Heidler & Heeps

Stamp Collection, QV 3 cents - Conceptual color photography

2017

Heidler’s seductive images are a playful collection of contradictions. Ghostly outlines collide with vibrant colours. Their black backgrounds give them the appearance of neon signs l...

Heidler’s seductive images are a playful collection of contradictions. Ghostly outlines collide with vibrant colours. Their black backgrounds give them the appearance of neon signs l...

Heidler’s seductive images are a playful collection of contradictions. Ghostly outlines collide with vibrant colours. Their black backgrounds give them the appearance of neon signs l...

Shot in Kowloon in 2016 this stunning abstract piece is so striking in a room. The whole 2016 Hong Kong collection has this reoccurring linear pattern. As a photographer Richard is a...

Richard Heeps series A Short History of Milan began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become popular with art buye...

Streets of Kowloon Navy, part of Richard Heeps series photographing on the streets of Hong Kong in Kowloon in 2016 this stunning abstract piece is so striking in a room. The whole 20...

SLAVES WE WERE, 1982, color photograph, signed and dated and titled in ink, numbered 3/50, sheet 12 x 16”. Hand signed, titled and has the edition number on the recto. Gerard Allon, photographer, born 1949, Casablanca, Morocco. Immigrated to Israel in 1974. In 1985 Allon left Israel and established himself in Canada. He became interested in holography and developed a patent for the "holoposter" .Gérard Allon (Moroccan, Israeli) was born in 1949 in Morocco, grew up in Algiers, then in France. He learned French literature at the Lille University and worked as director assistant for the cinema and the French television. At age 24 he went to Israel and made a movie on the first Jewish settlement on the Golan Heights. From 1975 he has developed an Artist photographer career. The transformation of the camera arts in Israel began in the summer of 1975 with a juried exhibition in Tel Aviv entitled Through the Lens of Immigrant Photographers. Held under the auspices of the Ministry Of Education and Culture, the exhibition included six artists selected by a jury: one of them, the then-unknown Gérard Allon. To include him was an act of almost prophetic clairvoyance, since both as an artist and a photographer, Allon was destined to play a most important role in the renewal of the art in Israel, above all in the field of commercial and fashion photography. Together with a handful of other young photographers active at the time (among them the immigrants Yosaif Cohain and Neil Folberg, and Israelis educated abroad, such as Hanan Laskin, Avi Ganor, and Micha Kirshner), Allon was instrumental in bringing much-needed foreign influences into the insular bubble of local photography. He belongs to the younger generation of camera artists who have established new standards and have brought Israel Photography...

Please be aware that the US recently imposed an import duty on photographs printed in the last 20 years which may apply if you are purchasing and importing this to the US. Floricult...

PROJECT 12:31 [ HOUSE ] by Frank Schott long exposure light drawings using motion graphics of scientific scans to recreate the human form 48" x 69" / 122cm x 175cm edition of 7 ...

large scale monochromatic abstract observation of mesmerizing atmospheric color palette, from Raymond Meier's series Renderings Sky (Rendings 04) by Ray...

Ulrike Königshofer Shadows on Paper, Nr 2 - Contemporary Abstract Blue Monochrome Photography 100 x 70 cm Edition 3/3+1 AP Signed photo print, not framed In her works, the artist...

Ulrike Königshofer Shadows on Paper, Nr 4 - Contemporary Abstract Blue Monochrome Photography Signed print, not framed 100 x 70 cm Edition 2/3+1 AP In her works, the artist Ulrike ...