Items Similar to Are you gonna leave me? - Contemporary, 21st Century, Polaroid, Figurative
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Stefanie SchneiderAre you gonna leave me? - Contemporary, 21st Century, Polaroid, Figurative2008
2008
About the Item
'Are you gonna leave me?' (Till Death do us Part) - 2008
20x24cm,
Edition of 10,
Archival C-Print print, based on the Polaroid.
Certificate and Signature label, artist Inventory No. 8953.02,
Not mounted.
A German view of the American West
The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century?
This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.'' The first to use expired Polaroid film as their medium and in doing so inspired the resurrection of Polaroid film itself. Saving the last production line in the world from it's impending destruction in 2008.
Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work,'' explained Schneider.
(Barnebys UK, May 3, 2017
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen, Bombay Beach Biennale 2018.
Stefanie Schneider's new photographic works tell fantastic stories about her adopted Californian home. She seeks out faded American myths and distils auratically charged reality in a very personal and surprising way. She uses out-of-date Polaroid film, and the blemishes caused by the degenerated film stock, - are included in the composition in a painterly way. Exposure mistakes and low budget movie effects are combined to alienating effect. Everything shimmers and flickers before our eyes. The artist plays with the authentic poetry of the amateur, mixing strangely dreamy staging with random photochemical events. In the 16-part work Frozen, which is characterized by a strangely transcendent mood in the lighting, film-still-like pictorial clusters come together to form a mysterious story, with the artist herself as the lonely protagonist. the aesthetic is reminiscent of early Lynch films. The components of the elliptically choreographed events are scenes from an enchanted, gleaming winter landscape, together with "staged snapshots" of a pale young woman in her underskirts, who radiates the troubled reality of a mirage with her sleep walking presence. The story is presented in the manner of cinematic flashbacks or dream sequences. Stage blood and a knife are used to evoke a crime of passion whose surreal attractiveness is derived from the scenic openess of what is shown. The deliberate use of old instant picture stock establishes in a richly faceted way the ephemeral quality of vulnerability and transience within a reality that is brittle from the outset. The American Stars and Stripes, recently updated as the absolute epitome of a patriotic signifier, is the subject of the 9-part work Primary Colors (2001). Schneider's reassuringly European view, free of undue emotion, presents the Stars and Stripes motif in a strangley alienated form: she shows stills with phases of fluttering violently in the wind, even torn in some cases, and the poor film stock emphazises the fragility of the icon even more.
(translated from German by Michael Robinson)
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2008
- Dimensions:Height: 7.88 in (20 cm)Width: 9.45 in (24 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652311365032
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1996
1stDibs seller since 2017
955 sales on 1stDibs
Typical response time: 4 hours
- ShippingRetrieving quote...Ships From: Morongo Valley, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Disappear - Contemporary, Conceptual, Polaroid, 21st Century, Portrait, ColorBy Urizen FreazaLocated in Morongo Valley, CA'Disappear' 2015, Edition 1/10 plus 2 Artist Proofs. 20 × 50 × 0.8 cm. 'Last night i dreamt that i was dreaming of you' Digital Print based on Polaroid triptych, mounted under Plex...Category
2010s Contemporary Color Photography
MaterialsArchival Paper, Plexiglass, C Print, Polaroid, Color
- Max Blue (The last Picture Show) - based on a Polaroid Original - ProofBy Stefanie SchneiderLocated in Morongo Valley, CAMax Blue (The last Picture Show) Proof b4 Printing, 38x36cm, 2005 analog C-Print, hand-printed by the artist, based on a Polaroid, signed on front. This is a raw analog C-print, ha...Category
1990s Contemporary Color Photography
MaterialsPhotographic Paper, Archival Paper, C Print, Polaroid, Color
- Bates Motel I (The last Picture Show) - based on a Polaroid Original - ProofBy Stefanie SchneiderLocated in Morongo Valley, CABates Motel I (Last Picture Show) Proof b4 Printing, 38x36cm, 2005 analog C-Print, hand-printed by the artist, based on a Polaroid, signed on front. This is a raw analog C-print, h...Category
1990s Contemporary Color Photography
MaterialsPhotographic Paper, Archival Paper, C Print, Color, Polaroid
- Tree at Night (The last Picture Show) - based on a Polaroid Original - ProofBy Stefanie SchneiderLocated in Morongo Valley, CATree at Night (Last Picture Show) Proof b4 Printing, 38x36cm, 2005 analog C-Print, hand-printed by the artist, based on a Polaroid, signed on front. This is a raw analog C-print, h...Category
1990s Contemporary Color Photography
MaterialsPhotographic Paper, Archival Paper, C Print, Color, Polaroid
- Untitled (Fairytales) - analog, Contemporary, Polaroid, ColorBy Stefanie SchneiderLocated in Morongo Valley, CAUntitled (Fairytales) - 2006 48x59cm, Edition 3/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the original Polaroid. Certif...Category
Early 2000s Contemporary Color Photography
MaterialsPhotographic Paper, C Print, Color, Polaroid, Archival Paper
- Lila & Sam - Contemporary, Figurative, Polaroid, Photograph, Expired, AnalogBy Stefanie SchneiderLocated in Morongo Valley, CAA piece of art from the feature film movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Ma...Category
Early 2000s Contemporary Color Photography
MaterialsPhotographic Paper, Archival Paper, C Print, Polaroid, Color
You May Also Like
- Elena SeatedBy Jack PernoLocated in Chicago, ILArchival Pigment Print Edition of 25 Print size: 38 H x 30 W inches Frame size: 54 H x 44 W inches This piece is a digital reproduction of an original 8 x 10" polaroid that was man...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsInkjet, Polaroid, Archival Ink, Archival Paper
- Elena WashingBy Jack PernoLocated in Chicago, ILArchival Pigment Print Edition of 25 Print size: 38 H x 30 W inches Frame size: 54 H x 44 W inches This piece is a digital reproduction of an original 8 x 10" polaroid that was man...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsArchival Ink, Archival Paper, Inkjet, Polaroid
- Tyler Shields - Champagne- Signed PhotographBy Tyler ShieldsLocated in New York City, NYLos Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...Category
2010s Contemporary Color Photography
MaterialsPlexiglass, Archival Paper, C Print
- Tyler Shields - Ferrari Mechanics - Signed PhotographBy Tyler ShieldsLocated in New York City, NYLos Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...Category
2010s Contemporary Color Photography
MaterialsPlexiglass, Archival Paper, C Print
- Tyler Shields - Catwoman Ballet- Signed PhotographBy Tyler ShieldsLocated in New York City, NYLos Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial images and surrealistic portraits...Category
2010s Contemporary Color Photography
MaterialsPlexiglass, Archival Paper, C Print
- Tyler Shields - The Mystery Of the Borrowed Dress - Signed PhotographBy Tyler ShieldsLocated in New York City, NYLos Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...Category
2010s Contemporary Color Photography
MaterialsPlexiglass, Archival Paper, C Print