Jo Whaley

Stage Stills (3)

2016

Spode Blue Italian with Lime, limited edition, archival pigment ink photograph Eating is a physical need, but meals are a social ritual. Utilizing ...

Visually I try to construct my images in a metaphorical and abstract way so that the viewer’s imagination is free to explore and derive their own thoughts and conclusions independent...

Wedgwood Hibiscus with Red Onion, limited edition, archival photograph, signed and numbered. The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value. Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...

Gien Jardin du Palais with Broccoli Tiger Beets, limited edition photograph, limited edition, archival photograph, signed and numbered. The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value. Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...

Wedgwood Menagerie with Citrus, limited edition photograph The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value. Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...

Wedgwood Sapphire Garden with Pineapple Beets, limited edition photograph, archival, signed and numbered. The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value. Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday...

16x20” Limited Edition Next available edition printed upon purchase. Other sizes available. Please allow 4 weeks for production.

Bunny Lambert Mellon’s potting shed, Upperville, Virginia, 31 May 2010 "Trompe l'oeil (and not)" Photographed by Jonathan Becker Contemporary 28" x 28.5...

Chez Zsa Zsa Gabor, Bel Air, California, 5 May 2007 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Ce...

Bunny Lambert Mellon’s trompe l'oeil potting shed in Upperville, Virginia, 31 May 2010 Photographed by Jonathan Becker Contemporary 28" x 28.5" Archival ...

HANS WITHOOS (Rotterdam, The Netherlands) Tears of Honey, 2017 40 x 40 inches - Edition of 9 Fine art inkjet print on special paper rag, on Dibond with a certified Liquid Gloss fini...

HANS WITHOOS (Rotterdam, The Netherlands) Vanitas with Seneca, 2016 60 x 40 inches - Edition of 9 Fine art inkjet print on special paper rag, on Dibond with a certified Liquid Gloss...