Stéphane CouturierLes Nouveaux Constructeurs, Sète – Port n°4 – Stéphane Couturier, Architecture2018
2018
About the Item
- Creator:Stéphane Couturier (1957)
- Creation Year:2018
- Dimensions:Height: 27.17 in (69 cm)Width: 20.48 in (52 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Zurich, CH
- Reference Number:1stDibs: LU128017226372
Stéphane Couturier
Stéphane Couturier is a French contemporary artist and photographer, born in 1957, in Neuilly Sur Seine, France. He currently lives and works in Paris. In 1994, he showed his first works in a series, called Urban Archaeology, viewing the city as a living organism with multiple aspects. He photographed it deliberately, avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 onwards, Stéphane was increasingly drawn to the suburbs and began to focus on a different type of landscape. On the one hand, by tackling housing blocks and high-rises in his Monuments series and on the other, by photographing mushrooming housing developments. These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych, the combinations and interchangeability of each of the elements in a polyptych give rise to a play with Landscaping, with the spectator recomposing a landscape between reality and fiction. With a new body of work, called Melting Point, Stéphane changed his visual approach in 2005. This series presents a Toyota assembly plant in Valenciennes, France. It also evolved with new subjects, like the Indian city of Chandigarh, built by Le Corbusier and the Brazilian city of Brasilia, built by Oscar Niemeyer, from 2007–10.
- ShippingRetrieving quote...Ships From: Zurich, Switzerland
- Return PolicyA return for this item may be initiated within 1 day of delivery.
- I Love You With All My Heart #2 – Jung Lee, Neon, Text, Installation, SymbolBy Jung LeeLocated in Zurich, CHJung LEE (*1972, South Korea) I Love You With All My Heart #2, 2020 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 166,8 x 206,9 x 3,5 cm (65 5/8 x 81 1/2 x 1 3/8 in...Category
2010s Contemporary Color Photography
MaterialsC Print
- Usine Toyota n°1 (Valenciennes) – Stéphane Couturier, Toyota, Car Factory, ArtBy Stéphane CouturierLocated in Zurich, CHSStéphane COUTURIER (*1957, France) Usine Toyota n°1 (Valenciennes), 2005 C-Print with Diasec Face in Artist's Frame Sheet 182 x 240.5 cm (71 5/8 x 94 5/8 in.) Frame 189 x 247.5 cm (74 3/8 x 97 1/2 in.) Edition of 5; Ed. no. 2/5 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction. WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...Category
Early 2000s Contemporary Color Photography
MaterialsC Print
- Transparent City #01 – Michael Wolf, Photography, Architecture, City, SkyscraperBy Michael WolfLocated in Zurich, CHMICHAEL WOLF (*1954, Germany) Transparent City #01 2007 C-print Sheet 121,9 x 152,4 cm (48 x 60 in.) Frame 127 x 158 cm (50 x 62 1/4 in.) Edition of 9,...Category
Early 2000s Contemporary Color Photography
MaterialsC Print
- A855 Road Car Headlights – Albert Watson, Blue, Nature, Road, Photography, NightBy Albert WatsonLocated in Zurich, CHALBERT WATSON (*1942, Scotland) A855 Road Car Headlights 2013 C-print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 unframed...Category
2010s Contemporary Color Photography
MaterialsC Print
- Usine Toyota n°18 (Valenciennes) – Stéphane Couturier, Toyota, Car Factory, ArtBy Stéphane CouturierLocated in Zurich, CHStéphane COUTURIER (*1957, France) Usine Toyota n°18 (Valenciennes), 2005 C-Print with Diasec Face in Artist's Frame Sheet 182 x 246.4 cm (71 5/8 x 97 in.) Frame 189 x 253.4 cm (74 3/8 x 99 3/4 in.) Edition of 5; Ed. no. 2/5 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction. WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...Category
Early 2000s Contemporary Color Photography
MaterialsC Print
- Transparent City #62 – Michael Wolf, Chicago, USA, City, Rooftops, SkyscraperBy Michael WolfLocated in Zurich, CHMichael WOLF (1954 – 2019, Germany) Transparent City #62, 2007 C–print Sheet 182.9 x 233.7 cm (72 x 92 in.) Frame 190 x 240 x 5 cm (74 3/4 x 94 1/2 x...Category
Early 2000s Contemporary Color Photography
MaterialsC Print
- Venaria Reale II - Torino (from Perspectives series)By Massimo ListriLocated in New York, NY"What makes his work unique is how he has made interiors look so absolutely vivid, as if they had a secret life of their own that only he knows how to portray. Listri has the extraor...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsC Print
- Lila and Sam from the movie Stay with Ewan McGregor, Naomi WattsBy Stefanie SchneiderLocated in Morongo Valley, CAA piece of art from the movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...Category
Early 2000s Contemporary Color Photography
MaterialsArchival Paper, Photographic Paper, C Print, Color, Polaroid
- Smokers At Closing TimeBy Maria PassarottiLocated in New York, NYDigital chromogenic print from negative, edition 1/5, framedCategory
21st Century and Contemporary Contemporary Color Photography
MaterialsColor, Photographic Paper, C Print
- Highline At DuskBy Maria PassarottiLocated in New York, NYDigital chromogenic print from negativeCategory
21st Century and Contemporary Contemporary Color Photography
MaterialsColor, Photographic Paper, C Print
- Palazzo del Quirinale Salone dei CorazzieriBy Massimo ListriLocated in New York, NYPalazzo del Quirinale Salone dei Corazzieri 2015 C print Signed, dated, and numbered on verso label 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 ...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsC Print
- Biblioteca di Mafra I PortogalloBy Massimo ListriLocated in New York, NYBiblioteca di Mafra I Portogallo, 2015 C-print Signed, numbered and dated on verso 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 inches edition of...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsC Print