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Stefanie Schneider
Untitled (Beachshoot) - Polaroid - featuring Radha Mitchell

2005

About the Item

Untitled (Beachshoot) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1404. Not mounted. Beachshoot These photographic fantasies are determined by carefully chosen constraints and the use of symbolic attributes. Telegraph poles, airplanes, vast wastelands, a train bridge or a 50s American car tell in the same manner different stories, as do lurid wigs, kids toys, a headscarf or an old super 8 camera. Schneider’s work feeds on anecdotes and story telling, but also on her specific European perspective on America. The world of her photographs is populated by narrow-chested boys and fragile girls, who do not seem to be aware of their own youth and beauty. Their light heartedness is invaded by a menacing grown-up world, to which they oppose their juvenile lack of compromise. 
And actually her work does have an autobiographical aspect to it, since the artist makes herself and her friends the focus of the camera. Stefanie Schneider's Polaroid photography is often described as "timeless," "nostalgic," and "dreamlike." Her use of expired Polaroid film, with its unpredictable colors and textures, creates a sense of unreality in her images and creating a sense of fragmentation and ambiguity that blurs the boundaries between past and present, and it creates a sense of memory as a fluid, shifting concept. Schneider's interest in Americana motifs, particularly those associated with the 1950s and 1960s, speaks to a sense of longing for a bygone era. Her images of motels, diners, and vintage cars evoke a sense of nostalgia for a time that may never have existed in reality. At the same time, these motifs are often paired with images of decay and abandonment, which suggest a darker, more complex interpretation of the American dream. Schneider's depictions of women are also a significant aspect of her art. Her female subjects are often depicted in states of undress, but the images are not intended to be exploitative or objectifying. Rather, they are intended to explore the complexity of human relationships and emotions. Schneider's women are often depicted in moments of vulnerability, suggesting a sense of shared humanity and a challenge to traditional notions of female beauty and perfection. Overall, Schneider's Polaroid photography is a deeply evocative exploration of memory, nostalgia, and the human experience. Her art challenges viewers to question their own perceptions of reality and to consider the complex, shifting nature of time and memory.
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