always associate India, and especially Pushkar." - Valda Bailey...

Katie Eleanor, ‘Your Hand, Your Tongue’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Handcoloured portrait of otherworldly lovers, immobilised in marble, dancing in blooming meadows. A whimsical tale of adoration, Ursa and her spiritual partner take visual cues from Titania and Bottom in Dieterle and Reinhartd’s 1936 interpretation of A Midsummer Nights Dream. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: URSA LOVES YOU, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Katie Eleanor, ‘Your Hand, Your Tongue III’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Artist Name : Sander Vos Width (cm) x Height (cm): 30 x 21Year : 2021Edition : Edition of 7 + 2 AP Medium : Photography, Print Description: The series ‘In ...

Hand-coloured portrait of nymph Daphne, immobilised in marble, as she is transformed into a laurel tree. Birthed in Greek Mythology, Daphne is associated with bodies of freshwater and is an unwilling object of the god Apollo...

Available in three editioned sizes, With self-adhesive COA (Certificate of Authenticity) Available sizes: 31.5” x 23.62” (80 x 60 cm) - Edition of 7 47.24” x 35.43” (120 x 90 cm) - ...

Available in four editioned sizes, With self-adhesive COA (Certificate of Authenticity) Available sizes: 20.67" x 27.56" (52.5 x 70 cm) - Edition of 10 25.98" x 34.65" (66 x 88 cm) ...

Available in four editioned sizes, With self-adhesive COA (Certificate of Authenticity) Available sizes: 27.56" x 20.67" (70 x 52.5 cm) - Edition of 10 34.65" x 25.98" (88 x 66 cm) ...

Available in three editioned sizes, With self-adhesive COA (Certificate of Authenticity) Available sizes: 31.5” x 23.62” (80 x 60 cm) - Edition of 7 47.24” x 35.43” (120 x 90 cm) - ...

Available in three editioned sizes, With self-adhesive COA (Certificate of Authenticity) Available sizes: 23.62” x 31.5” (60 x 80 cm) - Edition of 7 35.43” x 47.24” (90 x 120 cm) - Edition of 5 47.24” x 62.99” (120 x 160 cm) - Edition of 3 Cat’s Escape Sebastian Magnani's latest photographic series offers rare glimpses into Catwoman’s downtime, revealing a more languorous side of the iconic character. Interchangeably portrayed as Batman's foe, crime-fighting partner and lover, Catwoman is one of the most interesting and complex fictional antiheroes. Seductively captured on location in her tight, black catsuit...

Available in three editioned sizes, With self-adhesive COA (Certificate of Authenticity) Available sizes: 31.5” x 23.62” (80 x 60 cm) - Edition of 7 47.24” x 35.43” (120 x 90 cm) - Edition of 5 62.99” x 47.24” (160 x 120 cm) - Edition of 3 Cat’s Escape Sebastian Magnani's latest photographic series offers rare glimpses into Catwoman’s downtime, revealing a more languorous side of the iconic character. Interchangeably portrayed as Batman's foe, crime-fighting partner and lover, Catwoman is one of the most interesting and complex fictional antiheroes. Seductively captured on location in her tight, black catsuit...